Here are 90 books that Trustee from the Toolroom fans have personally recommended if you like
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I’ve been fascinated by thrillers since I was first allowed to read them. My childhood bookcase was full of Hammond Innes, Alistair MacLean, and every Nevil Shute novel. Later, these were joined by many others, not least John Le Carré. Banking gave me an insight into the murky world of money, bringing with it real-life stories as compelling as those I love reading about. My obsession with the genre is not only with elegant, complex plots but also with what motivates the characters to take the extraordinary risks they do in such challenging environments. The five thrillers I’ve chosen are my absolute favorites. I hope you enjoy them.
Although this book is semi-autobiographical, it is still one of the best financial thrillers for me. I love the build-up of the characters working in the toxic mortgage and junk bond markets of the late 1980s.
I love, too, the way it depicts the moral bankruptcy of the major investment banks and exposes the culture of greed that ultimately led to the financial crash of the late ‘80s, which was to be replicated again many years later.
Michael Lewis was fresh out of Princeton and the London School of Economics when he landed a job at Salomon Brothers, one of Wall Street's premier investment firms. During the next three years, Lewis rose from callow trainee to bond salesman, raking in millions for the firm and cashing in on a modern-day gold rush. Liar's Poker is the culmination of those heady, frenzied years-a behind-the-scenes look at a unique and turbulent time in American business. From the frat-boy camaraderie of the forty-first-floor trading room to the killer instinct that made ambitious young men gamble everything on a high-stakes game…
I’ve been fascinated by thrillers since I was first allowed to read them. My childhood bookcase was full of Hammond Innes, Alistair MacLean, and every Nevil Shute novel. Later, these were joined by many others, not least John Le Carré. Banking gave me an insight into the murky world of money, bringing with it real-life stories as compelling as those I love reading about. My obsession with the genre is not only with elegant, complex plots but also with what motivates the characters to take the extraordinary risks they do in such challenging environments. The five thrillers I’ve chosen are my absolute favorites. I hope you enjoy them.
I absolutely love the portrayal of a deeply flawed character thrown into the murky world of espionage. For me, Magnus Pym epitomizes the double standards of British and American society, desperate to protect themselves during the Cold War while revealing the inner conflict between self, family, and country.
I also love how the tension builds and builds as Pym, the double agent, rises through the Secret Service and risks everything.
"The best English novel since the war." -- Philip Roth
Over the course of his seemingly irreproachable life, Magnus Pym has been all things to all people: a devoted family man, a trusted colleague, a loyal friend-and the perfect spy. But in the wake of his estranged father's death, Magnus vanishes, and the British Secret Service is up in arms. Is it grief, or is the reason for his disappearance more sinister? And who is the mysterious man with the sad moustache who also seems to be looking for Magnus?
I’ve been into spy stories for many years. I love the intrigue, the deception, the secrecy of that world. Of course, real spying may involve lots of periods of doing nothing, possibly followed by manic, dangerous action. All while dealing with the anxiety of hiding the fact that you might be a traitor to your country or simply not the person the world thinks you are. It’s a fascinating world, and that fascination is what draws me in.
This is another book written by an ex-spy, in this case, the CIA. So, you can pick up a few authentic tips on how to run surveillance detection, for example, but I think there’s only so much of the real stuff McCloskey can include without some comeback from his previous employers. This is a fast-paced, action-packed thriller, which delivers.
CIA case officer Sam Joseph is dispatched to Paris to recruit Syrian Palace official Mariam Haddad. The two fall into a forbidden relationship, which supercharges Haddad's recruitment and creates unspeakable danger when they enter Damascus to find the man responsible for the disappearance of an American spy.
But the cat and mouse chase for the killer soon leads to a trail of high-profile assassinations and the discovery of a dark secret at the heart of the Syrian regime, bringing the pair under the all-seeing eyes of Assad's spy catcher, Ali Hassan, and his brother Rustum, the head of the feared…
I’ve been fascinated by thrillers since I was first allowed to read them. My childhood bookcase was full of Hammond Innes, Alistair MacLean, and every Nevil Shute novel. Later, these were joined by many others, not least John Le Carré. Banking gave me an insight into the murky world of money, bringing with it real-life stories as compelling as those I love reading about. My obsession with the genre is not only with elegant, complex plots but also with what motivates the characters to take the extraordinary risks they do in such challenging environments. The five thrillers I’ve chosen are my absolute favorites. I hope you enjoy them.
