Here are 100 books that Wonders of Galicia (Maravillas de Galicia) fans have personally recommended if you like
Wonders of Galicia (Maravillas de Galicia).
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I have lived in beautiful green Galicia for 14 years and am passionately in love with this undiscovered area of Spain. Whilst writing my own travelogue memoirs, I have avidly researched my adopted country and love nothing more than to travel the area, discovering new delights round each corner. I have discovered that Galicia is not just ‘that wet bit of Spain’ and is in fact a whole world away from the Mediterranean costas of the south with its own language – the language of poets, its own identity, and its very own being. Here I have tried to choose books I feel demonstrate that uniqueness, that special quality which makes Galicia extraordinary.
This series of murder mysteries set along the pilgrim’s way, El Camino de Santiago ought to do for Galicia what Montalbano did for Sicily, with beautiful scenery, Galician food, intrigue, and of course, suspicious death.
The stories are interesting and clever but for me it’s the sense of place which really draws me to these books. The author writes with a love for the area which comes alive through her descriptive prose so I can see the places clearly in my mind as I read. Thankfully there are far less murders in Galicia than in A D Thorne’s books but I don’t mind a body or two when the setting is so beautiful.
Two years previously Richard's quick thinking and brave action had prevented a bomb blast which would have killed schoolchildren and politicians. A second blast injured him and caused the death of his wife. Unable, physically and emotionally, to continue his police career, he retreated to a cottage in rural Galicia and opened up a small gallery to sell his watercolour paintings, putting his past life firmly behind him. One morning, he finds an English pilgrim murdered in front of his gallery. Once her identity becomes known he is forced to face his past and the truth he has been running…
I have lived in beautiful green Galicia for 14 years and am passionately in love with this undiscovered area of Spain. Whilst writing my own travelogue memoirs, I have avidly researched my adopted country and love nothing more than to travel the area, discovering new delights round each corner. I have discovered that Galicia is not just ‘that wet bit of Spain’ and is in fact a whole world away from the Mediterranean costas of the south with its own language – the language of poets, its own identity, and its very own being. Here I have tried to choose books I feel demonstrate that uniqueness, that special quality which makes Galicia extraordinary.
A Yorkshireman married to a Galega, John Barlow has a unique perspective on Galicia and Galician people. Add to that a wild idea to travel throughout Galicia over the course of a year trying to eat every part of a pig (except the squeal), and you have a book which beautifully evokes the people, the landscape, and especially the gastronomic fiestas of this area. Galicia has traditionally had a heavy reliance on the pig, often grown at home on scraps: Barlow writes with humour and a love of Galician food but he missed out the most famous of all the piggy fiestas… around our own town of Taboada anyway, A Festa do Caldo de ósos. Yum!
John Barlow, self-confessed glutton, found himself in a tricky situation: living in one of the most meat-loving places on earth, married to a vegetarian. The Barlows live in Galicia, the misty-green northwest corner of Spain, and home to a population that reveres and consumes every part of the pig. This gets Barlow thinking about the nature of our relationship with food—what’s delicious, what’s nasty, and what sort of obligation we have to the animals we eat. Over the course of one glorious, bilious year, Barlow vows to eat everything but the squeal. In his travels, Barlow takes part in the…
I have lived in beautiful green Galicia for 14 years and am passionately in love with this undiscovered area of Spain. Whilst writing my own travelogue memoirs, I have avidly researched my adopted country and love nothing more than to travel the area, discovering new delights round each corner. I have discovered that Galicia is not just ‘that wet bit of Spain’ and is in fact a whole world away from the Mediterranean costas of the south with its own language – the language of poets, its own identity, and its very own being. Here I have tried to choose books I feel demonstrate that uniqueness, that special quality which makes Galicia extraordinary.
Meakin was one of those wonderfully well-travelled Victorian ladies, the early forerunners of the travel writer genre. She visited Galicia in 1907, almost exactly one hundred years before we moved here, yet her descriptions of the Galicia which I love are instantly recognisable. The furze (gorse), still shines from the hillsides; the granite cottages are still there; as are the washing tubs, though less frequently used than in Meakin’s day. The singing cartwheels may be all but gone but the maize fields, the cherry and apple blossoms, and the Gallegans, still remain. One hundred and twenty years on, Meakin would still recognise the Switzerland of Spain.
