66 books like A Poke in the I

After writing 14 children’s books about art appreciation, I decided to try my hand at children’s poetry. When I read this collection of haiku by Jack Prelutsky, it was a revelation. Each poem is a first-person description of an animal, full of rich, unexpected language. By writing in first-person, Prelutsky broke one of haiku’s cardinal rules. But it worked—and inspired me to write my own collection in the first person as well. Here’s one of my favorites poems in his book:

Raucously we caw.
Your straw men do not fool us.
We burgle your corn.

When I first became interested in children’s poetry, I found a seven-book series by James Stevenson—all self-illustrated, and all with titles containing the word “corn.” I loved everything about them, including his loose pen-and-ink illustrations washed with watercolor. His style seems effortless, with unique and relatable observations on everyday scenes or objects. A lot of poetry feels like it’s trying too hard. Stevenson taught me the power of not letting the effort show. Here’s a perfect example:

There’s a yellow chair
at the junkyard gate.
Sometimes an old guy sits there
just to make sure
nobody swipes a crane.

As an example of just how inventive poetry can be, this book is hard to top. The subject of each poem is a fictitious animal created by combining two dissimilar words that share common sounds. For example, umbrella + elephant = umbrellaphant. The rhythm in Prelutsky’s poems is always smooth, making them fun to read out loud. This book makes me want to drop everything and play with words, which for me is the essence of poetry. Here’s an excerpt from "The Ballpoint Penguins":

The Ballpoint Penguins do not think,
they simply write with endless ink.
They write of ice, they write of snow,
for that is all they seem to know.

I love wordplay, and Douglas Florian is a master. His poems are short, fun, and well-crafted. He also illustrates his books, in a style that is sketchy, childlike, and textural. When I need a bit of lighthearted inspiration for my own poetry, Florian always delivers. He has written dozens of books, but his book about summer called Summersaults captures the essence of his style. Here’s a delicious sample:

"A Summery"

June: We seeded.
July: We weeded.
August: We eated.

In recent years, nothing has gripped with me a child-like sense of excitement and wonder like The West Passage. I read fantasy as much for the experience of wonder as anything else.

As a child, I daydreamed constantly about fantastical worlds and strange planets, and I want fantasy to transport me back to that imaginative mindset. But that isn’t all it has to offer. Every page is packed with strangeness and mystery but also rich with its characters' emotional lives and psychological foibles. I was delighted and intrigued from page one.

I don’t read very much fiction (although I want to read more!) but I thought it would be interesting to check out some novels where animals are main characters.

I read several, and this is the one I still think about all the time. The main character is a crow and although the book is a fantastical mytho-poetic adventure through time and space, it is also a wonderful exercise in cross-species empathy.

While you are reading, you really feel like you understand what it means to be a crow. It really stuck with me; I found it really rich and wondrous. 

Claire is seven years old when her college-age sister is found dead at a resort on the Caribbean island of Saint X.

Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with a man originally suspected of murdering her sister. This book is not your standard Thriller; the cast of characters is large and the plot complex, but the author pulls it off.

It’s also not a book to keep you up all night. Try three or four nights. The writing is brilliant in ways not often seen in the genre and I was forced to slow down and give myself over to the story. It’s one I will never forget.

It’s impossible not to root for Lucy Clark. Shipped by negligent parents to a boarding school where every semblance of comfort is taken from her, and then brutally banished to NYC after a terrible accident, Lucy finds herself trying to solve a murder mystery.

The target is an elderly woman who has been grossly underestimated, much like Lucy herself. With a keen best friend, ageism-defying twists, and the rich refuge of plants and desserts, this book is a must-read for anyone who’s ever found themselves at the bottom, looking for a way back up.

One of my favorite novels is Herman Wouk’s Marjorie Morningstar, a coming of age story of Marjorie and Mrs Morgenster, a/k/a the original helicopter mom.

This Pulitzer Prize-winning author was male but managed to get into the head of both teenage girl and indomitable mother–and the results are funny and poignant. There’s all kinds of bonus detail about 1930s-1940s NYC: college, dating, and theater scenes.

As someone who is fascinated by mom culture, I like to recommend mother-daughter stories that illustrate how parenting styles and family relationships have changed over time. While it all started with Marmee, Louisa May Alcott (Jo’s) idealized supermom, I have a fondness for the ambivalently modern struggles between Mrs. Morgenstern and Marjorie, the female leads in Herman Wouk’s classic novel, Marjorie Morningstar. 

This is a coming of age story that has it all: beautiful and ambitious heroine, handsome love interest, colorful best friend, and the… show more.

While I was writing my novel about Elizabeth Arden and Helena Rubinstein, I heard that Renée Rosen was writing about Estée Lauder and couldn’t wait to read it.

She perfectly captures the pushy, driven, hilarious character of Estée, who was known for accosting strangers in the street to tell them they were wearing the wrong shade of lipstick for their skin tone. Renée Rosen is one of the authors whose books I always preorder: I love everything she writes.