100 books like The Traveling Show

The vintage fashion descriptions are killer diller with little mini-stories about each dress featured that evoke nostalgia and often melancholy. The mini-stories were sweet, delightful vignettes that reminded me of the way I think of my vintage clothing. They were beautifully written and I loved them all but most noticeably, I loved the story about the wartime mother splashing in puddles with her children. Dora’s character was likable and believable and I rooted for her. The supporting characters were perfectly quirky and delightfully despicable. Plus there is a nice romantic element with a fun love-triangle with wonderful supporting characters.

The characters really stand out. Trey is easy to love and you root for him right away with plenty of dance scenes that put swing dance center stage. Backen makes use of era music, citing big bands with a good amount of vintage fashion description, shoes, too! Although I guessed at most of the plot points, I love having my suspicions confirmed. Still, there were some nice twists along the way. I loved the soda shop setting and the barn, both exuding their own romance. Last but not least, I loved that the MC wasn’t the stereotypical hunk (short guys are the best to dance with–trust me).

Set in post-WWII with wartime flashbacks to an earlier time, Blundell uses music, dance, and fashion to capture the mood and atmosphere of the era. Her descriptions of the fashions had me drooling and wanting to run to the nearest vintage shop to buy a new dress. Blundell’s use of language, imagery, and metaphor worked well and often flirted with brilliance. She captured the dichotomy of having one foot in childhood and the other in adulthood with compelling plot twists, intertwining the complex mother and the daughter relationship from the perspective of a young woman. The romance aspect was realistic and dangerous with the character of Peter exactly what every parent fears for their budding daughter and what so many naive girls think they want.

I was fascinated with the depiction of the 1930s Malaysian dance halls steeped in music, fashion, and dance. As a writer who dabbles in the paranormal, the cultural spirits and supernatural elements were intriguing. The split narrative appealed to me since my Jitterbug Dress series is a dual narrative set in the 1940s and 1990s. The author also set the narrative apart by telling the story in different tenses and POVs (Ren and William’s story is in third person past, while Ji Lin’s story is first person, present). Choo did a great job of juxtaposing the beast or wild animal inside each person, where the line of who we are inside and what we present to society is drawn all while creating tension and suspense, keeping me guessing on how all these narratives intertwine. 

I love this series.

Lily Ivory, who owns a vintage clothing shop in San Francisco, wants to fit in somewhere and conceal her “witchiness”.

She is spiritual and stylish and has a charming sense of humor. Just when life seems normal, she stumbles onto a spooky murder.

This book ticks off all the boxes for a fun and mentally stimulating read. Lily’s familiar is an adorable, witty pig. There’s a sexy myth buster who is enticing. And there’s a powerful warlock who is her nemesis.

Such a fun read!

This frothy, well-paced cozy witch mystery features a psychic who can pick up visions of the past wearers of old clothes. How convenient that she runs a vintage clothing store… Add a Cary-Grant handsome ghost and some very lively romantic entanglements to the great clothes and a charming small town, and you’ve got a winning paranormal mystery. The author also does an excellent job describing the experience of clairtangency—psychic touch.

I love Vi Keeland and Penelope Ward's way of weaving a beautiful story that makes you say, 'just one more chapter'.

They always pull you into the story and make you feel like you are there. I often read their books in a day because I can’t put them down.

I love the grumpy-sunshine trope in this book. It was fun and sexy and emotional. There is a hidden and very well-portrayed medical issue for one of the characters, which I felt added so much depth to the book and touched on very real, relatable issues.

This is a little-known gem by three-time Pulitzer Prize winner Thornton Wilder (best known for his play Our Town). Published in the 1935, it’s a contemporaneous account of Depression-era America, following the misadventures of traveling salesman and religious zealot, George Brush. 

Coming off as preachy and self-righteous, George sparks ire and outrage wherever he goes. Yet, he’s a sincere and decent person. At the end of his misadventures, George is humbled and begins to broaden his views, making him a complex, sympathetic character.

Though renowned during his lifetime, Wilder has been largely forgotten in favor of flashier contemporaries. All of his works are worth rediscovering, but Heaven’s My Destination is closest to my heart as it was a major inspiration for my own book.  

Allen reaches back to the post-Civil War Gilded Age to explain the beginnings of massive finance capitalism in the United States. He then goes on to take readers through the roaring 20s, the 1929 Crash, and the New Deal’s first steps at reform, The author is an entertaining writer and fun to read. He tells fascinating stories and does not bore the reader with technical explanations and statistics.

The first half of this book is a deep immersion into the shockingly bleak living conditions of 1930s working-class families in the impoverished industrial north of England, then in the grip of the Great Depression. As an Irish person – and given the historic nature of the relationship between the two countries, in which Britain has always been the dominant and powerful one – it was genuinely eye-opening to me to understand how hard life was for ordinary English people.

Orwell’s writing was undertaken from the vantage point of his own experience. He spent months living with families in Lancashire and Yorkshire, and his descriptions of their lives are detailed and very vivid. The second half is an essay about the development of his own political conscience – interesting, but not essential in the way the first half is.