Here are 73 books that A Poke in the I fans have personally recommended if you like
A Poke in the I.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
Many people are intimidated by poetry. For a big part of my life, I was too. So much of the poetry I had been exposed to was either indecipherable or irrelevant to me. Then I discovered some poems that I loved—accessible poems about subjects I related to. I started collecting poetry books, by both adult and children’s poets. Eventually, I was inspired to write poetry of my own. Today, I’m a poetry advocate, recommending my favorites to anyone who shows interest. The satisfaction I get from poetry boils down to this: When I read a good poem, I think to myself, “Wow, I didn’t know words could do that.”
After writing 14 children’s books about art appreciation, I decided to try my hand at children’s poetry. When I read this collection of haiku by Jack Prelutsky, it was a revelation. Each poem is a first-person description of an animal, full of rich, unexpected language. By writing in first-person, Prelutsky broke one of haiku’s cardinal rules. But it worked—and inspired me to write my own collection in the first person as well. Here’s one of my favorites poems in his book:
Raucously we caw.
Your straw men do not fool us.
We burgle your corn.
Seventeen haiku composed by master poet Jack Prelutsky and illustrated by renowned artist Ted Rand ask you to think about seventeen favorite residents of the animal kingdom in a new way.
On these glorious and colorful pages you will meet a mouse, a skunk, a beaver, a hummingbird, ants, bald eagles, jellyfish, and many others. Who is who? The answer is right in front of you. But how can you tell? Think and wonder and look and puzzle it out!
A creature whispers:
If not for the cat, And the scarcity of cheese, I could be content.
Many people are intimidated by poetry. For a big part of my life, I was too. So much of the poetry I had been exposed to was either indecipherable or irrelevant to me. Then I discovered some poems that I loved—accessible poems about subjects I related to. I started collecting poetry books, by both adult and children’s poets. Eventually, I was inspired to write poetry of my own. Today, I’m a poetry advocate, recommending my favorites to anyone who shows interest. The satisfaction I get from poetry boils down to this: When I read a good poem, I think to myself, “Wow, I didn’t know words could do that.”
When I first became interested in children’s poetry, I found a seven-book series by James Stevenson—all self-illustrated, and all with titles containing the word “corn.” I loved everything about them, including his loose pen-and-ink illustrations washed with watercolor. His style seems effortless, with unique and relatable observations on everyday scenes or objects. A lot of poetry feels like it’s trying too hard. Stevenson taught me the power of not letting the effort show. Here’s a perfect example:
There’s a yellow chair
at the junkyard gate.
Sometimes an old guy sits there
just to make sure
nobody swipes a crane.
The author of Popcorn amasses a collection of short poems with titles such as "The Morning After Halloween," "Dumpsters," and "What Frogs Say To Each Other."
Many people are intimidated by poetry. For a big part of my life, I was too. So much of the poetry I had been exposed to was either indecipherable or irrelevant to me. Then I discovered some poems that I loved—accessible poems about subjects I related to. I started collecting poetry books, by both adult and children’s poets. Eventually, I was inspired to write poetry of my own. Today, I’m a poetry advocate, recommending my favorites to anyone who shows interest. The satisfaction I get from poetry boils down to this: When I read a good poem, I think to myself, “Wow, I didn’t know words could do that.”
As an example of just how inventive poetry can be, this book is hard to top. The subject of each poem is a fictitious animal created by combining two dissimilar words that share common sounds. For example, umbrella + elephant = umbrellaphant. The rhythm in Prelutsky’s poems is always smooth, making them fun to read out loud. This book makes me want to drop everything and play with words, which for me is the essence of poetry. Here’s an excerpt from "The Ballpoint Penguins":
The Ballpoint Penguins do not think,
they simply write with endless ink.
They write of ice, they write of snow,
for that is all they seem to know.
Jack Prelutsky has written a series of truly inventive and entertaining poems that are perfectly paired with Carin Berger’s witty collage pieces. It’s a beautiful picture book with a look and feel unlike any of Prelutsky’s prior work.
So put on your pith helmet and prepare to explore a wilderness of puns and rhymes where birds, beasts, vegetables, and flowers have been mysteriously scrambled together to create creatures you've never seen before—and are unlikely to meet again!
