Here are 32 books that Art Deco Complete fans have personally recommended if you like
Art Deco Complete.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I think I was always meant to write about drinks for a living, it just took me a while to realise. Ever since my Dad gave me a copy of Harry's ABC of Mixing Cocktails as a kid (to look at the cartoonish illustrations) I've been fascinated by these particularly adult delights. I've also followed flavour around all my life like a Loony Tunes figure in the thrall of a beckoning wisp of fragrant steam. Studying this stuff for various drinks industry qualifications has only made that interest grow stronger, and so I take it out on you, dear reader, in the nicest way, of course.
I just love how this book looks, first of all. It has an elegant, art deco, classy vibe that really sets the mood, and your mood is an important part of enjoying a good cocktail, or any drink for that matter.
There are some cocktails in here I know I'll never make, I'm not going to mix up my own bone tincture, but that doesn't matter. This isn't so much a recipe book for the home mixologist as it is a coffee-table collection of inspiring drinks.
When I leaf through the pages and look at all the gorgeous photographs, it sets me dreaming of which bars I want to visit next. That being said, it still features plenty of cocktails I'll want to whip up the next time I have guests over.
A collection of 200 iconic drinks from around the globe, each of which has changed the culture of the cocktail
A signature cocktail is a bespoke drink that expresses the nature of the time, person, or place for which it was created. In this book, the author curates a collection of the most celebrated cocktails - from well-known classics such as the Bellini, to the up-to-the-minute Twin Cities from New York's ultra-hip Dead Rabbit bar. Signature cocktails have become an increasingly popular way to define the style and character of a celebrated…
I’m a spirits writer, educator, and judge specializing in bourbon and other American whiskeys based in Louisville, Kentucky. I have authored or co-authored six books on bourbon (including two bourbon cocktail books) and among the publications for which I am a regular contributor are Bourbon+ (where I focus on the biology and chemistry of whiskey making) and American Whiskey Magazine, for which I write whiskey tasting notes and ratings. I am also the past president of The Bourbon Women Association. When I am not writing or conducting private, customized bourbon tastings, I present seminars at bourbon festivals and other bourbon events around the United States.
While most of my professional drinking involves bourbon, my favorite change-of-pace cocktail is the martini. Lavishly illustrated, the book caught my eye when it was first published more than a quarter-century ago. Also, I had to own a book whose author had the splendidly Wodehousian name, Barnaby Conrad, III. Herein you’ll find photos and quotations of famous martini drinkers, both real and fictional, from Franklin Roosevelt and Dorothy Parker to James Bond and Nick and Nora Charles. Alas, it was published too soon to cite the wonderful scene in the film “Carol” when Cate Blanchett orders “a dry martini with an olive” at lunch. An illustration of two 1930s screen beauties pouring martinis from an Art Deco shaker inspired me to track down an identical specimen at an antiques mall.
A chilled, crystal glass; the purest gin; a touch of dry vermouth--vigorously shaken, not stirred--and a plump, green olive. The martini was and still is more than just a cocktail. Originally mixed in the nineteenth century, it became an American icon in the twentieth, and the favorite drink of such luminaries as Franklin D. Roosevelt, Winston Churchill, Jack London, and Ernest Hemingway. Bernard De Voto called the martini "the supreme American gift to world culture," while H. L. Mencken declared it "the only American invention as perfect as a sonnet."
The first book of its kind to explore the drink's…
Ever since I stumbled across the story of May Dugas, who the Pinkertons described as “the most dangerous woman in the world,” I’ve been fascinated by women who were born into lowly circumstances and yearned to better themselves. How far were they willing to go to rise above their station? This question takes on added weight for women in earlier eras—when women’s choices and opportunities were limited. So I’ve long been attracted to historical fiction that examines just these questions. And I’ve enjoyed hearing readers’ reactions to May’s story when I visit book clubs. What reader isn’t fascinated by stories of transgression and daring?
What could be better than one wily, take-charge woman? How about three? This is Ariel Lawhon’s debut novel, and it is pure fun. (I have enjoyed all her novels, but this one is a real romp.) The story launches one summer night in 1930 when Judge Joseph Crater steps into a New York City cab and is never heard from again. I loved how we learn the judge is a not-so-honorable character, involved with three women: Stella, his fashionable wife, the picture of propriety; Maria, their steadfast maid, indebted to the judge; and Ritzi, his showgirl mistress, willing to seize any chance to break out of the chorus line. This is a tantalizing reimagining of a scandalous mystery that rocked the nation in 1930—Justice Joseph Crater's infamous disappearance—through the eyes of the three women who knew him best. Lawhon has a real knack for finding fascinating characters!
From the New York Times bestselling author of I Was Anastasia comes a “genuinely surprising whodunit” (USA Today)that tantalizingly reimagines a scandalous murder mystery that rocked the nation.
