Here are 100 books that Ancient Turkey fans have personally recommended if you like
Ancient Turkey.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I'm a Scottish writer, addicted to reading and writing historical fiction. My love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. My expeditions since have taken me all over the world and back and forth through time (metaphorically, at least), allowing me to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age.
Every historical period needs a seminal work to set the scene and give a solid grounding in the era. Bryce's 'The Kingdom of the Hittites' does that and manages to entertain along the way, with stories of outlandish Hittite customs - such as spitting in a sheep's mouth to cure marital strife! - adding colour and character to the foundational principles of their ancient societal system.
In the 14th century BC the Hittites became the supreme political and military power in the Near East. How did they achieve their supremacy? How successful were they in maintaining it? What brought about their collapse and disappearance? This comprehensive history of the Hittite kingdom seeks to answer these questions. It takes account of important recent advances in Hittite scholarship, including some major archaeological discoveries made in the last few years. It also features numerous translations from the original texts, so that on many issues the ancient Hittites are given the opportunity to speak to the modern reader for themselves.…
I'm a Scottish writer, addicted to reading and writing historical fiction. My love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. My expeditions since have taken me all over the world and back and forth through time (metaphorically, at least), allowing me to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age.
The Bronze Age was followed by the Iron Age. What caused this epochal shift? Eric Cline outlines just how cataclysmic the 12th and 13th centuries BC really were. Be prepared for fire, earthquakes, and a tide of war!
A bold reassessment of what caused the Late Bronze Age collapse
In 1177 B.C., marauding groups known only as the "Sea Peoples" invaded Egypt. The pharaoh's army and navy managed to defeat them, but the victory so weakened Egypt that it soon slid into decline, as did most of the surrounding civilizations. After centuries of brilliance, the civilized world of the Bronze Age came to an abrupt and cataclysmic end. Kingdoms fell like dominoes over the course of just a few decades. No more Minoans or Mycenaeans. No more Trojans, Hittites, or Babylonians. The thriving economy and cultures of the…
I'm a Scottish writer, addicted to reading and writing historical fiction. My love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. My expeditions since have taken me all over the world and back and forth through time (metaphorically, at least), allowing me to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age.
I read it some 15 years ago… yet when I close my eyes I can still see Eskkar and Trella and their small band, smell the heat and dust of Mesopotamia. Surrounded by marauding raiders, they must use their wits and will to survive in order to build the earliest of walled cities. Tense and beautifully immersive, Barone’s ‘Dawn of Empire’ is unique and memorable – perfect escapism!
Three thousand years before the birth of Christ. An epic conflict is about to begin. The price of victory? Civilization. The price of defeat, a return to the dark ages.
The hopes of civilization rest on one man's shoulders: Eskkar, once a barbarian, nowa warrior in charge of defending a small town which lies in the path of a vastbarbarian war party. The last time the invaders came to Orak, they spared no one and the tiny candle of trade and agriculture that had begun there, the first in all of human history, was extinguished.
In my teens, I read a book by Charles Berlitz titled Atlantis: the lost continent. I was enthralled and fascinated about this lost race of people, who were technically and sophisticated advance society and on one fateful day, vanished. My appetite for Greek mythology and ancient history grew from there, and I wanted to learn more about various ancient cultures and their mythologies. I eventually studied ancient history and continue my education as new archaeological discoveries and advancements are made. It wasn’t until a trip to Europe and seeing the Roman Forum and Colosseum, that I was inspired to write and combine my love for mythology and ancient history into historical fiction fantasy.
I’m cheating a little here by recommending a trilogy but this was one of the best historical fiction I’ve read.
The series is about Prince Aeneas and the legendary story of the war between the Trojans and the Greeks. David Gemmell sets the scene prior to war from the POV of Aeneas, who was regarded as pirate but as the story progresses you learn more about his actions and why he keeps roaming the sea.
It is full of action and stays true to the unfolding drama of the Trojan War. For me, the historical backdrop and the research the author included was one of the main reasons this series wins.
