Here are 100 books that Water fans have personally recommended if you like
Water.
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The shore was my first great love, the falling in love-kind. I grew up in Houston, a short distance from the Texas coast. My parents took us there often. Back then, in the 70s, I found a wealth of treasures: sand dollars, urchins, seahorses, starfish, and mollusks. Since then, the treasures have diminished considerably. It’s rare to find any of these animals that were once common. In my research on oceans, reefs, and Earth’s many animals and habitats, I’ve learned that many are endangered and that habitat loss due to human activity is the primary culprit. My contribution to help restore the Earth’s health is through children’s books.
I love this book because its title reflects how I feel about water: protective. Young Nokomis, a girl of the indigenous Ojibwe people, learns that humans are born of water, and it is sacred. She says that the “river’s rhythm runs through my veins.” I feel the same way.
Finding ways to protect it is a large undertaking, but there are simple ways too. Praying, especially in song, is one. Nokomis reminds us that all of us, humans, animals, and elements, are interconnected. I agree with this sentiment: We Are One. Her prayer is mine. We must stand strong and work together, pray, and sing together as one of the everyday activities to acknowledge the sacredness of water.
Winner of the 2021 Caldecott Medal #1 New York Times Bestseller
Inspired by the many Indigenous-led movements across North America, We Are Water Protectors issues an urgent rallying cry to safeguard the Earth’s water from harm and corruption―a bold and lyrical picture book written by Carole Lindstrom and vibrantly illustrated by Michaela Goade.
Water is the first medicine. It affects and connects us all . . .
When a black snake threatens to destroy the Earth And poison her people’s water, one young water protector Takes a stand to defend Earth’s most sacred resource.
I’ve always been an animal lover who's also interested in what makes different creatures tick: how they’ve evolved as living beings, where and how they exist, and what role any given one plays in our world at large. I also find bodies of water calming to gaze at, fun to splash in and sail on, and it’s intriguing to study them as ecosystems. Each type—from small transient sidewalk puddles to vast enduring seas—can support some form of animal life under the right circumstances. And, for me, the fact that we humans spend most of our time experiencing life on land makes marine life that much more mysterious and magical to learn and write about.
One look at the cover of this visually stunning, expertly crafted nonfiction picture book sparks the notion that the elusive giant squid has much more to teach us than what meets the eye.
Next, this opening line from the prologue plunges the reader into the squid’s mysterious world so the rest of the book can fulfill the cover’s promise:
"Down,
down
in the depths
of the sunless sea,
deep,
deep
in the cold,
cold dark,
creatures,
strange
and fearsome,
lurk."
I was hooked from the get-go, and I know Fleming and Rohmann’s innovative pairing of poetic expository text with darkly arresting illustrations—with every word and brushstroke remaining faithful to the facts—will engage any reader lucky enough to pick up this book.
The giant squid is one of the most elusive creatures in the world. As large as whales, they hide beyond reach deep within the sea, forcing scientists to piece together their story from those clues they leave behind.
An injured whale's ring-shaped scars indicate an encounter with a giant squid. A piece of beak broken off in the whale's belly; a flash of ink dispersed as a blinding defense to allow the squid to escape-- these fragments of proof were all we had . . . until a giant squid was finally filmed in its natural habitat only two years…
I spent long days at the beach as a kid, and sharp bits of horseshoe crab shells in my sandcastles were a frequent annoyance. As an adult, I discovered a horseshoe crab lurching its way back to the water and wondered: What's the deal with this weird animal? To find out, I read books, talked with scientists, and assisted with horseshoe crab and shorebird research. What I discovered—about horseshoe crabs, other animals, and the water they live in—was too amazing to keep to myself. I hope my book encourages kids to go out and explore wild places, too!
Awe, beauty, and a satisfying amount of information—The Blue Whale has it all. I love the curious child we follow through the book, as well as the visual comparisons that turn astonishing facts about the world’s largest living creature into subtly humorous images that I can relate to on a more personal level. In the final pages of the book, the child—our surrogate adventurer—falls asleep and dreams, amazed by a world that contains such tremendous creatures.
A nonfiction picture book, The Blue Whale draws children into the life and world of this enormous whale by situating facts within a familiar context that is fun and engaging. Here, readers are given the actual size of an eye right on the page, and we are informed how understand this whale's body size in relation to trucks, cars, milk bottles, and hippos! With an accurate and engaging text, fully vetted by a blue whale expert, and lyrically lovely illustrations, The Blue Whale is a book that invites children in and holds their attention. Its tempo is like a pleasing…
I spent long days at the beach as a kid, and sharp bits of horseshoe crab shells in my sandcastles were a frequent annoyance. As an adult, I discovered a horseshoe crab lurching its way back to the water and wondered: What's the deal with this weird animal? To find out, I read books, talked with scientists, and assisted with horseshoe crab and shorebird research. What I discovered—about horseshoe crabs, other animals, and the water they live in—was too amazing to keep to myself. I hope my book encourages kids to go out and explore wild places, too!