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I have lived in beautiful green Galicia for 14 years and am passionately in love with this undiscovered area of Spain. Whilst writing my own travelogue memoirs, I have avidly researched my adopted country and love nothing more than to travel the area, discovering new delights round each corner. I have discovered that Galicia is not just ‘that wet bit of Spain’ and is in fact a whole world away from the Mediterranean costas of the south with its own language – the language of poets, its own identity, and its very own being. Here I have tried to choose books I feel demonstrate that uniqueness, that special quality which makes Galicia extraordinary.
To really understand Galicia I feel one needs to read some of the evocative Galician poets. Galicia is a land of poets and of writers, and the Galician language has been associated with poetry since the middle ages. Rosalia de Castro was known as ‘Galicia’s nightingale’ by her biographer Failde, and she loved her homeland with a real passion. This passion shines through in her works, none more so than Cantares Gallegas. Her poems are simply told tales of love and loss, of her beloved country and of her people, which evoke all the senses. Rosalia de Castro died in 1885 but her words are still quoted with passion by Galegos today. I was unable to find an English translation of Cantares Gallegas but if you can read Castro’s works in the original language, then it will give a far greater understanding of this unique land in which I…
Escrito en gallego, este libro marca con paso fuerte la literatura de un pueblo. Los Cantares gallegos arrancan de la imitación y de la glosa, entroncando con los viejos poemas de lírica galaico-portuguesa medieval, para cumplir un objetivo concreto: cantar a Galicia, sus paisajes y tierras, sus rías y romerías, sus foliadas y costumbres, sus antiguas tradiciones y sus mitos campesinos.
I was a stubborn teenager, and growing up, I vocally declared I would never set foot in Spain. The Spanish Empire was oppressive! It was full of religious fanatics! Yet… in college I took a course on Spain’s Golden Age, and for the first time I saw a different side of history, full of paradoxes and contradictions, Inquisitors and female mystics, bumbling priests and powerful nuns, decadence and poverty, emperors, tricksters, artists, pirates, scientists, and everything in between. Spain of the sixteenth through eighteenth centuries was extraordinarily complex and far from one-dimensional. Now, years later, I have travelled to Spain over twenty times, lived in Pamplona, and I am a historian of early modern Spain at Penn State University.
This book centers the experience of global empire on the ordinary women left behind in northwest Spain. In many parts of the peninsula, the empire was felt most acutely and at the day-to-day level through absence: Galicia, in particular, had extremely high levels of male migration, creating communities dominated by women. Drawing upon court cases, marriage contracts, testaments, and Inquisition records, Allyson Poska shows how peasant women seized legal and social power in the sometimes-permanent absence of their spouses, eschewing norms on sexuality, property, and family.
While scholars have marvelled at how accused witches, mystical nuns, and aristocratic women understood and used their wealth, power, and authority to manipulate both men and institutions, most early modern women were not privileged by money or supernatural contacts. They led the routine and often difficult lives of peasant women and wives of soldiers and tradesmen. However, a lack of connections to the typical sources of authority did not mean that the majority of early modern women were completely disempowered.
Women and Authority in Early Modern Spain explores how peasant women in Galicia in north-western Spain came to have significant…
The pilgrim’s journey to the ancient Catholic shrine at Santiago de Compostela had fascinated me ever since I first read about it.
For centuries, pilgrims had made this arduous journey, the majority of them on foot, along a trail in northern Spain that stretched for over five hundred miles. Many had written of the transformation they underwent as a result of making this journey.
Even though I am not a Catholic, I decided to undertake the journey myself in 2011 in the company of my son – and then decided to write about what I had experienced and learned as a result of my journey. Having written my book I became interested in learning what others who had done this journey had to say about the Camino. What was their experience, what perspective did they offer, were they also changed (as I was) by undertaking this “pilgrimage”?
For anyone who would like to walk the Camino Ingles (the 'Short Camino' - or the 'Road less traveled by'), Susan Jagannath's book is the ideal companion.
I liked the way she began each chapter with an apt quotation. In addition to encouraging and motivating the reader to undertake this journey, she provides much practical advice about planning and preparation, and then proceeds to describe her own journey along this ‘One Week Camino’ together with a lot of useful information about places to stay and things to see as well as addresses, phone numbers, and webpages. The e-book is regularly updated – which makes it essential reading for the prospective pilgrim
Are you thinking of walking a Camino? But a bit overwhelmed by the thought of the Camino Frances? Walk the Ingles, the shorter, sweeter, safer, and just as authentic hike in a post-pandemic world.
Get checklists, printables and fully updated information sheets on the "new normal" from the reader bonuses.
The Camino Inglés is a smart choice if you want to walk in 2022.