Three lives will change the destiny of nations. Hellkaon, the young prince of Dardania, haunted by a scarred and traumatic childhood. The priestess Andromache, whose fiery spirit and fierce Independence threatens the might of kings. And the legendary warrior Argurios, cloaked in loneliness and driven only by thoughts of revenge. In Troy they find a city torn apart by destructive rivalries - a maelstrom of jealousy, deceit and murderous treachery. And beyond its fabled walls blood-hungry enemies eye its riches and plot its downfall. It is a time of bravery and betrayal; a time of bloodshed and fear. A time…
Henry Davis is an independent historical researcher who has been studying ancient history for over 20 years. Even though he wanted to embark on a formal education studying the Classics, he suffered from extreme anxiety and felt he could not do so. He resorted to self-study, with help from family and friends, who had degrees in Classical studies, and began reading the work of respected historians/scholars/classicists, Dame Mary Beard, Tom Holland, Sir Ronald Syme, Gavin Townend, and Anthony Birley, to name only a few.
The official title of the book is ‘Encyclopedia Biblica: A Critical Dictionary of the Literary, Political and Religious History, the Archaeology, Geography, and Natural History of the Bible.' This work was produced by various professors of Oxford University and was a continual work from 1899-1903. It seems to be rarely mentioned by historians and Biblical scholars today, and I am recommending this work because there is a considerable wealth of information in it, and any student of history would find it incredibly useful. The Oxford professors critically examined ancient folklore and legends, without being swayed by traditional opinions of the time. For example, the origins of the people of Israel, and Egyptian and Hittite history are thoroughly examined, as is the Biblical literature. Interestingly, in this work, the professors doubted the existence of Nazareth, stating: ‘Was Nazareth originally the name of a town (or village) at all? There…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I’ve been playing in the sandbox of Greek myth as a writer for two decades, and passionately absorbed by it for even longer. My mother raised us all to love ancient history, and I was further encouraged by my brother at age 7, who brought home a copy of Bulfinch and taught me the difference between Heracles and Hercules, cementing my delight and inspiring me to pursue a BA in Classical Studies. The result was not only my Helen of Sparta duology, by a plethora of other works exploring our relationships to the divine in the retelling of historically-grounded myths, some well-known, and some half-forgotten.
Hand of Fire was one of the first books to truly win me over on Achilles as a real hero worthy of romanticism and admiration. Starkston’s exploration of Briseis’s character and her relationship to and with Achilles is so well-wrought, pulling both from the Hittites (the empire in which Briseis was born) and the Greek mythology and archeology. The way she weaves the two cultures together to create this story, priming Briseis for Achilles’s arrival to create a narrative that gives Briseis both power and agency is absolutely masterful. I loved that Starkston didn’t shy away from the supernatural hallmarks of the Iliad, either, allowing the gods and their direct influence to breathe inside her retelling of the Trojan War.
Briseis steps out from the handful of lines she gets in Homer's epic, and fearlessly tells her own story as healer, war prize, and partner to the famous Achilles—here a godlike hero who manages to be all too human. Recommended! –Kate Quinn, NYT Times Bestselling author of The Alice Network
A legendary war, an invincible warrior, a woman forced to defend her family and realm—and her independent spirit. Will she become the captive or the captor?
Briseis struggles to protect her city, an ally of Troy, from marauding Greeks and her husband’s arrogant violence. She finds strength in visions of…
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
Wrath Goddess Singreimagines Achilles as a trans woman and rewrites her journey through the myths of the Iliad. It’s the debut novel of trans author Maya Deane.
Achilles takes several lovers, but this book is not an Achilles/Patroclus shipping vehicle, so don’t go in with that expectation. She’s delightfully complicated: brave, of course, and passionate, but also prickly at times, and hard to love. Her story casts Helen in a villainous, active role for once, and also considers how the gods function beyond Greek society; it feels extremely dense and well-researched, with a diverse cast of characters. There’s some controversy about the book, but I urge you to make up your own mind, and to reflect on the historical context that Deane is drawing upon.
"Deane's tour de force debut ...brings the familiar story to fresh, vivid, and unforgettable new life." - Publishers Weekly (starred review)
Drawing on ancient texts and modern archeology to reveal the trans woman's story hidden underneath the well-known myths of The Iliad, Maya Deane's Wrath Goddess Sing weaves a compelling, pitilessly beautiful vision of Achilles' vanished world, perfect for fans of Song of Achilles, The Witch's Heart, and the Inheritance trilogy.
