Here are 100 books that A Strangeness in My Mind fans have personally recommended if you like
A Strangeness in My Mind.
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I am both a writer and a publisher of Superversive fiction. Even before I encountered the term and the official definition of it, my fiction writing has always tended to be Superversive. Which makes sense as I am drawn to Superversive stories as a reader. I want to read and write about heroes and heroines. I want to be drawn into incredible universes and taken along on amazing adventures. I want stories where evil appears to be winning but good eventually finds a way to triumph in the end.
A book about the Medieval times written by a writer more known for his stories of the American Old West seems out of place, but this in my mind is his greatest work. I can only imagine the time he spent researching it and he definitely put in the time as he really transports you to the times and the lands involved in this story. One of these days I hope to write something that is as good as this book is.
As part of the Louis L’Amour’s Lost Treasures series, this edition contains exclusive bonus materials!
Louis L’Amour has been best known for his ability to capture the spirit and drama of the authentic American West. Now he guides his readers to an even more distant frontier—the enthralling lands of the twelfth century.
Warrior, lover, and scholar, Kerbouchard is a daring seeker of knowledge and fortune bound on a journey of enormous challenge, danger, and revenge. Across Europe, over the Russian steppes, and through the Byzantine wonders of Constantinople, Kerbouchard is thrust into the treacheries, passions, violence, and dazzling wonders of…
I'm a medievalist with a focus on German and European literature. Already with my Ph.D. diss. in 1987, I endeavored to explore interdisciplinary, interlingual connections (German-Italian), and much of my subsequent work (119 scholarly books so far) has continued with this focus. I have developed a large profile of studies on cultural, literary, social, religious, and economic aspects of the pre-modern era. In the last two decades or so, I have researched many concepts pertaining to the history of mentality, emotions, everyday-life conditions, and now also on transcultural and global aspects before 1800. Numerous books and articles have dealt with gender issues, communication, and historical and social conditions as expressed in literature.
Auerbach wrote this book while he lived in exile in Istanbul, having fled from the Nazis. This forced him to turn his attention very closely to the original texts, classical in their reputation from the ancient through the medieval, and the early modern period. He demonstrated brilliantly the true value of thorough philological work and the great yield of close reading, profiling all of pre-modern European literature in a unique fashion. This book lives on until today.
More than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey,…
I am an ex-lawyer, ex-army officer, and ex-Hollywood film editor who loves stories about females in danger who dig deep to solve problems and survive. I can’t claim to be an expert, but I marvel at the breadth of female styles–from delicate, feminine, and sweet to brave, adventuresome, and tough. I have edited films about various women characters, from Charlize Theron’s killer in Monster to Cate Blanchett’s spiritual medium in The Gift and Diane Lane’s brave romantic survivor in Under the Tuscan Sun. I have three successful step granddaughters: an accountant, a lawyer, and one getting a PhD in computer studies. Smart, talented, and interesting women people in my life.
I love the craggy Maine coast, and I love spy stories, so this book thrilled me from page one. I was intrigued and unnerved when a dead body showed up on retired CIA agent Maggie Bird’s snowy front yard. I was scared by the clear warning that Maggie’s past as a spy was about to suck her back into the spy trade and into mortal danger.
I felt disaster about to strike as the story took me to exotic and scary locales, from mini streets in Bangkok and Istanbul to more urban settings from London to Malta. I struggled to figure out who the real murderer was, and I was shocked to learn the truth.
A retired CIA operative in small-town Maine tackles the ghosts of her past in this fresh take on the spy thriller from New York Times bestselling author Tess Gerritsen.
Former spy Maggie Bird came to the seaside village of Purity, Maine, eager to put the past behind her after a mission went tragically wrong. These days, she’s living quietly on her chicken farm, still wary of blowback from the events that forced her early retirement.
But when a body turns up in Maggie’s driveway, she knows it’s a message from former foes who haven’t forgotten her. Maggie turns to her…
I never planned to be a spy thriller writer. One day an editor suggested I write genre fiction. “Pick a genre you read just for fun,” he said. For me, that was spy novels. I had some background (military intelligence, journalist in Europe, Africa, etc.) and John Le Carré had shown that spy novels could be serious fiction. An encounter in the Amazon jungle sparked my first spy thriller, Hour of the Assassins. Then came Scorpion, Homeland, and the rest. What’s the attraction? Intelligence agents lie better than most because their lives depend on it. But if you dig hard enough, you get small truths. Big ones too.
Eric Ambler was the first author to write with realism and authenticity about the world of spies. His work often features ordinary people who are not criminals or professional spies, but who suddenly find themselves caught up in that murky world. In this novel, while in Turkey, mystery writer Charles Latimer meets Colonel Haki, who shows him the body of a notorious criminal, Dimitrios, in the Istanbul morgue. Intrigued and sensing a story, Latimer investigates Dimitrios’ career, which will turn out to be a lot more intriguing and dangerous than anything he bargained for. Ambler’s thrillers keep you on the edge and this one, which includes a ride on the Orient Express, will have you furiously turning the pages. Dimitrios set the standard for every spy thriller that followed.
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
I confess, I like food. I’m also keen to use cafes and restaurants where the emphasis is on cheap, tasty, and nutritious fare rather than forking out for establishments where a hefty bill is occasioned as much by expenditure on the decoration, linen, and silverware as the quality of the cooking. This is not a book about the westernised hotels and restaurants but about back street locantas serving lentil soup and stewed chicken with bottles of Turkish red wine or even just Coca-Cola and selling satisfying lunches for a pittance (thanks of course in part due to the impact of Turkish inflation on the exchange rate). This book is why even if you’re on a city break in Istanbul as a family you won’t need to rely on self-catering or standardised hotel dinners. There’s a wonderful English language bookshop near the Grand Bazaar that’ll sell you a copy of this…
A guide to the best food spots in Istanbul, now fully revised and expanded. Written by the acclaimed experts at Istanbul Eats, which was named Saveur's "Best Culinary Travel Blog" in 2012.
