100 books like Tomb Treasures of the Late Middle Kingdom

Studies on Egyptian archeology have traditionally focused on necropolises, although there have been published numerous archaeological reports of settlements of different types.

With this work, Professor Nadine Moeller demonstrates that there is enough data to understand the vital context of the Egyptian populations who lived during the first millennium and a half of Egyptian History. It is a basic tool to approach Egyptian archaeology.

This work is divided into three clearly differentiated parts.

The first delves into the development of state administration, both in the royal court and in the provinces during the third millennium BC. The second delves into the structure and organization of a cemetery contemporary with Qubbet el-Hawa, where I excavate, so it offers me a complementary perspective of analysis. Finally, Harco Williams focuses on the study of the diversity of funerary inscriptions present on the coffins of the Middle Kingdom.

Professor Parkinson's work is a magnificent analysis of the Egyptian literature of the Middle Kingdom, traditionally considered the golden age of Egyptian letters, to the new visions present in current literary studies.

This is a work that goes beyond traditional translations of the most significant texts, as it tries to contextualize them historically, culturally, and literary.

I have chosen this work for the Egyptology list because Ancient Egypt must be ideally analyzed into a regional context, which overpasses its borders. In this sense, the present work is a magnificent example of how all the cultures of the Near East were integrated within a network of more or less fluid contacts.

Professor Liverani's work shows the mastery of the great scholar who knows all the sources and analyzes them from a new diplomatic, economic, anthropological, and political perspective.

In this autobiography, Ahmed describes her childhood growing up in a Muslim family in the 40s and 50s in Cairo where she witnessed many of the formative events that transformed Egypt—the end of British occupation, the changes wrought by Nassar’s reforms, and the break-down of the largely peaceful coexistence of multi-ethnic and multi-religious groups after the establishment of Israel. Ahmed goes on to school in England and then later to a life in the U.S. where she has difficulty resolving the contradictions of her comfortable Islamic upbringing with a growing sense of feminist identity. Ahmed is professor of women’s studies at Harvard Divinity School. Although not veiling herself, she supports Muslim women who wear the veil as a symbol of their own version of feminism.

As someone who moved to Egypt in 2012 I only experienced the 2011 Revolution in the past tense, in a secondhand way but this book puts this story in a clear, factual way. This is a meticulous work of journalism and passionate study of the time from someone who lived through the street protests and the book has combined on-the-ground reporting with wider investigation of the causes and the revolution’s achievements. The heart of the book is with the struggle of the Egyptian people during 2011 and the author knows Cairo as a city to bring alive this historic narrative for political freedom. 

Ziad Fahmy’s book on the importance of popular culture in the history of modern Egypt and the anti-British revolution of 1919 was a real landmark. Bringing together songs, jokes, vaudeville plays, and more, he manages to draw out a story of Egyptian anti-colonial, nationalism that is not confined to elite circles or confined by bourgeois morality. This is history from the streets. Although it is an academic book, it is written with an engaging style that captures some of the excitement of this period. Published in 2011, Fahmy’s book opened up space for research and writing on the history of Arabic pop culture.

Naga’s beautiful, poetic prose is pervaded with an overwhelming sense that things will end very badly.

An Arab-American woman meets a “boy from Shobrakheit,” and the two begin a damaged, damaging romance in a book that’s been described as a “postcolonial novel for the twenty-first century.”

Desire mixes up with more complicated feelings, such as pity and resentment, feelings that stem from their cultural and class differences, and their relationship, told in alternating points-of-view, is soon touched with a threat of violence—and then more than a threat—of violence. 

There are lots of excellent contemporary picture books about children from other countries adjusting to life in the United States. What sets this book apart for me is that, rather than just sprinkling in some words in the family’s native tongue, it specifically talks about languages and bilingualism. The writing is a little on-the-nose in spots (children say things like “I didn’t realize how important a different language is” and “Aren’t languages a beautiful thing? They can truly unite us!”), but it’s a likable story with charming illustrations. My favorite part is at the end, when the Arabic quilt inspires another class to make one in Japanese.

Palace of Desire came out in 1957 in original Arabic and got translated to English in the early ’90s, and that’s when I read it. I’m not sure why NY waited so long, except that Naguib Mahfouz couldn’t get the right connection for those years. Your request for reasons that I chose this book made me take another look, and I’ll reread it soon. Thumbing through it now, it still flows with classic narrative, a form still vibrant in 1957, before books in English lost that traditional flow and began to read with a sameness, like most authors went to writing seminars or demanded their rights as women with feelings. I.e. Mahfouz reaches for nothing but the moment, which happens to be in a Cairo neighborhood populated with everyday Egyptians carrying on with life. It’s a slice unavailable to readers like me, revealing a reality far away and compelling, sitting… show more.