Your guides—Jack Prelutsky, poet laureate of the elementary school set, and award-winning illustrator Carin Berger—invite you to join them on an adventure you…
Many people are intimidated by poetry. For a big part of my life, I was too. So much of the poetry I had been exposed to was either indecipherable or irrelevant to me. Then I discovered some poems that I loved—accessible poems about subjects I related to. I started collecting poetry books, by both adult and children’s poets. Eventually, I was inspired to write poetry of my own. Today, I’m a poetry advocate, recommending my favorites to anyone who shows interest. The satisfaction I get from poetry boils down to this: When I read a good poem, I think to myself, “Wow, I didn’t know words could do that.”
I love wordplay, and Douglas Florian is a master. His poems are short, fun, and well-crafted. He also illustrates his books, in a style that is sketchy, childlike, and textural. When I need a bit of lighthearted inspiration for my own poetry, Florian always delivers. He has written dozens of books, but his book about summer called Summersaults captures the essence of his style. Here’s a delicious sample:
"A Summery"
June: We seeded.
July: We weeded.
August: We eated.
What do you like about summer?Mountain hikes? Picking cherries? Curve balls? Ice cream cones?
What do you not like about summer?Blackouts? Bee swarms? Thunderstorms? Ninety degrees?
However you answered, Douglas Florian will convince you that summer is great. His poems and pictures add up to the best vacation imaginable -- and it is one you can have at any time of the year. A companion volume to the highly praised Winter Eyes,Summersaults proves that Douglas Florian is a poet for all seasons.
I have written about the environment as a journalist since 2005, for magazines and newspapers including National Geographic,The New York Times, and Outside. For my last book, I wanted to write about animals as individuals—not just as units in a species, the way they are often thought of by conservationists. Diving into research about animal selfhood was an amazing journey. It helped shape my book, but it also changed the way I see the world around me—and who and what I think of as “people”!
I don’t read very much fiction (although I want to read more!) but I thought it would be interesting to check out some novels where animals are main characters.
I read several, and this is the one I still think about all the time. The main character is a crow and although the book is a fantastical mytho-poetic adventure through time and space, it is also a wonderful exercise in cross-species empathy.
While you are reading, you really feel like you understand what it means to be a crow. It really stuck with me; I found it really rich and wondrous.
“Ka is a beautiful, often dreamlike late masterpiece.” —Los Angeles Times
“One of our country’s absolutely finest novelists.” —Peter Straub, New York Times bestselling author of Interior Darkness and Ghost Story
From award-winning author John Crowley comes an exquisite fantasy novel about a man who tells the story of a crow named Dar Oakley and his impossible lives and deaths in the land of Ka.
A Crow alone is no Crow.
Dar Oakley—the first Crow in all of history with a name of his own—was born two thousand years ago. When a man learns his language, Dar finally gets the…
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
This story really covered a lot of ground for me, it sorta collapsed my idea of how to present visual information, it’s “novelistic” in structure, snippets of a woman’s messy life told mostly in the equivalent of subtitles, the visuals sometimes tracking the emotions rather than a string of actions. It was also published by the publisher of Batman but there was nothing even remotely supernatural about it, it wasn’t edgy or dark beyond how any of our lives are.
COMPLETE GRAPHIC NOVEL Cranky columnist Anne Merkel is only happy when she's complaining...about her editors, about being single in New York City, about running out of Scotch. But when her long-lost sister shows up claiming to be Queen of the Leather Astro-Girls of Saturn, Anne's going to wish she'd never complained about anything... WINNER OF THE HARVEY AWARD Best Graphic Album of Original Work SPECIAL EDITION BONUS: Includes a never before published teleplay written by Kyle Baker, also a few other rarities.
There have always been disabled people shaping my worldview and understanding, however, I am an expert only about my own disabilities. Disabled storytellers, including Helen Keller, sometimes utilize tactical silence to scream… I value that! However, barriers confronting the disabled require broad and sometimes loud collective action from many people in many communities and not just a marginalized few. Disability activism is a complex, tactical fight over time for self-determination that touches all of us at some point. COVID, world events, and experiencing some barriers disabled and marginalized groups face all the time have compelled me to share a few of my favorite reads related to disability and inclusion.
My personal creativity is not tidy… I believe nobody creates in a vacuum. The disabled contribute intelligence, perspective, and expression to all modes of creative production. Understanding how to utilize talent from any historically marginalized group means learning how to communicate with folks with diverse abilities and backgrounds. Utilizing respectful language and practices with diverse communities will draw and engage audiences with more vibrant storytelling in today’s world. This practical guide includes case studies designed to guide theater companies to create inclusive productions with the disabled in central and creative roles. Disability andTheatreillustrates how in the theater, where “all the world is a stage”, as in our own lives, creative processes emerge when people with different abilitieswork together… that is just good living.
