Here are 100 books that Thomas Hardy fans have personally recommended if you like
Thomas Hardy.
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My choice of books reflects a lifelong passion for literature and the natural world. I’ve always enjoyed travelling, to cities or more remote locations, learning as much as I can about the people that live there, and my first published article was about a hotel in Mali, photographed by my sister. Ten years later we published our first book, The Foraged Home. With Living Wild we wanted to look more deeply at how people lived, not just where, focussing not only on day-to-day life and their work, but their relationship with the surrounding landscape, asking big questions about our place in the world.
Six-year-old Calvin - along with his stuffed (?) tiger Hobbes - chafes against the ordinariness of his existence and ponders the meaning of life, often while strolling in the woods, or plummeting from a cliff edge in his little red wagon.
I first read Calvin & Hobbes when I was 12. Over the years, this brilliantly illustrated comic strip (which ran from 1985-1995) has only become richer and funnier and more poignant.
Calvin and Hobbesis unquestionably one of the most popular comic strips of all time. The imaginative world of a boy and his real-only-to-him tiger was first syndicated in 1985 and appeared in more than 2,400 newspapers when Bill Watterson retired on January 1, 1996. The entire body of Calvin and Hobbescartoons was originally published in hardcover as a truly noteworthy tribute to this singular cartoon in The Complete Calvin and Hobbes. Available for the first time in paperback, these four full-colour volumes in a sturdy slipcase include all the Calvin and Hobbescartoons that ever appeared in syndication. This is the…
As a teenager I loved the post-apocalyptic genre, especially John Wyndham and H G Wells, and as a scientist I’ve become increasingly aware of the threats to society, especially from climate change and pandemics. But it seems to me that any collapse will be gradual: yes, the weather will worsen, and the seas will rise; but those won’t happen overnight. We’re unlikely to see a pandemic that kills everyone, but we could well see a train of smaller ones. This is the world of Truth Sister: it’s changed, but we’ve had time to adapt. The books in my list have different takes on how a post-civilisation world might look. Enjoy!
This one’s actually the middle book of Attwood’s Maddaddam trilogy, which deals with the results of “the waterless flood,” a viral pandemic which has wiped out most of civilisation.
The Year of the Flood focuses on the lower classes, which again interests me in terms of the effect on “ordinary” people. There’s a dystopian element here, as Attwood explores the religious sect in which the protagonists find themselves.
NATIONAL BESTSELLER • From the bestselling author of The Handmaid's Tale and The Testaments—the second book of the internationally celebrated MaddAddam trilogy, set in the visionary world of Oryx and Crake, is at once a moving tale of lasting friendship and a landmark work of speculative fiction.
The long-feared waterless flood has occurred, altering Earth as we know it and obliterating most human life. Among the survivors are Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, who is barricaded inside a luxurious spa. Amid shadowy, corrupt ruling powers and new, gene-spliced life…
My choice of books reflects a lifelong passion for literature and the natural world. I’ve always enjoyed travelling, to cities or more remote locations, learning as much as I can about the people that live there, and my first published article was about a hotel in Mali, photographed by my sister. Ten years later we published our first book, The Foraged Home. With Living Wild we wanted to look more deeply at how people lived, not just where, focussing not only on day-to-day life and their work, but their relationship with the surrounding landscape, asking big questions about our place in the world.
Like many children, one of my obsessions was the dinosaurs, a group of animals - chickens and their kind notwithstanding - that only existed in books, the fossil record, and, chiefly, my imagination. In truth, I’m still obsessed by them, but also by the more than 99% of life forms that have ever existed on Earth and which are now extinct.
In Otherlands, Thomas Halliday, a palaeobiologist, explores Earth’s deep past, attempting to ‘see ancient life forms as if they were commonplace visitors to our world, as quivering, steaming beasts of flesh and instinct, as creaking beams and falling leaves’. A beautiful, humbling book.
