The most recommended books about cartoons

I’m a comic fan first, then a comic creator. I grew up on the classics—Calvin and Hobbes and The Far Side and excitedly watched as new comics popped up online. I love comic strips and have rows of collections lining my bookshelves. The coolest part of starting my own series has been becoming a member of a cartoonist community that I have always been a huge fan of.  

Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.

My name is Art Roche and I've been drawing cartoons and comic strips for over twenty-five years. I wish everyone drew comics! Comic strips are an amazing art form that has been around for thousands of years. With a simple pencil, pen, and paper the artist can tell thrilling stories, make hilarious jokes, or illustrate their own diaries. Once you learn the basic mechanics of how comics are designed and built, anyone can begin drawing them regardless of talent level or experience.

I’ve loved comic strips since I was a kid, so children’s books that had cartoon art in them were the ultimate for me. That love drove me to research and write about the career and life of Jack Kent. Books by cartoonists tend to have the whole package: They tell a story visually, they’re funny, and they use language economically but memorably. The limitations I placed on myself in choosing this list were 1) the creator had to have both written and drawn the book, and 2) they had to have been established as a professional cartoonist before moving into children’s books.

I am a freelance writer from Winnipeg, Manitoba, Canada, specializing in media history and speculative fiction. I have been enchanted by animation since childhood and followed many series avidly through adulthood. My viewing inspired my MA thesis on the history of animation, out of which grew two books on the history and theory of animation on television, America 'Toons In: A History of Television Animation (available from McFarland and Co.) and The Encyclopedia of American Animated Television Shows (available from Rowman and Littlefield). Hopefully, others will follow.

I am an Assistant Professor in the Department of Foreign Language Teaching Methodologies at Vyatka State University in Kirov, Russia. My book Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the 1936 Draft Constitution was published in November 2017.  Most recently I have published an article-length study entitled Peasant Communal Traditions in the Expulsion of Collective Farm Members in the Vyatka–Kirov Region 1932–1939 in Europe Asia Studies in July 2012. I am currently conducting research for a future book manuscript on daily life on the collective farms and the day-to-day relationships between collective farmers and local officials.

I’m just a normal parent who has gone through the ups and downs of helping her little boy with his exceptionally big feelings. Anger is the main emotion we continue to struggle with, but we’ve come such a long way! The smallest things used to set him off, and he could go from annoyance to rage in minutes. Sometimes it would take us up to an hour to completely calm down. I tried my best to stay patient, help him work through his feelings, and redirect his anger towards non-harmful modes of expression. When he was calm, then we would talk about what happened, and think of ways we can both do better next time.

I’m the author of nearly thirty books for children, ranging from board books to young adult novels. This list combines two of my great loves: animals and early readers. I love animals because they are funny, amazing, and mysterious, and they have brought me so much joy throughout my life. I love early readers because they are small books about big feelings—big problems, big dramas, big adventures. The words may be simple, but there is nothing simple about the emotions in these stories. For beginning readers, these first, short chapter books are the gateway to a lifetime of literary pleasures. Below are a few of my favorites, old and new. 

I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.

I had been an exhibiting painter and an editorial cartoonist for years, but never a graphic book artist. Not until A Revolution in Three Acts. I was fortunate to have great guidance: my buddy David Hajdu (Positively Fourth Street, Lush Life, The Ten Cent Plague) wrote the words, did the research, and created the blueprint of every page and panel. My job was to lock myself up in my studio and draw, draw, draw. I think David and I did justice to three amazing figures of the American stage who dealt with the shifting societal forces of race, femininity, and gender: Bert Williams, Eva Tanguay, and Julian Eltinge.