The gods wanted blood. She fought for love.
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses…
My encounter with young refugees and former political prisoners from Turkey in Basel in the early 1980s decisively oriented me as a future historian toward the Middle East. My studies led me to discover the end of the Ottoman Empire and the post-1918 efforts to bring peace and a new order, both globally and nationally, as a highly under-researched, but essential topic.
Although partisan and perspectival (pro-British), this book offers invaluable insights into the “Lausanne moment.”
Its author was an insider of the post-Great War Paris conferences and the final Conference of Lausanne. Based on contemporary notes of the author and further material, this book is a main source for the research on the Lausanne Near East Peace Conference.
In Harold Nicolson's own words 'This study of Lord Curzon represents the third volume of a trilogy on British diplomacy covering the years from 1870 to 1924. The first volume of that trilogy was a biography entitled Lord Carnock: A Study in the Old Diplomacy. The second volume was a critical survey of the Paris conference called Peacemaking, 1919.' All three volumes are reissued in Faber Finds. Curzon himself, not a modest man it must be admitted, rated highly the work of his final years. In his 'Literary Testament' dictated only a few hours before his death he said, 'As…
When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
This is a book about deep listening. It follows two childhood friends – a journalist and a former American soldier – on a kind of road trip through Turkey, Syria and Iraq in the close aftermath of the U.S. war there.
We watch them wrestle over the meaning of the conflict and their places in it. It’s reportage – the author is a third friend, following along, chronicling their conversation and laying out their arguments, blind spots and occasionally questionable reasoning as they try and deal with something almost too big and complicated to get a handle on.
The characters are not generals, or presidents, or militia leaders, they are just two old friends, trying to reckon with a war on a very human scale. Also the watercolored art is gorgeous.
Cartoonist Sarah Glidden follows up her acclaimed debut, How to Understand Israel in 60 Days or Less, with Rolling Black- outs, which details her two-month long journey through Turkey, Iraq, and Syria. Glidden accompanies her two friends reporters and founders of the journalistic non-profit the Seattle Globalist as they research stories on the Iraq War s effect on the Middle East and, specifically, the war s refugees. Joining them is a former Marine and childhood friend of one of the journalists whose deployment to Iraq in 2007 adds an unexpected and sometimes unwelcome viewpoint, both to the people they come…
I’m a Sydney, Australia born sociologist and writer and back in 1990 I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. After three months in the country I was hooked. I now live in Istanbul and write about the people, culture, and history. Using my less than perfect Turkish language skills I uncover the everyday extraordinary of life in modern Istanbul and throughout the country, even though it means I’ve accidentally asked a random stranger to give me a hug and left a butcher convinced I think Turkish sheep are born with their heads on upside down.
Reading Carla Grissman’s memoir of the year she lived in a small farming village 249 kilometres east of Ankara took me back to my first long stay in Turkey in 1990. I was in Göreme, Cappadocia for almost three months. It was still a small village then so Grissman’s account of her experiences thirty years earlier in a similar place, resonated with me. She found a generous people, strong communal spirit, and much happiness, and aptly named the book for Proverbs 15:17 which reads, “Better is a dinner of herbs where love is, than feasting on a fattened ox where hatred also dwells”. Village life was basic but Grissman expressed no judgements or desire to change things. Instead, she engaged and observed, resulting in a revealing look at a way of life that still continues in parts of Anatolia today.
Carla Grissman spent the better part of a year in the '60s living in a farming hamlet in remote Anatolia, some 250 km east of Ankara. The hospitality, the friendship and the way in which the inhabitants of Uzak Koy accepted her into their community left a deep impression, and were remembered and treasured in a private memoir. Not for some forty years was it published, and yet it is one of the most honest, clear-sighted and affectionate portraits of rural Turkey, testimony to Proverbs 15:17, 'Better is a dinner of herbs where love is, than feasting on a fattened…
Interested in
the Hittites,
Turkey,
and
the Bronze Age?
11,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
the Hittites,
Turkey,
and
the Bronze Age.
