100 books like A Gentleman from Japan

On one of our first dates, my future husband gave me a book by Kazuo Ishiguro – it was love! Both with the future husband and the amazing author.

Ishiguro has a gift for cutting to the kernel of what it means to love, in a way that is beautiful and heartbreaking but in away that avoids being overly sentimental. When I first read A View of Pale Hills, a story centered on a woman reflecting on her time in Nagasaki before she moved to England, I was mesmerized.

I wanted to give the book to everyone I knew, it is a bit of mystery and I desperately wanted to talk about it! It is a touching, unsettling, and a powerful narrative about moving across cultures – the new possibilities that can provide and the complexities of the past.

This short book is apparently a classic of Japanese modern literature, but I was not aware of it until recently. It was written by a former Japanese soldier about his experience in Burma at the end of World War II. It's nonfiction and is a memoir. But it captures something culturally universal about the human condition and is heartwarming.

It also mostly takes place after the end of hostilities, in case you are not good with violent imagery, as there is almost none of that. I could not put it down and was sad to finish it. 

This is the book that made me think an East Asian woman could be the hero of her own book, not just the supporting character in someone else’s. I knew I loved Dan’s previous work, and when I discovered he’d written a book about someone East Asian set in the far west of Wales, it felt possible for someone like me to write and be written about.

Surrounded by the sort of character-ful Welsh-types from a work by Dylan Thomas, Miyuki Woodward embarks on a Midas-like project to turn base material into gold. I liked Miyuki’s holiday habit of going to the pub each night on her own to have a pint and read her book, Bliss, just like this funny book about heartbreak and hope.

Composed of letters to the editor in Tokyo’s highly respected Asahi Shimbun newspaper from 1986 to 1987, SENSŌ provides vivid insight into wartime life in Imperial Japan. Composed of honest reflections 40 years after the war, the topics covered (often with powerful emotion) include: life in the military, the Sino-Japanese War, Pacific War, home front, the bombing of Japanese cities, and post-war reflections. In the end, I was impressed how the Japanese experience and emotions during the war were not dissimilar to what I might imagine feeling as an American in a similar situation.

It concerns the complex and demanding process of becoming proficient in dance procedures. The stages involve becoming deeply mindful of the body. The novice has to become attached and subordinated to a ‘master’ who can of course be a woman. Through these rituals the novice becomes enculturated into the dance aesthetic and the wider culture. The core energy required by dance comes from the abdomen to empower the dancer. The training involves self-cultivation. Eventually the mind no longer hinders the expressivity of the body.

In the early 1970s, the prolific Paul Theroux decided to ride as many trains as he could find between London and Japan, and to come back on the Trans-Siberian from Vladivostok. There are a few gaps in his rail line (Afghanistan isn’t well served by trains but he does manage to catch a Kyber Pass local), but otherwise he stitches together an itinerary that takes him across the Balkans, Turkey, Iran, Pakistan, India, Southeast Asia, and finally Japan. He chats up everyone he meets, and the book is a cross between a compelling account of numerous train journeys and novelistic dialogue with his fellow travelers (including poor Mr. Duffill who in Venice gets off and misses the train he and Theroux were on). Theroux can be cynical, but it is cynicism born of honesty, and it’s impossible to read this book and not want to ride night trains across India… show more.

Pithy and compelling, this is perhaps the single best primer on the economic rise of East Asia.

Studwell pinpoints three recipes that allowed Japan, Taiwan, South Korea, and China to escape poverty and become export powerhouses: first, industrial policy; second, government oversight over lending and capital flows (sometimes called “financial repression”); and third—something few before him have grasped—egalitarian land reforms that broke up large estates and gave small plots to the many.

Discussions of economic development are often charged with ideology-free markets or government. As this book nonchalantly reveals, that’s a false opposition. In Studwell’s telling, development happens when governments get creative with markets: forge them, shape them, unleash them, and rein them in. A bracing lesson for today’s debates.

I read this book when I was a teenager, and it taught me two very important things: that Enlightenment is possible—even for a Westerner—and that living Spiritual Masters exist out in the world who can help to guide you there. This helped me gather the courage to leave home and travel throughout Asia in search of my true teacher, who I eventually found in Japan. My own Remarkable Man.

If you haven’t read Montaigne’s Essays start now. I suggest reading one a day – they’re quite short.

I love this book because Montaigne is a genius for all time. Montaigne exploration of what it means to be human remains relevant today. It connects our world with past and shows that, although technology has changed and we can become a lot richer, humans haven’t changed so much.

Montaigne’s Essays are not a relic, they are the mirror on our present condition.

A startling finding when I was researching Elizabethan ideas about the mind was how far their attitudes to the imagination differed from ours.

We see it as a creative force to be encouraged and liberated, but for them it was dangerous, deceptive, and unruly, leading towards sinfulness and madness. Roychoudhury explains how early scientific thinking was starting to unsettle this traditional view of the imagination as reprehensible, and traces the effects of this in works including A Midsummer Night’s Dream, The Sonnets, and Macbeth.

I would add that the new commercial playhouses for which Shakespeare wrote became experimental crucibles: these were spaces where the combined imaginations of playwright, actors, and audiences created virtual realities, unleashing an exhilarating and magical sense of the powers of imagination.