Disability and Theatre: A Practical Manual for Inclusion in the Arts is a step-by step manual on how to create inclusive theatre, including how and where to find actors, how to publicize productions, run rehearsals, act intricate scenes like fights and battles, work with unions, contracts, and agents, and deal with technical issues. This practical information was born from the author's 16 years of running the first inclusive theatre company in New York City, and is applicable to any performance level: children's theatre, community theatre, regional theatre, touring companies, Broadway, and academic theatre. This book features anecdotal case studies that…
I’ve lived a long, richly varied, well-traveled, international life, and I can truly say my education has been worldly. Despite advancements in science and technology, two millennia of patriarchal religious brainwashing have prevented humanity from achieving gender balance in power and peace on earth. Today, more than ever, women who confront societal norms are essential to humanity’s progression and the preservation of our planet. People often open up to me about their most daring and dangerous experiences because they know I won’t judge. Their most intimate and romantic revelations have particularly inspired me, and I have namelessly infused many of them into my books, alongside my own. Empowerment begins with education.
Davis takes you on an engrossing adventure into New York’s past—and present—that encompasses mystery, history, suspense, unexpected romances, real family drama, art, heroines generations apart, feminism, and so much more, evoking one’s every emotion.
Her skillful combination of fact and fiction is brilliant, and I thoroughly enjoyed the thrilling exposés of buried secrets of the Gilded Age. I fell in love with Davis's descriptions of the artwork and the strong women involved in making the Frick Mansion/Museum a New York icon. I wanted to get on the next plane to New York and feel their spirits that she so believably described, and as an artist, myself, revel again in the esteemed artwork there!
Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue, returns with a tantalizing novel about the secrets, betrayal, and murder within one of New York City's most impressive Gilded Age mansions.
Eight months since losing her mother in the Spanish flu outbreak of 1919, twenty-one-year-old Lillian Carter's life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists' models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. But…
No matter the genre, I have always loved surprises in a story. I want characters to do the unexpected and plots to take me to, “Oh, I didn’t see that one coming.” Because that’s how life is, how my own life has been. Due to connections we didn’t understand and secrets people around us have kept (or we didn’t bother to uncover) the unexpected always jumps out in front of us. I also like characters who are either discovering or re-focusing their power in ways that are beneficial to themselves and others. Again, this has been my life’s story and I want my characters to search for that same balance.
Claire is seven years old when her college-age sister is found dead at a resort on the Caribbean island of Saint X.
Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with a man originally suspected of murdering her sister. This book is not your standard Thriller; the cast of characters is large and the plot complex, but the author pulls it off.
It’s also not a book to keep you up all night. Try three or four nights. The writing is brilliant in ways not often seen in the genre and I was forced to slow down and give myself over to the story. It’s one I will never forget.
'Hypnotic, delivering acute social commentary on everything from class and race to familial bonds and community . . . I devoured Saint X in a day.' Oyinkan Braithwaite (author of My Sister, the Serial Killer), New York Times
Claire is only seven years old when her college-age sister Alison vanishes from the luxury resort on the Caribbean island of Saint X on the last night of her family's vacation. Several days later Alison's body is found in a remote spot on a nearby cay, and two local men, employees at the resort, are arrested. But the evidence is slim, the…
I’ve spent years studying individual people involved in the American Revolution, especially the British soldiers and their wives. These were the people who did the day-to-day work, and their stories deserve to be told. I troll archival collections to find original documents that allow me to piece together the lives of the thousands of individuals who made up the regiments and battalions, focusing not on what they had in common, but on how they were different from each other, part of a military society but each with their own lives and experiences. They made the history happen.
Books on the war’s campaigns usually aggregate large numbers of people into bland terms like “regiments” and “refugees,” singling out only a few key players as individuals.
This book takes a refreshingly different approach, examining one of the war’s major operations from the level of participants of all sorts, from senior government officials down to the soldiers, civilians, and spies caught up in the fighting. The campaign itself has heretofore been almost entirely overlooked, or seen only in terms of a few of the battles that were part of it.
The result is a vivid account of the many components of a major campaign, and the legions of individuals involved.
After two years of defeats and reverses, 1778 had been a year of success for George Washington and the Continental Army. France had entered the war as the ally of the United States, the British had evacuated Philadelphia, and the redcoats had been fought to a standstill at the Battle of Monmouth. While the combined French-American effort to capture Newport was unsuccessful, it lead to intelligence from British-held New York that indicated a massive troop movement was imminent. British officers were selling their horses and laying in supplies for their men. Scores of empty naval transports were arriving in the…