One summer night in 1930, Judge Joseph Crater steps into a New York City cab and is never heard from again. Behind this great man are three women, each with her own tale to tell: Stella, his fashionable wife, the picture of propriety; Maria, their steadfast maid, indebted to the judge; and Ritzi, his showgirl mistress, willing to seize any chance to break out of the chorus line.
An enthralling portrait of the Bloomsbury Group’s key figures told through a rich collection of intimate photographs. Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private…
From the moment I could understand that there was a country very far away where my mother was born, where my parents met, where their Russian and Austrian families could live safely, where there was no antisemitism, I wanted to know more about China. The cultures my family came from could not have been more different than Chinese culture, yet my great-grandparents, grandparents and parents chose to find haven in a distant land that presented obstacles, but did not throw up barriers. I’ve come to discover that throughout time, regardless of culture, regardless of station, women have achieved amazing things in the complicated and mysterious society that has been China throughout time.
In 1929, Bernardine Szold Fritz, age 33, accepted a proposal of marriage that brought her to Shanghai. From the very beginning, I was intrigued. Why would a single Jewish woman hop a train to China to be with a fourth husband, a man she met briefly in Paris? While the marriage is a disappointment, Art Deco Shanghai is not.
Like other Jewish women before her, she started a salon in her home and an International Arts Theater that saw the likes of Hollywood luminaries and famous names in the arts and politics. I was mesmerized by how Bernardine’s commitment to intellectual pursuits defied the fragile political situation that existed in Shanghai through the civil wars and the time period leading up to World War II. She brought creativity and joy to a city that would soon change forever.
Meet the Jewish salon host in 1930s Shanghai who brought together Chinese and expats around the arts as civil war erupted and World War II loomed on the horizon.
Bernardine Szold Fritz arrived in Shanghai in 1929 to marry her fourth husband. Only thirty-three years old, she found herself in a time and place like no other. Political intrigue and scandal lurked on every street corner. Art Deco cinemas showed the latest Hollywood flicks, while dancehall owners and jazz musicians turned Shanghai into Asia's top nightlife destination.
Yet from the night of their wedding, Bernardine's new husband did not live…
I am a somewhat eclectic personality, who has studied both arts (fashion, illustration) and sciences (geology, chemistry) alike. I hope that in the book choices I have made - using my love of words, appreciation of fine books, and natural discernment - the reader will find a degree of excellence; as well as surprise and delight, at the discovery of titles they may not even have thought of!
Dover (one of my favourite publishers) has the knack of knowing good art when they see it. This is one of my favourite books, slimline though it happens to be - showing the genius imagination, and fashion illustration, of “RT (his real initials)” at its most luscious.
We’re treated to: the alphabet; numbers; playing cards; gems; and The Seasons - albeit, not in the forms you might think - but in the glorious, arresting, Art-Nouveau style that was Erte’s trademark. A feast for the eyes, and above all - just the sort of fun we need, to motivate us, in this day and age!
The Russian-born, Paris-bred artist Erté (Romain de Tirtoff) is recognized as one of the foremost fashion and theatrical designers of the twentieth century. In 1968, when he produced his first lithographs, art lovers discovered that he had found another medium suited to his extraordinary talents. This volume provides a fascinating sample of Erté's very best graphic work, offering every plate from his most popular collections: The Alphabet (1977); The Numerals (1968); The Aces (1974); The Precious Stones (1969); and The Seasons (1970). Each plate has been painstakingly reproduced from the autographed, limited-edition lithographs. A brief Preface offers bibliographic data.
I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I repost art that catches my eye. I click when I see a piece of Egon Schiele on social media. It’s impossible to look away, which is saying something, considering the variety and audacity of modern art. Born in Tulln, Austria, in 1890, Schiele died of the Spanish Flu in 1918 at only 27.
A student of Gustav Klimt, Schiele’s art is expressionistic, graphic, and transformative. His imagination is a slap in the face, a Munch “Scream” of a crime scene photograph. Steiner has done a great service in producing this art book, in which all of Schiele’s work is reproduced in color. His commentary is, at the same time, chronological and thematic. Schiele survived derisive criticism and prison, and although his life was short, his imaginative punches still landed.
With his graphic style, figural distortion, and defiance of conventional standards of beauty, Egon Schiele (1890-1918) was a pioneer of Austrian Expressionism and one of the most startling portrait painters of the 20th century.
Mentored by Gustav Klimt, Schiele dabbled in a glittering Art Nouveau style before developing his own much more gritty and confrontational aesthetic of sharp lines, lurid shades, and mannered, elongated figures. His prolific portraits and self-portraits stunned the Viennese establishment with an unprecedented psychological and sexual intensity, favoring erotic, exposing, or unsettling poses in which he or his sitters cower on the floor, languish with legs…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Mario Praz’s Illustrated History of Interior Decoration is a wonderful chatty collection of case studies that explores the history of the subject in a well-informed and erudite manner. Interiors are generally lost to the mists of time, remembered only as the backdrop to other activities in paintings and prints, Praz has searched out the best of these to generously illustrate the book.
