Here are 100 books that Under the Sea-Wind fans have personally recommended if you like
Under the Sea-Wind.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.
The late Edward Abbey might be a controversial figure, but you can’t write about desert literature without mentioning this iconic book.
In this book, Abbey captures his experience as a winter caretaker of Arches National Park (before it was a national park and before the road in was paved). In 18 chapters that read like short stories, he chronicles long days on horseback, jaw-dropping tales of flash floods, journeys up remote canyons, and more adventures that do an uncanny job of conveying the spirit of the desert and what it was like to explore it mid-century.
Abbey’s writing is blunt, colorful, and engaging, and this book is a romp of a read.
'My favourite book about the wilderness' Cheryl Strayed, author of Wild
In this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service.
Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and down the…
I’m a storyteller. I studied graphic design, animation, and film and became the title designer of Yorkshire Television’s game show 3*2*1 and directed an art-directed film and animation for British television and cinema. I was the Project Designer of the original Jorvik Viking Centre (1984). By 2008 I designed and built 25 award-winning cultural heritage centres and completed 150 international consultancies, producing and directing my exhibition documentaries. I learned how important writingwas to my work. When it came down to it, whatever technique I used in the telling, there was always the storybehind it as the way to transport the audience into a mentally immersive experience.
I love Cape Cod and I was fortunate to live on the edge of the sea between 1997-2003. Skillfully written by one of America’s greatest writers of the natural habitat, it transports you to a place. It reminds me of what it felt like to live far out in Cape Cod on the North Atlantic at its furthest reach on the east coast of the United States. Living there for several years and spending time in nature with the sea, beach, dunes, and my bicycle, I learned to love its moods, wildlife, and great sense of mystery. I totally identified with this man’s extraordinary experience and how it was years ago. A wonderfully descriptive book that helps you experience with all your senses what it’s like to live next to the sea alone.
The seventy-fifth anniversary edition of the classic book about Cape Cod, "written with simplicity, sympathy, and beauty" (New York Herald Tribune)
A chronicle of a solitary year spent on a Cape Cod beach, The Outermost House has long been recognized as a classic of American nature writing. Henry Beston had originally planned to spend just two weeks in his seaside home, but was so possessed by the mysterious beauty of his surroundings that he found he "could not go."
Instead, he sat down to try and capture in words the wonders of the magical landscape he found himself in thrall…
I love being outdoors and I’ve been fortunate to spend much of life under the open sky, both professionally and personally. Learning about the landscapes I’ve visited on my outdoor adventures or helped protect through my professional conservation and writing work is both fulfilling and inspiring. Skilled writers deepen my understanding of the diverse, intricate, and complicated natural world. Whether I’m reading to better understand the policies and histories that have shaped our public lands or about the adventurers who inspire me to get out there, I always find immense value and enjoyment when reading about the landscapes we share.
Aldo Leopold was a Forest Service ranger stationed in New Mexico’s Gila National Forest when he first began advocating for a new approach to managing national forests. Leopold’s visionary thinking and diligent advocacy resulted in the first-ever Wilderness Area in the U.S.—the Gila Wilderness Area, established in 1922—more than 40 years before the Wilderness Act was passed by Congress in 1964. A Sand County Almanac is Leopold’s best-known work and follows his efforts to restore a patch of cut-over farmland in Wisconsin while also articulating his vision of a land ethic where humans and nature are intertwined and care for people cannot be separated from care for the land. His beautiful writing resonated strongly with me when I first read A Sand County Almanac more than two decades ago, and his vision remains as important now as ever.
Aldo Leopold's A Sand County Almanac has enthralled generations of nature lovers and conservationists and is indeed revered by everyone seriously interested in protecting the natural world. Hailed for prose that is "full of beauty and vigor and bite" (The New York Times), it is perhaps the finest example of nature writing since Thoreau's Walden. Now this classic work is available in a completely redesigned and lavishly illustrated gift edition, featuring over one hundred beautiful full-color pictures by Michael Sewell, one of the country's leading nature photographers. Sewell, whose work has graced the pages of Audubon and Sierra magazines, walked…
Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.
This is a hero’s journey, right out of Joseph Campbell: a young man goes to sea, circumnavigates the globe, and experiences marvel after marvel of nature. What he learns on his journey matures into a kind of wisdom that transforms the world.
Darwin’s adventures keep me on the edge of my seat; his descriptions seduce me; his ideas inspire me. I want to be there with him as he recoils from the horrors of slavery in Brazil or observes the aftermath of a Chilean earthquake. And I feel I truly am with him, collecting birds and lizards on the islands of the Galapagos, as he begins to divine the answer to one of the greatest mysteries of the world.