The Camino Inglés spans one province, Galicia, and its capital is Santiago de Compostela, the hallowed goal of the centuries-old pilgrimage. The Cathedral is now open to visitors and pilgrims.
After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
One of my favorite fiction collections, it contains everything from selkies to homework assignments to imagined histories.
I’m drawn to stories that illuminate hidden literature, imagine landscapes, or unearth a secret history. Stories with footnotes, poems, and epistolaries. Tender is all these things, and in the best fabulist tradition, these elements are not the point. They heighten the stakes and experiences.
I love books where the unreal and uncanny don’t distract from reality but create a focus to make a fictional reality more real. In Tender, even stories that appear to be straight science fiction become something bigger and stranger.
Samatar is a masterful stylist, and her prose is outrageously good.
World Fantasy, British Fantasy, and Locus award finalist
Divided into "Tender Bodies" and "Tender Landscapes," the stories collected here in this first collection of short fiction from a rising star travel from the commonplace to the edges of reality. Some of Samatar's weird and compassionate fabulations spring from her life and literary studies; some spring from the world, some from the void. Tender explores the fragility of bodies, emotions, and landscapes, in settings that range from medieval Egypt to colonial Kenya to the stars, and the voices of those who question: children, students, servants, researchers, writers.
Sheila Finch is best known as a Nebula-winning author of science fiction, but on a visit back to her first alma mater in Chichester, UK, she encountered a mystery that wouldn’t let her go. Who built the nearby magnificent Roman palace that was just now being excavated at Fishbourne, and why? Months of research later, she came up with a possible explanation that involved a sixteen-year-old Roman mother, a middle-aged Celtic king of a small tribe, and Emperor Nero’s secret plans:
The difference between an account of history and historical fiction is in the sensory images the writer conjures up for the reader --"You are there!" Searching for everyday details to “set the scene” for the novel, I found a wealth of material in this scholarly discussion of Celtic life, dwelling places and weaponry, clothing, technology, history and culture. Lots of useful illustrations here that brought family bonds and Celtic society to life for me.
I’m a British academic historian of the Roman Empire. I became interested in Rome before I could read, but since no school I attended offered Classics, I had to pick the subject up by myself. I first read historical fiction, and it was not until I was about fourteen that a close friend recommended Grant’s translation of Tacitus’ Annals. Thanks to a paper round, I could afford five shillings to buy the copy I still use, which swept me away. A great strength of Roman history is that it gives the opportunity to attempt a dispassionate—in Tacitus’ words, ‘without strong emotion or partiality’— understanding of a familiar but very different society.
When I was finally allowed to specialize in Ancient History in the third year of my BA degree, this included a survey of Ancient Greece, supervised by no less a figure than Professor (later Sir) Moses Finley.
One of his recommendations for reading was Adkins' book, listed here, a key point of which is that virtue is not absolute but depends on a society's socio-economic development level. In Archaic Greece, the "good" man was not the one whom later Greeks, and ourselves, would call "good" by virtue of moral rectitude but the one who could, by brute force if necessary, protect his family and community in troubled times: a telling corrective to historical "presentism."
Sheila Finch is best known as a Nebula-winning author of science fiction, but on a visit back to her first alma mater in Chichester, UK, she encountered a mystery that wouldn’t let her go. Who built the nearby magnificent Roman palace that was just now being excavated at Fishbourne, and why? Months of research later, she came up with a possible explanation that involved a sixteen-year-old Roman mother, a middle-aged Celtic king of a small tribe, and Emperor Nero’s secret plans:
A historical novel has to do more than just re-tell a part of history. The author has the duty to make history come alive for the reader, even if fictionalized. That means details about daily life and customs, not just buildings and battles. This book was enormously helpful in describing everyday Roman life. What the Romans were eating and wearing in Rome, they probably also ate (as near as they could) and wore in their colonies. Here I found everything from going to the barber to going to the circus.
This classic book brings to life imperial Rome as it was during the second century A.D., the time of Trajan and Hadrian, Marcus Aurelius, and Commodus. It was a period marked by lavish displays of wealth, a dazzling cultural mix, and the advent of Christianity. The splendor and squalor of the city, the spectacles, and the day's routines are reconstructed from an immense fund of archaeological evidence and from vivid descriptions by ancient poets, satirists, letter-writers, and novelists-from Petronius to Pliny the Younger. In a new Introduction, the eminent classicist Mary Beard appraises the book's enduring-and sometimes surprising-influence and its…
