Fans pick 31 books like A Tongue in Yer Heid

I received this as a prize at school when I was fifteen and passages like this spoke to me: “...you wanted the words they'd known and used, forgotten in the far‑off youngness of their lives, Scots words to tell to your heart, how they wrung it and held it.” My Ayrshire community spoke Scots so it was life changing to read this message by an author from a different time and a different place who was  intensely relevant to my own situation. Being discouraged or even punished for speaking Scots in school, led us to learn English pretty quickly and this bi-lingual tension gave us an advantage learning other languages like French and German which I studied at University. But I will always be grateful to Sunset Song for making me aware of how important the Scots language was to our identity as Scots: “And the next minute that passed… show more.

The various Scots dictionaries produced by Scottish Language Dictionaries and also available online are a veritable treasure trove of Scottish culture and the go-to place for anyone who writes Scots or wants to know about Scots. With quotations going back hundreds of years it gives you instant access to the rich literature and prose in a language still spoken by over 1.5 million Scots. 

Another fine novel by a great writer who, like me, hailed from Ayrshire. I quote from it in my book. I became aware of William McIlvanney when I attended Kilmarnock Academy between 1967 and 1969 and his first novel Remedy is None was passed around the students in their final year at the school, before heading for University. Having a living, breathing novelist living in the town was really something, and it made us all think that perhaps we could become writers too! All of his books are excellent but Docherty touched me personally because it describes a mining community, similar to the town I grew up in, Galston. It also explores the linguistic tension between Scots and English which is the experience of most people growing up in the Lowlands of Scotland.

I want to reveal to people the superb achievement of the medieval Scots Makars who produced arguably the greatest poetry anywhere in Europe or Britain between roughly 1450 to 1550. John Barbour, William Dunbar, Robert Henryson, Gavin Douglas, and Sir David Lyndsay are the greatest of them but there are more excellent exponents of Scots in this, one of its golden ages, and they are all represented here. I quote many of them in my book.

I never thought I’d love a book written in verse; poetry just isn’t my thing. Yet, Chris Baron’s work took my breath away. I was mesmerized and couldn’t put it down.

It’s about Ari, an overweight kid, who struggles with his self-worth because of his size. I’ve struggled with my weight too–all my life. So I understood what he was going through. It broke my heart when Ari harmed himself, but I appreciated seeing him make it through this tough time. He showed determination and grit.

The setting for Hermetech is a post-apocalyptic landscape. As with Imajica, the central quest is to heal a ruptured world. Futuristic science and magic coexist in the story as a group of disparate and dysfunctional travellers retrieve Ari and escort her (and the reader) through strange, broken lands and along unfriendly and dangerous roads.

It is a highly imaginative, speculative fantasy with another character who blends and transcends gender and steals a reader’s heart. Zambia Crevecoeur is deeply flawed and tragic, and it is hir journey (emotional rather than geographical) which drew me into this extraordinary novel.

I’m a little obsessed with the sheer ferocity with which Elisa Albert writes the world, and when I this short, sharp novel the phrase that stuck in my head was, “This is all teeth.” And boy, do I mean that in a good way.

Ari Walker is still trying to get her footing after the birth of her baby when Mina, a former cult musician, moves to town and the two bond hard. I still think about Albert’s description of Mina, her round cheeks and her messy hair and the jarring realization that this woman is not affecting carelessness with standard beauty norms, but truly does not give a good goddamn. It’s about those people who are both alien and intimate and who make you more yourself. 

The main reason I’m recommending this book is “The Little Mermaid” (the original version, not a sanitized later edition or off-the-mark Disney interpretation). I loved fairy tales as a kid and “The Little Mermaid” is my favorite because it doesn’t have a happy ending. (Not for the mermaid, at least.) I loved that just because we think things should happen a certain way doesn’t mean they will. The mermaid thought she was fated to be with the prince. But all her planning and sacrifice and suffering didn’t change the possibility that the prince was fated to be with the woman he chose. It was an early and valuable lesson for me on seeing things from a different perspective, and inspiration for one of my own short stories.

In order to really understand Disney history, I felt that I had to learn more about all of the ideas that Disney has explored and shelved. I could not believe my eyes when I discovered Charles Solomon’s volume on that very subject.

This book is one of a handful that changed my life as it led to a life-long fascination for the “hidden art” of Disney. Along with John Canemaker’s Before the Animation Begins: The Art and Lives of Disney Inspirational Sketch Artists, it is one of the two books that led me to write my own artbooks. I still re-read it from time to time up to this day.

Jackal Jackal is an entertaining collection of eighteen stories that includes two originals and sixteen reprints of relatively new stories, most of which are riffs on some classic fairytales or have the quality of such tales, by Nigerian author Tobi Ogundiran.

It’s a great showcase of Ogundiran’s consistency and strengths as a storyteller and dark fabulist. Every story is crafted to elicit a strong, visceral reaction. These are stories that you’re meant to feel. In my review for Locus Magazine, I said that you should think of this as The Brothers Grimm by way of Amos Tutuola. Or Stephen King meets Cyprian Ekwensi.

With its steady themes of repetition, transformation, and revelation, its consistently good, direct and effective prose and delightfully creepy delivery this is a strong collection that is worth reading.