This is a reference source for anyone with an interest in period styles of furniture and decoration, this book comprises a complete survey of domestic interiors portrayed in art from the ancient world to the late 19th century. A collection of pictures and watercolours from all over Europe, Russia and America record rooms of all periods and their contents; the furniture, fabrics, carpets, pictures and wall-coverings. This text presents a cultural history of man in relation to his domestic surroundings.
A cult author who has survived by the skin of her wits. Nina has spent her adult years in London though many believe she is from New York, which sounds like a lot of travelling for someone who has spent the majority of her life in the dream land of writing. What does being a cult author entail? It is to be a literary Will o’ the Wisp, possessing a gem like glimmering in a mist of obscurity, loved by the rarified few. After writing many critically acclaimed books on various nefarious rock n’ rollers, her ardor dimmed with the passing years as those she had loved were no more and so she returned to her first love, which is the strange and supernatural.
This bejeweled guide to Fin de Siècle art and aesthetics is like a moonlit walk in one of King Ludwig II fairytale castles, populated by androgynous chimeras, drowned princes, and erotic vampires carrying John the Baptist’s head on a platter designed by Moreau. As fabulous and tragic as the author, whose drag mode was that of a convincing English Spinster, Philipe Jullian was born to write this book which has influenced my work since I bought it aged 18, with not a clue about life. For over 40 years I have endeavored to keep a torch burning for the extraordinary decorative aesthetics of the author. Few books are as complete as Dreamers of Decadence for not only does Jullian explore the artists of that curious oeuvre, he also introduces the best of the literature as well as the movement’s strange obsessions and themes, each chapter revealing new facets of the…
There have been few movements in the history of Western art as strange as that of the Decadents of the last quarter of the 19th Century. While public attention was preoccupied with the Impressionists, many painters were reacting in a totally different...and more imaginative way...to the grim horrors of the new industrial society around them. The roots of the Decadents, as these artists came to call themselves, were to be found in the poetic visions of the English Pre-Raphaelites of the 1850s. Their first great Continental exponent was a brilliant and neglected painter of the fantastic, Gustave Moreau; their most…
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This stunning book features 100 inspiring interiors across the globe, and is a great resource to get to know some of the world’s best designers. There is just enough text to provide an understanding of the history, concepts, and ideas behind each project, while the core focus is on the photography of rooms and details. Quite simply, you may want to study interior design after reading this book cover to cover.
This compact volume features over 100 of the most spectacular interiors from across the world, spanning the entire 20th century to the present day. It includes interiors assembled by artists and fashion designers, architects, interior and set-designers, bringing together diverse design talents from Piero Fornasetti to Alvar Aalto, Marc Newson and Matthew Williamson. Twenty short profiles are presented in the introduction, with a single iconic photograph and a concise, informative text; the interiors are arranged by chronological order, with superb colour photography and texts recounting the stories of these remarkable designs. Representing every style from minimalism and Art Nouveau to…
I’m a historian specialising in the French Revolution at the University of Glasgow. During my doctorate, my now wife and I stayed in Ménilmontant in the 20th arrondissement. There grew a knowledge and love of Paris that have never diminished. As part of my research, I explore the places and spaces where events unfolded, trying to understand how these sites have since changed and been overwritten with new meanings and historical memories: I have the worn-out boots to show for it. I’m currently writing a book on Paris in the Belle Époque, from the completion of the Eiffel Tower in 1889 to the outbreak of the First World War.
Hazan knows every nook and cranny of his city. He exults in the buildings and architecture, but his main subject is the people who wove the fabric of its diverse communities and their histories. He takes us on a historical journey that passes from the salons of the old aristocracy to the artisanal districts where popular, revolutionary activism was born. Hazan makes no attempt to conceal his left-wing sympathies, but he is equally at home admiring the Art Nouveau gems of the well-heeled 16th arrondissement as he is enjoying the vibrant, ethnically diverse northern districts of the city. Hazan’s love of the human life of Paris shines through.
The Invention of Paris is a tour through the streets and history of the French capital under the guidance of radical Parisian author and publisher Eric Hazan. Hazan reveals a city whose squares echo with the riots, rebellions and revolutions of the nineteenth and twentieth centuries. Combining the raconteur's ear for a story with a historian's command of the facts, he introduces an incomparable cast of characters: the literati, the philosophers and the artists-Balzac, Baudelaire, Blanqui, Flaubert, Hugo, Maney, and Proust, of course; but also Doisneau, Nerval and Rousseau. It is a Paris dyed a deep red in its convictions.…
