100 books like A Twenty Minute Silence Followed by Applause

I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.

But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.

The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.

You have probably seen the film version starring Dame Judi Dench and Steve Coogan—which I also highly recommend! But Sixsmith’s original book demonstrates how an experienced yet disenchanted writer can find their own way, and make an international impact, by helping another person discover the hideous truth.

Philomena Lee was a woman from Roscrea, Ireland, who, after fifty years, could no longer endure the torment of not knowing what had happened to her toddler son, taken from her at a Catholic home for unwed mothers and sold to an American couple. Unbeknownst to Philomena, her son later went searching for her.

Sixsmith blends these two histories together in a story with many political and personal layers, including only an occasional, seamless glimpse of his amazing research process.

I have admired Wideman for many years. As a writer, he is a virtuoso in multiple forms, making room to confront violence and racism without offering readers trite or false resolutions.

I appreciate how he keeps calling back to the themes and subjects of earlier work. His essay, “Looking at Emmett Till” (originally published in Issue 19 of Creative Nonfiction), grappled with his recollections of 1955 as a 14-year-old teenager, the same age as Emmett Till when he was lynched and murdered.

Writing to Save a Life builds upon this work, tracing a parallel history of Till’s father, Louis, and Wideman’s journey to confront official documents of Louis’s prosecution and hanging during his service in World War II. Here as in so much of his writing, Wideman chooses a unique structure for the book, braiding his own reflections on injustice into the documentary material. 

I was late to discover this book, but I devoured it instantly. Una’s is a hybrid work, a mixture of memoir and criminal history in stunning graphic novel form.

She tells her account of growing up in West Yorkshire, UK, in 1977 when the serial murderer Peter Sutcliffe (dubbed “the Yorkshire Ripper”—ick) was still at large. Her book connects her own traumatic history with local newspaper and media accounts as well as broader statistics of sexual violence and the failures of formal investigations.

By the conclusion, Una builds to her own recovery and survival process and creates one of the most beautiful endings—drawings only—I have ever experienced in a book delving into such heart-wrenching subject matter. 

This compelling history goes “beyond the legend that Napoleon himself helped create, to form a new, genuinely international context for his military career.”

History is most often written by the victors, and real life is never so one-sided. Esdaile writes as though he lived Napoleon’s life, and shows that many times his decisions were made (or changed) because of acts, or provocation, by British diplomats or agents. The quote by Napoleon’s stepdaughter Hortense says it all: “Any man who becomes the sole head of a great country by means other than heredity can only maintain himself in power if he gives the nation either liberty or military glory – if he makes himself, in short, either a Washington or a conqueror...it was impossible for him to establish...an absolute power except by bemusing reason [and] by every three months presenting the French people with some new spectacle.” Esdaile brings this unspoken… show more.

Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.

After the literature of Paris, the painting of Paris. T. J. Clark’s The Painting of Modern Life studies the ways in which the artists he calls “painters of modern life” created canvases that attempted to focus attention on a subsequent transformation of Paris, in the nineteenth century. Clark considers the depictions by painters such as Manet, Degas, and Seurat of Paris as it evolved and of Parisians interacting with their changing city. The depictions of Parisians experiencing the boulevards, cafés, and parks of Paris that Clark analyzes are perhaps the greatest tradition ever of city painting. No one has ever attempted such a study of the many paintings of Paris as it was transformed in the seventeenth and eighteenth centuries. When they do so, Clark’s book can provide a model.

It can be difficult to recall that, while laying waste to the armies of Europe, proving himself to be one of the finest military commanders in history, Napoleon was writing salty love letters home to his wife. Narrated in first-person diary-style by Josephine, Sandra Gulland’s sensational trio of books is a credit to the sometimes-overlooked genre of historical autobiographical fiction. The events around her life with the self-anointed Emperor of the French are defined with both intimacy and sweep. Josephine emerges as a most intriguing woman, charming and clever, and a full participant aside from her husband as he rises and falls.

The three books cover the many phases of her exceptional life. From her childhood in the French colony of Martinique, through her first marriage and imprisonment during the revolution, to her fateful introduction to the “strange little man,” and through their marriage and demise, the woman who became… show more.

John France has a knack for making the history of war interesting and readable, without taking away its gore and horror, without making you think it in any way romantic or desirable. The title already captures it: the book is largely about the rise of Europe (or later: the West) on the back of military prowess, but at what perilous price! The book aptly traces military traditions and continuity of ideas and concepts, but also profound changes, from Antiquity to the present, giving us a grasp of the essence of warfare during different periods. This book can be said to replace Sir Charles Oman’s old classic.

Early modern Europe is a ‘hot spot’ for queenship studies and there are countless individual biographies, works on groups of royal women and collections on key themes which I could have recommended. I’ve chosen this work as, like Earenfight, it is a great place to begin exploring what it meant to be a queen in this period. Unlike Earenfight, this book is divided up by key themes instead of working chronologically, exploring various facets such as royal weddings and ceremonial, motherhood and political agency. Kosior also brings together plenty of European examples to illustrate these themes and a distinctive feature is that she includes Polish royal women who are often missing in studies of queenship, which gives this book a unique and interesting angle.