To me, this book feels like a walk along the beach. I pick up each poem, sink into the swirls and splashes of color, and let my mind wander. Books that encourage such meandering strolls near the ocean have a special place in my heart: the idea for my horseshoe crab book started on just such a walk. Water Sings Blue is a great reminder that you never know what wonders you will discover when you go outside and let your curiosity guide you.
Come down to the shore with this rich and vivid celebration of the ocean! With gorgeous watercolors by award-winning artist Meilo So and lyrical, playful poems by Kate Coombs, The Water Sings Blue evokes the beauty and power, the depth and mystery, and the endless resonance of the sea.
When I first visited Central Asia in 2008, little did I know that it would become the focus of my life and work. I now advise the World Bank and national governments on economic development, with a particular focus on tourism, and I’m the Chairman of the Royal Society for Asian Affairs. I am Uzbekistan’s Ambassador for Tourism, a co-founder of the Silk Road Literary Festival, and I’ve written and updated guidebooks to Kazakhstan, Kyrgyzstan, Tajikistan, Uzbekistan, and the Silk Road.
The shrinking of the Aral Sea is arguably the greatest manmade environmental disaster of the 20th century. Kazakh writer Rollan Seisenbayev uses the catastrophe as the backdrop for his novel, exploring the impact on local people through the eyes of a fisherman and his son who are confronted not only with the vanishing sea but as a result also the disappearance of their livelihood and future. The Dead Wander in the Desertwas long-listed for the PEN Translation Prize and deserves to be much more widely read.
From Kazakhstan's most celebrated author comes his powerful and timely English-language debut about a fisherman's struggle to save the Aral Sea, and its way of life, from man-made ecological disaster.
Unfolding on the vast grasslands of the steppes of Kazakhstan before its independence from the USSR, this haunting novel limns the struggles of the world through the eyes of Nasyr, a simple fisherman and village elder, and his resolute son, Kakharman. Both father and son confront the terrible future that is coming to the poisoned Aral Sea.
I’ve always been drawn to social history, so the chance to learn what people used for toilet paper in the middle ages or how deodorant was invented and popularized in the early 20th century was perfect for me. The three years I spent researching The Dirt on Clean included trips to see the bathing facilities in Pompeii and actually bathing in ancient mineral baths and spas in Hungary, Switzerland, and Germany, and what’s not to like about that?
Europeans had feared water since the Black Death of 1347 when the doctors of the Sorbonne pronounced that people who took warm baths were more susceptible to the plague. There followed what the French historian Jules Michelet called (with some hyperbole) “five hundred years without a bath.” Goubert’s scholarly but always readable book describes the gradual and tentative death of this longstanding myth. Beginning in the 18th century, the emergence of the idea of water as a benefit and not a danger to public health was complicated and touched many areas of life. Goubert is adept at moving from social to cultural to administrative sectors, with just the right balance of theory and anecdotes.
"The preoccupation with water is, according to Jean-Pierre Goubert, one of the subdivisions of the religion of progress. . . . Goubert's research is entirely interdisciplinary, and his procedure is highly original. The first in his field, the author has at all points built up a study which never departs from its faithfulness to texts, documents and facts."--From the introduction
This book is the first major study of the social and cultural conquest of water during the nineteenth and twentieth centuries. Jean-Pierre Goubert discloses the changing meanings of everyday reality as he explores the transition from water-scarce cultures, in which…
Andreas Bieler’s main research focus has been on the possibilities of labour movements, broadly defined, to represent the interests of their members and wider societies in struggles against capitalist exploitation in times of neo-liberal globalisation. His research on water struggles in Europe was motivated by the fact that this has been one of the few areas, in which resistance has actually been successful. Understanding the reasons behind this success may help us understand what is necessary for success in other areas of resistance.
In Whose Water Is It Anyway, Maude Barlow, one of the world’s foremost activists in the struggle against water grabbing, provides an account of the rich history of resistance against profit-making with water.
Importantly, the book is not just about the history of resistance. By introducing the Blue Communities project it provides people with an opportunity of engaging in concrete grassroots action, accomplishing something in the here and now.
To become a Blue Community, a municipality must recognize water as a human right, run water and sanitation services as a public company and ban or phase out bottled water in municipal events.