“Immersive . . . bracingly ambitious . . . rewinds the story of life on Earth—from the mammoth steppe of the last Ice Age to the dawn of multicellular creatures over 500 million years ago.”—The Economist
LONGLISTED FOR THE BAILLIE GIFFORD PRIZE • “One of those rare books that’s both deeply informative and daringly imaginative.”—Elizabeth Kolbert, author of Under a White Sky
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Prospect (UK)
The past is past, but it does leave clues, and Thomas Halliday has used cutting-edge science to decipher them more completely than ever before. In…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
My choice of books reflects a lifelong passion for literature and the natural world. I’ve always enjoyed travelling, to cities or more remote locations, learning as much as I can about the people that live there, and my first published article was about a hotel in Mali, photographed by my sister. Ten years later we published our first book, The Foraged Home. With Living Wild we wanted to look more deeply at how people lived, not just where, focussing not only on day-to-day life and their work, but their relationship with the surrounding landscape, asking big questions about our place in the world.
A gorgeous meditation on friendship, the English countryside, art, and beauty.
Two men spend the spring and summer of 1989 creating crop circles in Wiltshire, working during the ‘arcane mystery of the humming night’ to ‘fuel the myth and strive for beauty, yes, but never the reveal the truth’ of their identities. It’s lyrical and life-affirming, yes, but also a warning.
As Calvert, an ex-soldier, remarks: ‘it’s about the land...getting people to learn to love it so that they don’t take it for granted, and then feel compelled to protect it.'
Summer 1989, deep in the English countryside — during a time of mass unemployment, class war, and rebellion . . . .
Over the course of a burning hot summer, two very different men — Calvert, an ex-soldier traumatized by his experience in the Falklands War, and his affable freind Redbone — set out nightly in a decrepit camper van to undertake an extraordinary project.
Under cover of darkness, they traverse the fields of rural England in secret, forming crop circles in elaborate and mysterious patterns, painstakingly avoiding damaging the wheat to yield designs so intricate that their overnight appearances…
I am a crime writer from New Zealand and have set all of my books either in small towns or isolated settings. The appeal of isolated settings, for me, is that social norms are lacking, people are often making their own rules in which to live by and they have chosen to live this life for particular reasons. The physical environment of isolated settings holds power and danger, but also beauty. In the five books I’ve chosen, all settings are stunning in their own way but with the introduction of characters with their own stories and histories, the beauty often contradicts the dark events going on and the secrets being kept.
Tama is a helpless magpie chick when he’s rescued by Marnie and taken into her home that she shares with her husband Rob.
As Tama thrives and grows under Marnie’s care he begins to talk, and so begins The Axeman’s Carnival, a story told through the eyes of a magpie. I think the best thing about this book (apart from a very entertaining Tama) is the huge disparity between Tama and Marnie’s social media fame and the physical and emotional isolation Marnie experiences.
The book is set on a sheep station in the South Island of New Zealand. And while Marnie occasionally sees her mother and sister and drives into town, her life is very isolated, made worse by her violent and erratic husband, but made better with her newfound love for Tama.
Everywhere, the birds: sparrows and skylarks and thrushes, starlings and bellbirds, fantails and pipits - but above them all and louder, the magpies. We are here and this is our tree and we're staying and it is ours and you need to leave and now.
Tama is just a helpless chick when he is rescued by Marnie, and this is where his story might have ended. 'If it keeps me awake,' says Marnie's husband Rob, a farmer, 'I'll have to wring its neck.' But with Tama come new possibilities for the couple's future. Tama can speak, and his fame is…
I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.
This is the first novel I read about grieving families who commissioned photographers to search for the place where their loved one died, in order that a photo could be taken for them to have as a keepsake.
I love learning something new when I read a book and I discovered so much about the after-effects of losing someone without having knowledge of their last moments and a place to pay one’s respects.
This is about Edie, a widow wanting answers about her husband who she believes might still be alive, despite being classed as ‘missing, presumed dead’ in 1917. She commissions her late husband’s brother to search for him and photograph his final resting place, if indeed there is one.
A wonderful, haunting story of enduring love and loss.
**Don't miss Caroline Scott's brand-new novel When I Come Home Again, a beautiful and compelling story based on true events - out now!!**
A BBC RADIO 2 BOOK CLUB PICK
'This excellent debut is a melancholic reminder of the rippling after-effects of war' The Times 'A touching novel of love and loss' Sunday Times
For fans of The Tattooist of Auschwitz and Where The Crawdads Sing comes a moving story, inspired by real events, about how hope and love will prevail against all odds.