Charles Darwin's travels around the world as an independent naturalist on HMS Beagle between 1831 and 1836 impressed upon him a sense of the natural world's beauty and sublimity which language could barely capture. Words, he said, were inadequate to convey to those who have not visited the inter-tropical regions, the sensation of delight which the mind experiences'.
Yet in a travel journal which takes the reader from the coasts and interiors of South America to South Sea Islands, Darwin's descriptive powers are constantly challenged, but never once overcome. In addition, The Voyage of…
I think about the ocean a lot. Teaching in Galveston, Texas, at a university less than a mile from the ocean means it's on my mind most of the time. And it's not just the fish! I’m fascinated by all things ocean and have spent my career trying to understand the place of the watery world in the history of the United States. From fishing in the North Atlantic, to the history of the U.S. Navy, and even surfing on the Gulf Coast my writing, not to mention reading, usually points to the coast and beyond.
It would have been impossible to write my book without Jeff Boslter’s The Mortal Sea.
With evocative prose and argumentative verve, Bolster’s book relates the deep, centuries-long history of overfishing while probing the depths of the interdependent relationship between humanity and the ocean. The Mortal Sea is one of the finest exemplars of environmental history by bringing together the narrative skill and argumentation of the historian with the insights of the ecologist and marine biologist.
Bolster reminds us that some of the most important connections existed not just across the sea, but with it.
Since the Viking ascendancy in the Middle Ages, the Atlantic has shaped the lives of people who depend upon it for survival. And just as surely, people have shaped the Atlantic. In his innovative account of this interdependency, W. Jeffrey Bolster, a historian and professional seafarer, takes us through a millennium-long environmental history of our impact on one of the largest ecosystems in the world.
While overfishing is often thought of as a contemporary problem, Bolster reveals that humans were transforming the sea long before factory trawlers turned fishing from a handliner's art into an industrial enterprise. The western Atlantic's…
My father introduced me to the world as we paged through his old pre-WWII atlas. We traced borders and rivers with our fingers and he spoke names that were magical incantations and invitations to a world more exciting and mysterious than our midwestern home. As a reader, I was drawn to books about travel and as a budding writer, I was inspired by the adventures of “Brenda Starr, Girl Reporter” featured in the Sunday comics of my youth. I packed my bags early and my passport is never out of date. I continue to read traveloirs, and I write in my journal every day. Oh! The places I will go.
While on a summer backpacking trip with her fiancé, twenty-eight-year-old Shannon Fowler’s life was suddenly and irreparably altered when her fiancé was stung and killed by a box jellyfish on the remote shore of an island in Thailand. In an effort to save her own life, to discover how to go on, she turned to traveling the world.
In rich detail, heart-breakingly honest prose, and deeply intimate story-telling, Shannon takes us along as she journeys to some of the most grief-stricken and tragic sites in the world. It’s through her travels, her interactions with strangers, her explorations that she begins to heal.
This story and Shannon’s unflinching telling gave me courage as I wrote my memoir—courage to open my heart not just to my own grief but to my personal connection to the ceaseless grief in our world.
'A cross between H is for Hawk and Wild' Stylist 'A courageous memoir of love and loss . . . compelling' Sunday Express 'Intimate and inspiring' Observer 'Rich and absorbing' Cathy Rentzenbrink, author of The Last Act of Love 'A brave and necessary record of love, as beautiful as it is heartbreaking' Ann Patchett, author of Commonwealth
On a warm evening on a beautiful beach in Thailand, Shannon Leone Fowler's life was shattered when a box jellyfish - the most venomous animal in the world - wrapped itself around her fiance Sean's legs, stinging and killing him in minutes.
As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
A street at the edge of the Pacific in Monterey where sardines are brought in to be canned, is the setting for a collection of colorful characters Steinbeck knew.
Chief among them is Doc, based on Steinbeck’s friend Ed Ricketts, who operated a lab that collected and prepared aquatic specimens for schools and museums. The lab is still there, next to the Monterey Bay Aquarium.
The canneries closed by the 1970’s and today Cannery Row is a thumping tourist trap. But I loved the book because of Doc, a gentleman, and a scholar if there ever was one.
In the din and stink that is Cannery Row a colourful blend of misfits - gamblers, whores, drunks, bums and artists - survive side by side in a jumble of adventure and mischief. Lee Chong, the astute owner of the well-stocked grocery store, is also the proprietor of the Palace Flophouse that Mack and his troupe of good-natured 'boys' call home. Dora runs the brothel with clockwork efficiency and a generous heart, and Doc is the fount of all wisdom. Packed with invention and joie de vivre CANNERY ROW is Steinbeck's high-spirited tribute to his native California.