“Maude Barlow is one of our planet’s greatest water defenders.” ― Naomi Klein, bestselling author of This Changes Everything and The Shock Doctrine
“This book is a blueprint for communities around the world to take back that responsibility and maintain water as a human right.” ― David Suzuki
“This is a must-read.” ― Jane Fonda
A call to action from former Senior Advisor on Water to the U.N., honorary chairperson of the Council of Canadians, chair of Washing-based Food and Water Watch, and councillor with the Hamburg-based World Future Council
The Blue Communities Project is dedicated to three primary things:…
Andreas Bieler’s main research focus has been on the possibilities of labour movements, broadly defined, to represent the interests of their members and wider societies in struggles against capitalist exploitation in times of neo-liberal globalisation. His research on water struggles in Europe was motivated by the fact that this has been one of the few areas, in which resistance has actually been successful. Understanding the reasons behind this success may help us understand what is necessary for success in other areas of resistance.
By comparing the struggles against water charges in Ireland with struggles over the extraction of unconventional gas in Australia, Madelaine Moore provides a fascinating account of common roots of resistance underpinning different forms of water grabbing.
Drawing on feminist Social Reproduction Theory she clearly demonstrates how these moments of contestation not only contest profit-making with water, but capitalist reproduction as a whole.
This book provides an important intervention into social reproduction theory and the politics of water. Presenting an incorporated comparison, it analyses the conjuncture following the 2007 financial crisis through the lens of water expropriation and resistance. This brings into view the way that transnational capital has made use of and been facilitated by the strategic selectivities of both the Irish and the Australian state, as well as the particular class formations that emerged in resistance to such water grabs. What is revealed is a crisis-ridden system that is marked by increasing reproductive unrest - class understood through the lens of…
I’ve always loved unreliable narrators and how they place us as readers into the role of detectives, piecing the "truth" of a story together. The narrators I’ve picked below vary in their intent: some deliberately deceive, and others do so unconsciously or through omission. In several, the twist hinges on the use of an unreliable narrator, while in others, narrative unreliability poses a moral dilemma for the reader. In a few, an added layer of unreliability emerges: the narrator’s perception is distorted by technology. In an age of AI, simulations, and deep fakes, the unreliable narrator is arguably more needed than ever, holding a mirror up to the unreliability of our own world.
I find it interesting when first-person unreliable narrators pose a moral dilemma for the reader: how far we sympathise with a character who may or may not be culpable of a crime.
From the very opening of the novel, we are told, "Tonight will be my first night under house arrest." Ruth Ardingly has just been released from prison to serve out a sentence of house arrest for arson and suspected murder (after the death of her seven-year-old grandson) at her farm, The Well. Returning to The Well, Ruth must piece together the tragedy that shattered her marriage and tore her family apart, amid the backdrop of a drought-ridden country, where, miraculously, The Well has water.
The novel is told retrospectively by Grandmother Ruth, whose narrative reliability is impacted by both memory and grief.
AN OBSERVER NEW FACE OF FICTION 2015 A HUFFINGTON POST 'ONE TO WATCH IN 2015'
LONGLISTED FOR THE CWA JOHN CREASEY (NEW BLOOD) DAGGER 2015
'I was gripped by Catherine Chanter's The Well immediately. The beauty of her prose is riveting, the imagery so assured. This is an astonishing debut' Sarah Winman, author of When God was a Rabbit
'I loved this book!' JESSIE BURTON, author of The Miniaturist
When Ruth Ardingly and her family first drive up from London in their grime-encrusted car and view The Well, they are enchanted by a…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
This book by Barbara Mundy, an art historian, challenges the idea that the Aztec capital of Tenochtitlan was instantly transformed into Spanish Mexico City following the conquest in 1521. Using indigenous and Spanish maps, Nahua codices, and archaeological evidence, Mundy shows that many aspects of urban life remained in indigenous hands for nearly a century after the Spanish and their indigenous allies toppled Montezuma and his empire. The book is beautifully illustrated, and Mundy’s writing brings the spaces and rhythms of the sixteenth-century city to life.
Winner, Book Prize in Latin American Studies, Colonial Section of Latin American Studies Association (LASA), 2016 ALAA Book Award, Association for Latin American Art/Arvey Foundation, 2016
The capital of the Aztec empire, Tenochtitlan, was, in its era, one of the largest cities in the world. Built on an island in the middle of a shallow lake, its population numbered perhaps 150,000, with another 350,000 people in the urban network clustered around the lake shores. In 1521, at the height of Tenochtitlan's power, which extended over much of Central Mexico, Hernando Cortes and his followers conquered the city. Cortes boasted to…
