100 books like Understanding the Tarot Court

Rachel Pollack’s classic guide to the tarot is a well-loved reference for me and for many.

While it’s a great next step to add depth of insight into the cards for the less experienced, it also continually serves up new insights to someone with more familiarity with the cards as well. She wrote it in the early eighties while living in Amsterdam and teaching tarot at the Kosmos Meditation Center.

Robert Place is my favorite Tarot historian and artist.

What I love about this book is that he writes it in such a way that his discussion of the history of the cards makes it easier to understand and remember their symbolism (always useful when you’re trying to read Tarot). It also has detailed descriptions of different spreads.

But to my mind, it’s just a fun, interesting read, and a book I’ve turned to many a time for research and reading purposes.

When I was first learning to read Tarot, one of my big challenges was understanding how the cards worked together.

I eventually came up with my own method. But if I’d had this book when I was starting out, I would have figured things out much more quickly. 

Diane Wing goes into all the basics of Tarot reading, including some of the more metaphysical elements. But this book’s strength is the extensive Tarot combinations section.

If understanding how the cards fit together is something you’re struggling with, this is your book.

Today’s Tarot decks tend to be clones of one of the three main “models”: The Rider-Waite-Smith, the Marseille, and the Thoth Deck.

Most books on reading Tarot reference the former, the Rider-Waite-Smith. But if you’re going to get serious about reading, it’s useful to have an understanding of the Marseille deck.

When I first picked up a Marseille deck, however, I put it down pretty quickly. No symbols on the Minor Arcana? How was I supposed to read the cards without rote memorization (which I hate)?

But the Marseille style is based on the original Tarot decks from Renaissance Italy, and they’re more typically used in Europe. This deck is important. So when I found this book, despite my misgivings about ever understanding the deck, I decided to give it a read. 

What a revelation. There actually are symbols on the Minor Arcana—they’re just subtle. Using numerology and an explanation… show more.

When this book was published in 1979, mythologist Joseph Campbell was not yet a media celebrity—just a noted scholar. But poets and artists had already begun to engage with his exploration of the “hero’s journey.” As a student of archetypal psychology, I was initially excited to discover that Campbell had written about the Tarot.

I say “initially” because I was soon put off by the fact that Campbell had placed the origin of Tarot around 1350—a hundred years too early. But since then, I’ve become enthusiastic about his commentary, which draws associations between Tarot and Dante Alighieri’s 1332 epic poem, the Divina Commedia. Although 1450 (the probable timeframe of the earliest Tarot) was a transitional space between the periods designated as the “Middle Ages” and “Renaissance,” my research and experience suggest that Tarot is most closely tied to a medieval worldview and best understood in that context.

The other… show more.

This is probably the least-known and most surprising book ever written about Tarot. And yes, the author was pop culture icon Timothy Leary—Harvard psychologist turned apostle of psychedelic experimentation. I discovered this book more than a decade after it was published in 1979 and was amazed to realize it had come out just a year after Volume One of Kaplan’s meticulous Encyclopedia of Tarot. It’s impossible to imagine two more different authors or two more different books!  

It’s equally impossible to explain what Leary’s 288-page, large-format book is ”about” since it was deliberately composed as a mix of ideas, themes, and graphic illustrations that would challenge our normal expectations of intellectual order. However, you can get a flavor of Leary’s approach from this chapter title:  “Tower portrays your self-actualized brain-control-reality-director neuro-technology.”

Opening this book, I revisit a time when the “counter-culture” movement surfaced wildly exploratory questions, and Tarot was being… show more.

Research scientist Robert O’Neill was the first to publish a rigorous, in-depth analysis of Tarot as a symbol system. However, his 1986 book was almost unknown to the Tarot community until he was invited to speak at the first International Tarot Symposium in 1992. Like everyone else who met him there, I was impressed by his scholarly knowledge and original ideas. O’Neill told us about his interest in Tarot, which began as soon as he saw the cards in the 1950s—around the same time a cadre of artists and poets on the West Coast started using Tarot in their creative work. 

As a scientist, O’Neill recognized that the symbolic dimensions of Tarot deserve serious study, so he spent years researching various topics and writing an almost 400-page account of his findings and interpretations. This work is a challenge to read—with very small type, no illustrations, and many footnotes! But every… show more.

When I started a serious study of Tarot, there were very few substantive books on the topic—and barely anything had been written about the history and scope of Tarot art. But, that changed dramatically when collector and publisher Stuart Kaplan began the Encyclopedia of Tarot; over the years between 1978 and 2005, the series grew to four volumes and 1,584 pages, documenting every Tarot deck he could find out about.

However, the first volume stands alone as a turning point in the modern history of Tarot. In almost 400 oversized pages, it discusses artifacts that range from 15th-century museum pieces to esoteric decks designed by 19th-century enthusiasts to hand-made creations of adventurous 20th-century artists. Most of the book’s pages display black-and-white photographs of cards from various decks, but there are also scholarly essays illuminating the many aspects of Tarot history and art.

Kaplan’s Encyclopedia encouraged me to take Tarot seriously,… show more.

I read this book this month while traveling to the UK Tarot Conference and loved the resonance of tarot cards and people appearing in your life at the right time. Claire McMillian opens up the world of surrealist painter Remedios Varo by way of Pamela’s Smith Tarot cards as markers and guideposts.

I fell down the rabbit hole researching Varo’s artwork after I read it, especially Remedios’ painting of the magician or juggler. Her friend, Leonora Carrington, is also in the book—bringing art, tarot, and love to their immense ambition and their drive to live their life in their art and tarot readings. I loved learning about this post-WWII community of magical women and the art they created across Europe and Mexico.

If you want to create a sacred space with specific scents and love aromatherapy with organic essential oils, this book is for you! Mary correlated each of the 78 tarot cards with a scent. Some you will understand immediately, such as rose, vanilla, and ylang-ylang for The Empress card.

But what of the Hanged Man and The Tower? They, too, have a fragrance. A fun and fascinating read that is highly recommended for a different perspective on tarot.