This novel has one of the most beautifully choreographed plots. I love the way the many players dance around the unfolding drama caused by secret plans to devalue the dollar. It is done with exquisite subtlety.
The devaluation plan's central story dovetails with several parallel plots: an investment adviser determined to piggyback on the scheme to increase his wealth and a Soviet finance official trying to undermine the US Dollar and save the USSR billions of dollars on overseas contracts. It gave me an insight into what real financial power is like.
"A brilliant novel on international finance ... you will have serious trouble putting this book down." — Forbes
Winner of the Edgar Award for Best First Novel, this was the first thriller set in the world money market that was written by an actual financial expert. Paul Erdman's fast-paced, suspenseful story centers on a billion-dollar, top-secret coup intended to protect the U.S. dollar. In settings that range from Washington, D.C., to London, Paris, Moscow, and Beirut, a cast of memorable characters enact a plot that brings the world to the brink of the biggest financial explosion in history.
I am a passionate, long-time collector of Ocean Liner material. I am recognized as a Member of the Board of The Ephemera Society of America, the Board of The Friends of Fort George, the Council of the British Ephemera Society and other historical and collector organizations. I was thrilled to be Recipient of the 2017 Award of Merit by The Ephemera Society of America, I was engaged by The Bodleian Library at Oxford University to author a book which captured some of the highlights of my extensive 60-year collection of Ocean Liner material which has been donated to the University. This book, sold globally, is the result of that work.
This book is a refreshing approach because it covers the period prior to Titanic’s disastrous Maiden Voyage, in material reprinted from an early edition of The Shipbuilder. Do not read another Titanic disaster book until you have read this insight and appreciated the foldout deck plans and longitudinal cutaways to see the actual cabin and deck arrangements. They really help to explain many aspects of the disaster story.
The contents lean heavily on engineering matters, but you don’t have to be an engineer to fully appreciate the design work that went into these more-or-less identical sister ships, and it’s worth noting that much of the Titanic controversy swirled around alleged design flaws.
Published in 1970, this is a reprint of the original 1912 book which is well beyond the average book buyer’s budget. A caveat—even this one isn’t cheap, and you will have to search online.
I’m a historical and dual timeline novelist, and I sometimes think I love the research phase more than the writing phase. For each novel I start with a vague idea, then buy or borrow books to read around the subject in the hope that a story will gradually emerge. I was lucky with The Lost Sister in that a chance remark of my brother’s sparked an idea, and he had a large collection of Titanic books which he let me borrow.
My brother told me how interesting this book was and that "it was Titanic’s sister ship. And that there were three sister ships, Olympic, Titanic, and Britannic." This book was invaluable for giving me an understanding of what the ships were like inside, with plenty of photographs and lots of technical detail.
Launched as the pride of British shipbuilding and the largest vessel in the world, Olympic was more than 40 per cent larger than her nearest rivals: almost 900ft long and the first ship to exceed 40,000 tons. She was built for comfort rather than speed and equipped with an array of facilities, including Turkish and electric baths (one of the first ships to have them), a swimming pool, gymnasium, squash court, a la carte restaurant, large first-class staterooms and plush public rooms. Surviving from 1911 until 1935, she was a firm favourite with the travelling public - carrying hundreds of…
As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
Edward Bulwer Lytton's influential 19th century novel The Last Days of Pompeii was inspired by a painting he had seen in Milan. He immediately rushed to Pompeii, where his book was published in 1834, by coincidence exactly when Vesuvius erupted. It became an immediate success and is still being published. As Benjamen Disraeli wrote that November, "A trembling spectator, I watched the artists till I was overcome by the phantasma, and was glad to find myself once more in the solitude of my armchair." Available in economic form. The book became an immediate success and is still being adapted to today's media.
Edward Bulwer-Lytton (1803-1873) was a prolific novelist, poet and playwright in his day; in modern times, his work is considered much as Lovecraft described: “large doses of turgid rhetoric and empty romanticism.”
Originally published in 1834, "The Last Days of Pompeii" itself was probably the first novelization of the catastrophic event. The city was rediscovered in the mid-1700s and archaeological excavations followed soon after. Bulwer-Lytton was inspired to write his novel by the painting The Last Day of Pompeii by Karl Briullov, painted in the early 1830s.
