100 books like Tarot Symbolism

When I started a serious study of Tarot, there were very few substantive books on the topic—and barely anything had been written about the history and scope of Tarot art. But, that changed dramatically when collector and publisher Stuart Kaplan began the Encyclopedia of Tarot; over the years between 1978 and 2005, the series grew to four volumes and 1,584 pages, documenting every Tarot deck he could find out about.

However, the first volume stands alone as a turning point in the modern history of Tarot. In almost 400 oversized pages, it discusses artifacts that range from 15th-century museum pieces to esoteric decks designed by 19th-century enthusiasts to hand-made creations of adventurous 20th-century artists. Most of the book’s pages display black-and-white photographs of cards from various decks, but there are also scholarly essays illuminating the many aspects of Tarot history and art.

Kaplan’s Encyclopedia encouraged me to take Tarot seriously,… show more.

This is probably the least-known and most surprising book ever written about Tarot. And yes, the author was pop culture icon Timothy Leary—Harvard psychologist turned apostle of psychedelic experimentation. I discovered this book more than a decade after it was published in 1979 and was amazed to realize it had come out just a year after Volume One of Kaplan’s meticulous Encyclopedia of Tarot. It’s impossible to imagine two more different authors or two more different books!  

It’s equally impossible to explain what Leary’s 288-page, large-format book is ”about” since it was deliberately composed as a mix of ideas, themes, and graphic illustrations that would challenge our normal expectations of intellectual order. However, you can get a flavor of Leary’s approach from this chapter title:  “Tower portrays your self-actualized brain-control-reality-director neuro-technology.”

Opening this book, I revisit a time when the “counter-culture” movement surfaced wildly exploratory questions, and Tarot was being… show more.

When this book was published in 1979, mythologist Joseph Campbell was not yet a media celebrity—just a noted scholar. But poets and artists had already begun to engage with his exploration of the “hero’s journey.” As a student of archetypal psychology, I was initially excited to discover that Campbell had written about the Tarot.

I say “initially” because I was soon put off by the fact that Campbell had placed the origin of Tarot around 1350—a hundred years too early. But since then, I’ve become enthusiastic about his commentary, which draws associations between Tarot and Dante Alighieri’s 1332 epic poem, the Divina Commedia. Although 1450 (the probable timeframe of the earliest Tarot) was a transitional space between the periods designated as the “Middle Ages” and “Renaissance,” my research and experience suggest that Tarot is most closely tied to a medieval worldview and best understood in that context.

The other… show more.

For this ambitious 1992 anthology, anthropologist Angeles Arrien and political scientist James Wanless collected twenty-two pathbreaking articles from an assortment of contributors that included two physicists, half a dozen practicing psychologists, a social worker, an ordained minister, and an assortment of writers and artists who had integrated Tarot into their professional and/or creative practices. I’m still fascinated by the different perspectives displayed in this collection and its surprisingly wide range of topics:  parapsychology, dance, relationship therapy, self-transformation, nature symbolism, the poetry of T.S. Eliot, and much more.

Looking back at this book, it seems important in (at least) two ways. For one thing, it’s a snapshot of certain cultural/intellectual trends that were converging in the later 20th century: consciousness research, “new age” philosophies, and cross-cultural and alternative approaches to psychotherapy. For another, it represents the first serious attempt to treat Tarot as a subject matter, bringing together various disciplines and… show more.

It’s said that court cards can be the trickiest for Tarot readers to interpret. This was certainly true for me when I was starting out, so Understanding the Tarot Court became invaluable to me. 

Mary K. Greer is another Tarot classicist and has spent decades delving into the history and usage of Tarot. The book goes deep into the symbolism and meanings of various cards—both upright and reversed—even going so far as to equate them to Myers-Briggs personality types.

Perhaps more importantly, it also has excellent explanations of how to read these quirky cards. 

If you want to create a sacred space with specific scents and love aromatherapy with organic essential oils, this book is for you! Mary correlated each of the 78 tarot cards with a scent. Some you will understand immediately, such as rose, vanilla, and ylang-ylang for The Empress card.

But what of the Hanged Man and The Tower? They, too, have a fragrance. A fun and fascinating read that is highly recommended for a different perspective on tarot.

If you journal or want to write, I highly recommend this book.

For journal keepers and writers, this is your next step in learning tarot after reading my Introduction to Tarot. Especially powerful is writing down your first impression of the cards, what Mary calls "Entering A Card" on pages 23 - 25. Fun and revealing about your inner values is "The Court Card Party" on pages 77 - 80. Most powerful for me was the "Turning Points" worksheet on page 128 to see the big picture of your life.

Plus, it contains many different types of tarot spread that can inspire you to create your own tarot magic. Bring your tarot understanding and awareness to the next level with Tarot for Yourself.

I like many of Rachel Pollack's books, but this was one of the first tarot books I read. This kind of book is perfect for me to learn something. It reads very easily, more like a course than a book with pages full of text. The layout is light and each page is richly illustrated with colour photos including tarot cards from all over the world, so you can compare and get a good idea of ​​the character of each card.

All facets of tarot, which you can delve into later, are discussed: origin, history & the different traditions, symbols & colours, the Tree of Life & the Hebrew letters, numbers & the paths of the Sefiroth, Kabbalah & astrology, the journey of the fool through the Major Arcana, different readings & card spreads, different ways to use the tarot cards: to meditate, to work with dreams, games, storytelling and… show more.

While designing and illustrating my own Sun and Moon Tarot, I followed the normal order of letters of the Hebrew alphabet and therefore also their values. And I respected the original Western Hermetic order of the cards on the paths of the Tree of Life and their corresponding Hebrew letters. This system is explained in detail in this book.

Rufus C. Camphausen describes in detail how the numbering of the tarot cards has been changed by different groups of people (Kabbalists, Astrologers, the Hermetic order of the Golden Dawn & Aleister Crowley, A. E. Waite of the Rider Waite Tarot). The same is true with the assignment of the planets and zodiac signs and the assignment of the numbers and the Hebrew letters on the paths of the Sefiroth (Tree of Life in Kabbalah).

Together with Van Leeuwen he also created ‘The Kabbalistic Tarot/Tree-of-life Tarot’. This tarot deck… show more.