Here are 100 books that A Twenty Minute Silence Followed by Applause fans have personally recommended if you like
A Twenty Minute Silence Followed by Applause.
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I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.
But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.
The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
As a book lover and as a nonfiction writer and researcher, I’ve always been fascinated by the idea that a book is truly a portal that can connect people across time and space. I’m a Catholic (stray) by education and tradition, and for me this interconnectivity resonates with the familiar theology of the communion of saints. Whether you are religious or not, if you love words, there is something rather miraculous about how language, past and present, from authors living and dead, can connect and surprise us and spark new conversations even with those yet to be born. You never know who may need to hear what you are putting on the page.
You have probably seen the film version starring Dame Judi Dench and Steve Coogan—which I also highly recommend! But Sixsmith’s original book demonstrates how an experienced yet disenchanted writer can find their own way, and make an international impact, by helping another person discover the hideous truth.
Philomena Lee was a woman from Roscrea, Ireland, who, after fifty years, could no longer endure the torment of not knowing what had happened to her toddler son, taken from her at a Catholic home for unwed mothers and sold to an American couple. Unbeknownst to Philomena, her son later went searching for her.
Sixsmith blends these two histories together in a story with many political and personal layers, including only an occasional, seamless glimpse of his amazing research process.
Inspiring the film starring Judi Dench and Steve Coogan, and directed by Stephen Frears, Philomena is the tale of a mother and a son whose lives were scarred by the forces of hypocrisy on both sides of the Atlantic and of the secrets they were forced to keep.
With a foreword by Judi Dench, Martin Sixsmith's book is a compelling and deeply moving narrative of human love and loss, both heartbreaking yet ultimately redemptive.
When she fell pregnant as a teenager in Ireland in 1952, Philomena Lee was sent to the convent at Roscrea in Co. Tipperary to be looked…
As a book lover and as a nonfiction writer and researcher, I’ve always been fascinated by the idea that a book is truly a portal that can connect people across time and space. I’m a Catholic (stray) by education and tradition, and for me this interconnectivity resonates with the familiar theology of the communion of saints. Whether you are religious or not, if you love words, there is something rather miraculous about how language, past and present, from authors living and dead, can connect and surprise us and spark new conversations even with those yet to be born. You never know who may need to hear what you are putting on the page.
I have admired Wideman for many years. As a writer, he is a virtuoso in multiple forms, making room to confront violence and racism without offering readers trite or false resolutions.
I appreciate how he keeps calling back to the themes and subjects of earlier work. His essay, “Looking at Emmett Till” (originally published in Issue 19 of Creative Nonfiction), grappled with his recollections of 1955 as a 14-year-old teenager, the same age as Emmett Till when he was lynched and murdered.
Writing to Save a Life builds upon this work, tracing a parallel history of Till’s father, Louis, and Wideman’s journey to confront official documents of Louis’s prosecution and hanging during his service in World War II. Here as in so much of his writing, Wideman chooses a unique structure for the book, braiding his own reflections on injustice into the documentary material.
As a book lover and as a nonfiction writer and researcher, I’ve always been fascinated by the idea that a book is truly a portal that can connect people across time and space. I’m a Catholic (stray) by education and tradition, and for me this interconnectivity resonates with the familiar theology of the communion of saints. Whether you are religious or not, if you love words, there is something rather miraculous about how language, past and present, from authors living and dead, can connect and surprise us and spark new conversations even with those yet to be born. You never know who may need to hear what you are putting on the page.
I was late to discover this book, but I devoured it instantly. Una’s is a hybrid work, a mixture of memoir and criminal history in stunning graphic novel form.
She tells her account of growing up in West Yorkshire, UK, in 1977 when the serial murderer Peter Sutcliffe (dubbed “the Yorkshire Ripper”—ick) was still at large. Her book connects her own traumatic history with local newspaper and media accounts as well as broader statistics of sexual violence and the failures of formal investigations.
By the conclusion, Una builds to her own recovery and survival process and creates one of the most beautiful endings—drawings only—I have ever experienced in a book delving into such heart-wrenching subject matter.
I’m a very ordinary person. A history and literary nerd. A wife and mother. I don’t have any M.As or PhDs. I started teaching myself to write in 1991, and after joining the Romance Writers of America, Australia, and New Zealand, as well as Writing NSW (New South Wales), I had my first writing award, and first short story published in 1997. I got my first writing contract in 2000 (Silhouette Books, NY). I quit romance in 2012 to focus on historical fiction and YA, both of which I still love, and putting a little romance in there never hurts. I've given workshops and talks for the Historical Novel Societies of Australia and North America.
This compelling history goes “beyond the legend that Napoleon himself helped create, to form a new, genuinely international context for his military career.”