I'm an award-winning, best-selling children’s author who writes about unexpected “wow” moments that stick with me. I look for books and articIes that take me on a deep journey into unknown environments. I aim for nonfiction that reads like a story with an emotional connection to new creatures with fascinating lifestyles. As a writer of dozens of books for children, I always learn much more that can go into each effort. Each book comes into a hazy focus after tons of research. The best “wow” details get woven into an incredible story full of surprise, joy, and admiration for those struggling to survive on our changing plant.
This book follows the accomplishments of Sylvia Earle who “lost her heart to the water” as a child. She snorkeled, then learned scuba diving. She kept on, joining an ocean expedition as the only woman among 70 men, lived underwater for 2 weeks, designed a deep sea diving bubble, and more. “Wow!” I love that she stayed so long to learn that each individual fish is different from another, that whales swim like ballerinas, and every spoonful of ocean is full of tiny, and sometimes sparkly, creatures. Most important she learned how vital the ocean is to the health of our planet and better ways to take care of it.
Sylvia Earle first lost her heart to the ocean as a young girl when she discovered the wonders of the Gulf of Mexico in her backyard. As an adult, she dives even deeper. Whether she's designing submersibles, swimming with the whales, or taking deep-water walks, Sylvia Earle has dedicated her life to learning more about what she calls "the blue heart of the planet." With stunningly detailed pictures of the wonders of the sea, Life in the Ocean tells the story of Sylvia's growing passion and how her ocean exploration and advocacy have made her known around the world. This…
I’m a nature writer living in the magical realism of the American Southwest. The seminal environmentalist Aldo Leopold said, “There are some who can live without wild animals and some who cannot.” I am the latter. In rural New Mexico, I have looked up from my writing to see so many animals pass by my window. Fox. Bobcat. Javelina. Deer. Once—a mountain lion! These are all gifts. I’ve also learned to enjoy the tracks and signs left by wild animals, their presence still palpable and resonant. For me, recognizing the endearingly small print of a spotted skunk or pocket mouse is deeply satisfying—a cure for all kinds of existential angst.
And I enjoyed learning about the life of this young self-identified “queer mixed race” author, navigating their racial and sexual identity in America today, as much as I enjoyed learning about the animals that they were writing about.
Imbler twines the two in an acknowledgment that we humans are, in fact, twined with the natural world. Her metaphors that link human communities with marine communities, or the predatory “Bobbit” worm with the story of Lorena Bobbit, are engaging and revealing.
A fascinating tour of creatures from the surface to the deepest ocean floor: this "miraculous, transcendental book" invites us to envision wilder, grander, and more abundant possibilities for the way we live (Ed Yong, author of An Immense World).
A queer, mixed race writer working in a largely white, male field, science and conservation journalist Sabrina Imbler has always been drawn to the mystery of life in the sea, and particularly to creatures living in hostile or remote environments. Each essay in their debut collection profiles one such creature, including:
·the mother octopus who starves herself while watching over her…
Although I was an avid reader of romance when I was a tween, the middle grade novels I wrote prior to Crashing in Love were about more “serious” topics. Yet, much of the mail I received from kids had pressing questions about the future of potential love interests. That’s when I realized that I’d been guilty (like many) of considering romance to be “light” fiction. What could be more important, more serious, than discovering ourselves while making genuine connections with others? Those letters changed my mind. Learning to love is essential and not to be taken lightly at all.
Who can resist a heroine who climbs a tree barefoot (in growing winds) and leaps to an attic window to hear one of her favorite authors speak? Not me! I’m a big Jane Austen fan and K.L. Going was able to capture the spirit and wit of her work in this wonderfully layered and romantic tale. (No worries if you or middle grade students you know are not familiar with Austen—the story stands on its own.)
Just like in my book, the story is set in Maine and the protagonist’s parents are divorced. There are multiple loves stories in this book, and I adored every one of them. I cried big happy tears in the end. I bet you will too.
From award-winning author K. L. Going comes a happily-ever-after story of a girl who discovers the true secret to all good writing--through an unlikely friendship, some well-intentioned matchmaking, and little bit of science.
Jane Brannen wants nothing more than to become a famous author like Jane Austen--she just needs to figure out the key to literary success! Her chance to uncover the secret arrives when bestselling author J. E. Fairfax visits her tiny town of Whickett Harbor. Unfortunately, a hurricane rolls in and Jane gets stuck with the author's snobbish son, Devon, instead. But when the skies clear, Jane realizes…