"The Last Days of Pompeii" tells the story of the Athenian Glaucus, his…
I’m a historian of emotions, science, and medicine, with more than a decade of experience in meddling in other scientific affairs, especially in the worlds of psychology and neuroscience. I’m fascinated by human emotions in part, at least, because I feel we’re living in a crude emotional age. I’ve worked in five different countries since gaining my PhD in 2005. In that time I’ve written or edited 14 books of historical non-fiction, as well as dozens of articles and reviews. You can freely read my work inAeon or History Today. I live between Canada (my adopted country) and Finland, where I frequently lament the loss of my European citizenship.
This book unlocked secrets for me. I was searching for a way of making sense of my own historical work on sympathy in the nineteenth century when I turned to Konstan’s masterpiece on pity in the ancient world, in all its varieties and political forms.
The book could not have been further in time from my own focus, but Konstan’s methods, combined with his narrative sharpness, showed me the way. I read this book, and suddenly, I knew what to do.
"Pity Transformed" is an examination of how pity was imagined and expressed in classical antiquity. It pays particular attention to the ways in which the pity of the Greeks and Romans differed from modern ideas. Among the topics investigated in this study are the appeal to pity in courts of law and the connection between pity and desert; the relation between pity and love or intimacy; self-pity; the role of pity in war and its relation to human rights and human dignity; divine pity from paganism to Christianity; and why pity was considered an emotion. This book will lead readers…
I love stories, and as a child I found that some of the best and most powerful stories I ever heard were those that people told about the past. When I grew up, I pursued a career as an academic archaeologist and historian, and I am now Professor of Classical Archaeology at the University of Vienna. But while I am of course interested in the past, in recent years I have been increasingly thinking about the politics of the past as well. Why do we choose to celebrate some stories about the past and not others? I have found these books all useful in helping me to think through this.
This book really brought it home to me how classics (that is, the study of ancient Greece and Rome) was implicated in the politics of the past, and specifically in the ideology of the British Empire. It has been quite influential within the discipline of classics, and there is now a whole subfield that considers the political uses of classics.
This extraordinary book provides a detailed account of the relationship between classical antiquity and the British colonial presence in India. It examines some of the great figures of the colonial period such as Gandhi, Nehru, Macaulay, Jowett, and William Jones, and covers a range of different disciplines as it sweeps from the eighteenth century to the end of the British Raj in the twentieth.
Using a variety of materials, including archival documents and familiar texts, Vasunia shows how classical culture pervaded the thoughts and minds of the British colonizers. His book highlights the many Indian receptions of Greco-Roman antiquity and…
I wrote Women in the Ancient Mediterranean World: From the Palaeolithic to the Byzantines when my partner and I found out that we were having a daughter. I finished it just as daughter number two appeared! I wanted to write something they could connect with easily as young women to share my lifelong passion for Mediterranean history. I grew up inspired by my local landscape of castles and ruins, trips to Greece, Michael Wood documentaries, and lots of books. I studied ancient history and archaeology at Newcastle University and later got my PhD from Durham University. I’ve written on various aspects of the ancient world in journals, magazines, websites, and my previous books.
Sarah B. Pomeroy’s book on women in antiquity was a landmark study when it was first published some fifty-odd years ago in 1975.
It remains important both for its discussion but also because of its place in the history of the study of women in the ancient world. Pomeroy works from literary and archaeological evidence to explore the lives of Greek and Roman women from the Bronze Age to women of the early Roman empire, with a particular focus on classical Athens and Rome.
It is erudite and readable, and, despite its age, deserves a place on any ancient history buff’s bookshelf. It was the first book on the subject that I bought when I was an undergraduate student and has been a great foundation for further study.
What did women do in ancient Greece and Rome? Did Socrates' wife Xanthippe ever hear his dialogues on beauty and truth? How many many women actually read the histories of Herodotus and Thucydides? When pagan goddesses were as powerful as gods, why was the status of women generally so low? Why, in traditional histories, is half the population effectively invisible?
This unique and important book spans a period of 1500 years - from the fall of Troy to the death of Constantine. It examines all the available evidence - literary and archaeological - and reconstructs the lives of women from…
