100 books like You Must Change Your Life

This is an in-depth and well-researched exploration of the abstract expressionist movement, with a particular focus on the female artists who played a crucial role in shaping the movement. This book offers a fresh perspective on a significant period in the history of modern art and provides readers with a deeper understanding of the contributions made by women artists during this time. What I liked most about this book was the spotlight it shines on the critical role of key female artists in the abstract expressionist movement, who often get overlooked in traditional art historical narratives. Overall, Ninth Street Women is a must-read for anyone interested in learning about the groundbreaking contributions of female artists in the 20th century, and the impact of the abstract expressionist movement on contemporary art.

This journey of a masterpiece through the hands of some of the most memorable characters of the twentieth century is more than art history, for me, it illuminated the motives, pure and impure, of collectors from Paris to Tokyo and the turbulent times in which they lived.

This tale of one painting by a great artist of a very peculiar patron provides an amazing journey from late nineteenth-century Paris to Amsterdam in the 1920s to Nazi Germany to late twentieth-century New York and, finally Tokyo. I make a cameo appearance towards the end.

She was 21, he was 61. Thousands of books have been written about Picasso, this one is unique. Gilot is an artist (whose work he admired) who became the mother of two of his children and the only woman to have left him. All Picasso’s work is about his life and this book illuminates the passions of his later years.

Women were Picasso’s most enduring subject and his relationships with them vitally inform all the decades of his work. His greatness as an artist is matched only by his failure as a partner and his poor treatment of the real women in his life is well documented. He met his match in Françoise Gilot, the only woman to have left him voluntarily. As an artist in her own right, she is in a unique position to inform us about the man and his work.

Of the many biographies of Andy Warhol this early one remains the best, written by a man who worked and partied with the artist in the heyday of the artist’s glamorous world (and I make another brief cameo appearance). Everything about the enigmatic icon of contemporary art continues to inform our culture and I was deeply influenced not only by Warhol’s paintings but by my friendship with him from 1964 until his death in 1987. In books and movies he has been transformed into a cultural icon rather than the complicated amusing hard-working artist I knew. Bob Colacello wrote this book shortly after Warhol died and for me is the best portrait of the “real” Andy Warhol and the era he helped to define.

This book tells the fascinating story of Ruth Asawa’s journey to becoming a sculptor and passing on these ideals to the next generation through her work as an advocate for arts education The illustrations are beautifully rendered and colorful. Inspirational for budding artists everywhere, the book also contains teaching tools and an art activity.

Ruth Asawa’s art and life are inspirational and anyone reading this book will discover why. The Japanese American artist’s life was filled with challenges from contracting diphtheria, to being forced to live in a concentration camp, to marrying across racial lines when most states banned it, to contracting lupus in middle age. Yet, her strong work ethic and creative passion prevailed, spawning a new art form of hanging looped-wire sculptures. The last two photos in the book show Asawa inside and surrounded by her organic-looking sculptures, conveying a symbiotic relationship between the artist and her art. There is a meditative mood to these Imogen Cunningham photos that match the experience of seeing Asawa’s pieces in real life. When I finished reading this book, I felt bathed in Asawa’s beautiful spirit.  

I appreciate people who don’t shrink from celebrating their own genius, and Benvenuto Cellini was indeed a genius at it. Still, I didn’t mind his boasting, whether it was about his intricate works as a goldsmith or his killing of a rival, for his sense of humor about himself more than made up for his monstrous ego. And even if he had left us nothing else but his autobiography, he bequeathed to us a brilliant record of the Renaissance.

My favorite novelist. Laureate of Broken People. Criminally underappreciated. In 1987, 15 years before I was lucky enough to be published, I wrote to Yates after I got his address from his daughter Monica, who was dating my fellow stand-up comic friend, some unknown guy named Larry David. In the letter, I revealed that I had just stolen his out-of-print 1969 novel about a post-WWII mother and homecoming son from the NYC Public Library and that it would always be my favorite book of his because it was the only one I had not yet read. He wrote back that it was his favorite work as well, then added, “I admire comics because it is much easier to break people’s hearts than to make them laugh.” (Spoiler alert: Larry David turns out okay…)

This biography is a must-read for anyone who is interested in art, history, and strong, powerful women. It was the first book I read about the great 19th-century sculptress, Camille Claudel. “As recently as twenty years ago, in France, Camille Claudel was known only to a handful of admirers. The brief moments of applause she had enjoyed during her lifetime had never led to important commissions, and the sales of her pieces remained few and far…Camille Claudel displayed many characteristics that contribute to the weaving of myths: she was beautiful, talented, witty, and fiercely independent. She was connected to some of the most visible artists and writers of the era; she even had a romance with Auguste Rodin, the greatest sculptor of the nineteenth century. But hidden among the magnificent gifts nature had bestowed upon her was the seed of an illness that eventually brought her to a mental asylum.”… show more.

This short book is not about architecture, but about the supremely ‘architectural’ painter, Paul Cézanne, who almost literally ‘built’ his paintings brushstroke by brushstroke.

The author, Rilke, was a great poet and the book consists of a series of letters he wrote home to his wife after almost daily visits to the great memorial exhibition of Cézanne’s work held in Paris 1907, the year after his death. At first he struggled to understand Cézanne’s work, but by the end he offers one of the most profound meditations on aesthetic values I know.

His discovery of Cézanne was, Rilke declared, the most important influence on his poetry and changed his life. These letters changed mine, and I cannot recommend them too highly.