1921 In the aftermath of war, everyone is searching for answers.
Reading my great uncle’s war letters home to Kansas City and seeing his artwork—he was a magazine illustrator in civilian life and then editor of the 27th Empire Division’s magazine, Gas Attack—I knew, as a writer, I had to put his story down on paper. What his National Guard regiment did, the 107th, simply blew me away. From writing about what the 107th endured in the Great War, I was carried away to tackle the all-black 369th Regiment, famously known as Harlem’s Hell Fighters. I then had to tell the story of New York City’s most famous regiment, the Fighting 69th. My trilogy of New York’s National Guard in the war is now done.
A leading archivist at the Modern Military Records Branch at the National Archives, Yockelson, another good friend, tackled a subject rarely covered, United States troops attached to the British where they fought with very little recognition back home for their valor on the battlefields of Flanders and the Somme. Two National Guard divisions, the 27th from New York State and the 30th from North and South Carolina and Tennessee, formed the American II Corps.
They took part in some of the bloodiest battles of the war. The 27th Division’s 107th Regiment from New York’s wealthy Upper East Side broke through the vaunted Hindenburg Line and in doing so lost more men on a single day of fighting than any regiment in United States history. I write about that regiment in my book, Duty, Honor, Privilege. Yockelson’s book covers it all for those Yankee troops fighting alongside the Brits.
The combined British Expeditionary Force and American II Corps successfully pierced the Hindenburg Line during the Hundred Days Campaign of World War I, an offensive that hastened the war's end. Yet despite the importance of this effort, the training and operation of II Corps has received scant attention from historians.
Mitchell A. Yockelson delivers a comprehensive study of the first time American and British soldiers fought together as a coalition force - more than twenty years before D-Day. He follows the two divisions that constituted II Corps, the 27th and 30th, from the training camps of South Carolina to the…
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
When my wife and I met in 1975, one of the things we had in common was that we both owned a copy of Growing Up Female. And the bindings on both copies were pretty worn out. This is a deeply personal journal of compelling photographs and eloquent text about women—from a feminist’s point of view. What I love about this book is how deeply moving it is and how well it demonstrates a narrative approach to taking, editing, and sequencing first-person photographs. Not to mention that this book sold 25,000 copies (unheard of for books of photography) and had a significant impact on the view of a woman’s place in our culture.
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
As part of my English Literature studies, I was instantly taken by the desperation and reality of life for these very young men fighting in the trenches during WWI.
Even if poetry is not your preferred style, for anyone interested in military history, Owen’s poems describe the stark fear and appalling conditions for the soldiers and the clear incompetence of those in charge.
They are hauntingly vivid in his descriptions of their existence and, of course, the inhumanity of war. It is particularly sad that he died as hostilities ended.
'Orpheus, the pagan saint of poets, went through hell and came back singing. In twentieth-century mythology, the singer wears a steel helmet and makes his descent "down some profound dull tunnel" in the stinking mud of the Western Front. For most readers of English poetry, the face under that helmet is that of Wilfred Owen.' Professor Jon Stallworthy, from his Introduction.
When Wilfred Owen was killed in the days before the Armistice in 1918, he left behind a shattering, truthful and indelible record of a soldier's experience of the First World War. His greatest war poetry has been collected, edited…
Radiant Wound is both an anthem and lament—a poetic exploration of life between cultures, languages, and the landscapes of Côte d'Ivoire. In this debut collection, Cara Waterfall captures the vibrant textures and deep dissonances of life abroad after the Second Ivorian Civil War, navigating the complex experience of being a…
I love my family. I can’t do without them. I have three siblings, and I’m the oldest. My father is a hard-working Texas man who I like to compare to Gus from Lonesome Dove. My mother is a lady. Like Jackie. She’s a classic. This made for interesting suppers. We were expected to behave like royalty while our father wanted us to “pull his finger”. I can’t tell you the mischief that went on in my house. And the fanciness. Oh, my heavens, the fanciness. My mother has so many teapots. My family is the reason I can tell stories, and I applaud any author who makes family come alive.
Years is a beautiful age-gap romance that also allows the reader to get to know a gentle older brother, a feisty mother, a risk-taking son, and many other townsfolk. The Heroine is a teacher, and the author paints such a beautiful picture of the students. Each of them has their own personalities. Years overflows with so much heartache, sweetness, and love that I have read it multiple times.