History is most often written by the victors, and real life is never so one-sided. Esdaile writes as though he lived Napoleon’s life, and shows that many times his decisions were made (or changed) because of acts, or provocation, by British diplomats or agents. The quote by Napoleon’s stepdaughter Hortense says it all: “Any man who becomes the sole head of a great country by means other than heredity can only maintain himself in power if he gives the nation either liberty or military glory – if he makes himself, in short, either a Washington or a conqueror...it was impossible for him to establish...an absolute power except by bemusing reason [and] by every three months presenting the French people with some new spectacle.” Esdaile brings this unspoken…
A glorious?and conclusive?chronicle of the wars waged by one of the most polarizing figures in military history
Acclaimed on both sides of the Atlantic as a new standard on the subject, this sweeping, boldly written history of the Napoleonic era reveals its central protagonist as a man driven by an insatiable desire for fame, and determined ?to push matters to extremes.? More than a myth-busting portrait of Napoleon, however, it offers a panoramic view of the armed conflicts that spread so quickly out of revolutionary France to countries as remote as Sweden and Egypt. As it expertly moves through conflicts…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
After the literature of Paris, the painting of Paris. T. J. Clark’s The Painting of Modern Life studies the ways in which the artists he calls “painters of modern life” created canvases that attempted to focus attention on a subsequent transformation of Paris, in the nineteenth century. Clark considers the depictions by painters such as Manet, Degas, and Seurat of Paris as it evolved and of Parisians interacting with their changing city. The depictions of Parisians experiencing the boulevards, cafés, and parks of Paris that Clark analyzes are perhaps the greatest tradition ever of city painting. No one has ever attempted such a study of the many paintings of Paris as it was transformed in the seventeenth and eighteenth centuries. When they do so, Clark’s book can provide a model.
The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, cafes, parks, and suburban pleasure grounds--the birthplace of those habits of commerce and leisure that constitute "modern life." Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives--be they bar-maids, boaters, prostitutes, sightseers, or petits bourgeois lunching on the grass. The central question of The Painting of Modern Life is this: did modern painting as it came…
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.
The Ebony Tower, comprising a novella, three stories, and a translation of a medieval French tale, echoes themes from John Fowles's internationally celebrated novels as it probes the fitful relations between love and hate, pleasure and pain, fantasy and reality.
Service and leadership have been a primary focus of my life and work for many years. Though today these are matters of academic study, they weren’t when I was in school. I’ve written and spoken extensively on these topics to corporate, military, academic, governmental, and NGO organizations. I strive to narrow the gap between those who study leadership and management and those who apply the principles in practice. My approach is to pose questions and share the experiences of those who have made significant contributions throughout history into the present moment. The books on my list have meant a lot to me and many others. I hope you’ll find value in them, too.
Charles de Gaulle is a consequential leader of the 20th century.
In an extraordinary turn of events, this little-known colonel emerged as the leader of France in exile during Hitler’s occupation. Following the Second World War he became a dominant political figure.
He can be seen as the founder of modern France, whose shadow reaches into our present moment.
In the 1930s he wrote a brilliant mediation on leadership, The Edge of the Sword.Though distilled from his lived experience in the military, de Gaulle provides insights that apply in many situations.
The book takes on additional significance when one considers the project of self-creation that the author undertook—first on himself, then on the re-creation of France, finally on Europe and the world, in his time and into our own.
I have studied aspects of war and strategy – mainly on the political-military interface level – for the past forty years of my life. My interest originated from my parents’ stories about their childhood and early youth in the Second World Wars, its horrors and hardships, and from myself living in South-East Asia during the time of the Vietnam War. Moreover, I became obsessed with the fear of nuclear war through reading and hearing about it. So I have studied aspects of war, much as an oncologist studies cancer, in the hope that a better understanding may eventually help us ban it in practice (and not just in theory as it has been since the Briand-Kellogg Pact of 1928).
John France has a knack for making the history of war interesting and readable, without taking away its gore and horror, without making you think it in any way romantic or desirable. The title already captures it: the book is largely about the rise of Europe (or later: the West) on the back of military prowess, but at what perilous price! The book aptly traces military traditions and continuity of ideas and concepts, but also profound changes, from Antiquity to the present, giving us a grasp of the essence of warfare during different periods. This book can be said to replace Sir Charles Oman’s old classic.
A major new history of war that challenges our understanding of military dominance and how it is achieved
This expansive book surveys the history of warfare from ancient Mesopotamia to the Gulf War in search of a deeper understanding of the origins of Western warfare and the reasons for its eminence today. Historian John France explores the experience of war around the globe, in Europe, Asia, Africa, and America. His bold conclusions cast doubt on well-entrenched attitudes about the development of military strength, the impact of culture on warfare, the future of Western dominance, and much more.
I married my high school sweetheart and travel partner, and followed my own advice to do graduate work, and started my career working for the French National Railroad in New York City, mapping itineraries for travelers to Europe. Travel means the world to me, and if I don’t have a trip on the horizon, I feel aimless and untethered. I worked in book publishing for 30 years and dropped out of the corporate rat race to take a gap year abroad. I wrote about our “Senior year abroad” in my first book Gap Year Girl. I returned to the US to teach middle school French and organize student trips to France.
For readers with wanderlust who long to hit the road, Gap Year Girl is a pleasure to read.
It is the author’s travel adventure memoir about how she and her husband, late Baby Boomers, retraced their backpacking travels abroad from much earlier years. Bohr describes what it’s like to kiss your job goodbye, sell your possessions, pack your bags, and take off on a quest for adventure.
Readers will be intrigued and inspired by this account of a couple’s experiences on an unconventional, past-the-blush-of-youth quest. Bohr blends the details of travel, culture, and history with humor and the intimacy of her life.
She shares that seven weeks into their journey, homesickness hit them hard in a cold, ancient village in southwestern France, but they rallied and went on to continue their adventure.
In the 1960s and '70s, thousands of baby boomers strapped packs to their backs and flocked to Europe, wandering the continent on missions of self-discovery. Many of these boomers still dream of "going back"-of once again cutting themselves free and revisiting the places they encountered in their youth, recapturing what was, and creating fresh memories along the way. Marianne Bohr and her husband, Joe, did just that.
In Gap Year Girl, Bohr describes what it's like to kiss your job good-bye, sell your worldly possessions, pack your bags, and take off on a quest for adventure. Page by page, she…