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
For Istanbul the best walking guide ever. This book seamlessly conducts a visitor around the city’s sights, weaving stories from its history into street-by-street locations and managing above all else to avoid the sin of becoming boring. It makes you want to see every stretch of pavement and every building mentioned in the book. The only warning is it’s a thick paperback and you’ll want to take notes from it in advance rather than carrying it around with you.
This classic guide to Istanbul by Hilary Summer-Boyd and John Freely - the 'best travel guide to Istanbul' (The Times), 'a guide book that reads like a novel' (New York Times) - is here, for the first time since its original publication thirty-seven years ago, published in a completely revised and updated new edition.
Taking the reader on foot through this captivating city - European City of Culture 2010 - the authors describe the historic monuments and sites of what was once Constantinople and the capital in turn of the Byzantine and Ottoman Empires, in the context of the great…
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
A big fat, fact-packed but readable history of the city as it changed from Constantinople into Byzantium and finally Istanbul. This is the book that places Viking immigrants alongside Romans, Goths, Moors, Ottomans, Venetians, and so many other races in a glorious cultural stew that makes the history of most other cities seem linear and dull by comparison.
Istanbul has always been a place where stories and histories collide and crackle, where the idea is as potent as the historical fact. From the Qu'ran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, and overspills its boundaries - real and imagined. Standing as the gateway between the East and West, it has served as the capital of the Roman, Byzantine, Latin and Ottoman Empires. For much of its history it was known simply as The City, but, as Bettany Hughes reveals, Istanbul is not just a city, but…
I love thrillers that give you something to think about, keep you on the edge of your seat and take you to new places. And, although I also like Daniel Silva and Lee Child and Tess Gerritsen et al, I love to find new voices in the thriller genre, especially ones (like mine) that haven’t become household names. And I am especially drawn to thrillers with great prose and great characters. Try some of the books I recommended. You will not be sorry.
I love the senses in my books. I want to know what the setting smells like, what it sounds like, and how much indigestion I am going to get from the local fare. If you do as well, Joesph Kanon is your guy, and this is your book.
I found this book before I traveled to Istanbul, and honestly, I liked it better than the city, which was chaotic and dirty. But Istanbul Passage is anything but chaotic and dirty; you’re going to love it.
In the bestselling tradition of espionage novels by John LeCarre and Alan Furst, Istanbul Passage brilliantly illustrates why Edgar Award–winning author Joseph Kanon has been hailed as "the heir apparent to Graham Greene" (The Boston Globe).
Istanbul survived the Second World War as a magnet for refugees and spies. Even expatriate American Leon Bauer was drawn into this shadow world, doing undercover odd jobs in support of the Allied war effort. Now as the espionage community begins to pack up and an apprehensive city prepares for the grim realities of postwar life, Leon is given one last routine assignment. But…
Since I was a girl, I’ve had an enduring sense that women must work harder, be cleverer, think more creatively than men, both at work and sometimes at home. So I love a woman who stands up for herself, who doesn’t suffer fools gladly. At one time, when the series Spooks was popular on TV, I wanted to be Ros, the operator who, when a dodgy guy followed her, hid around a corner. She flattened him with some nifty moves, stole his car keys and said: “Never follow me again.” Brilliant! I hope you enjoy all the feisty females on my book list.
The protagonist of this beautifully written, heart-rending book is the wonderfully-named Tequila Leila, a sex worker from Istanbul who, as the book begins, is dying in a rubbish bin on the outskirts of the city.
As her brain begins to shut down, Leila goes back in time to trace her story, while her friends, who she remembers in those ‘in-between’ moments between life and death, desperately look for her.
Leila, for me, is ebullient, larger than life, and intensely lovable. Despite being brutalised and living much of her life in danger, her humanity shines through. Leila has heart and soul and her friends, a strange group of ‘undesirables,’ adore her. A life-affirming read.
'Expect vibrant, vivid and eye-opening descriptions of Middle Eastern life propelled by a tender storyline, all in Shafak's haunting, beautiful and considered prose' Vanity Fair
'Incredibly sensuous and poetic and evocative' Pandora Sykes
'In the first minute following her death, Tequila Leila's consciousness began to ebb, slowly and steadily, like a tide receding from the shore...'
For Leila, each minute after her death recalls a sensuous memory: spiced goat stew, sacrificed by her father to celebrate the birth of a yearned-for son; bubbling vats of lemon and…
I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing.
I love books that start in the world we know and gently transport the reader into the supernatural. The magic in The Scribe is ancient and the war is underground, but everything feels so natural and real. And how the hero and heroine interact—the reluctance, the tension, the life-or-death alliance. This isn’t instalove, it’s the inescapable love that connects them soul to soul. And when it’s not just the hero who’s haunted but also the heroine, there’s an added dimension to the story that feeds what I crave. The dialogue feels true to life, and the characters come alive on the page. The blend of these elements—fantasy, adventure, and romance—is perfect here, and how they play off one another is like magic.
"Sexy, well-written, and suspenseful." Hidden at the crossroads of the world, an ancient race battles to protect humanity, even as it dies from within.
To the outside world, Ava Matheson is a successful travel photographer from a privileged background. But Ava's spent a lifetime battling voices in her mind she can't understand, and her fractured family has convinced her she'll never belong.
Malachi is an Irin scribe, descended from an angelic race and sworn by blood and magic to defend humanity from the Grigori, the sons of fallen angels who could ravage the world. A chance meeting in Istanbul will…
