24 books like The Yard

Ok, so I’m cheating a little bit here. A lot of people have heard of the women Rubenhold writes about because they’re famous for being Jack the Ripper’s victims.

And for many of the women, what they did was not particularly scandalous, since Rubenhold goes a long way to show that not all of them were streetwalkers. But this book is such a beautiful and heartbreaking read. It’s a meticulous and gripping reconstruction of the lives of women we thought we knew but don’t. She brings nineteenth-century London alive in a way that few authors have – when I read the book, I felt like I was there.

This book was recommended to me by a friend who knew I liked books set in the Victorian era. However, at the time, I had not read any books set in a music hall and certainly not a mystery. This book takes the reader deep into the underbelly of Victorian London and introduces a whole cast of eerie characters as well as some wonderful characters with hearts of gold.

The descriptions of the places our heroine is forced to visit are so exquisitely drawn that I could literally taste, smell, hear and see everything. The charm of Kitty and her friends gives a welcome reprieve from the darker aspects of the novel, yet it is those aspects that thrill the most!

As a young kid reading Dickens for the first time I was mesmerised by this journey into the underworld of Victorian London. I would go on my own imaginary adventures with the Artful Dodger and his gang of thieving street urchins. Years later, when writing my own book about modern street gang members I had the same sense of going on a thrilling journey of discovery and escapades.

If you identify anywhere on the LGBTIQ2+ scale and haven’t heard of Sarah Waters, you’ve likely been living under a rock.

Her debut novel, Tipping the Velvet, is probably better known as the three-part BBC series, but the book is what truly makes the characters come to life. From naïve, small town, oyster-girl in Kent to the life of the London Stage, Waters takes you through Victorian-era England via the point of view of beloved heroine Nan Astley.

If you’re looking for a sexy, sensuous, and downright gritty novel about what life was truly like for a ‘tom’ growing up and coming out in the nineteenth century, this is the book.

While I do love Miss Marple (if you don’t, I’m not sure we can be friends), I also love a good romp, which is exactly what this is. Our heroine Anne Beddingfield is in search of an adventure. Heading up to London, she finds herself investigating a murder involving mysterious clues, stolen diamonds, and the Secret Service. Her investigation quickly leads to a one-way passage on the Killmordan Castle, a liner heading for South Africa.

She soon finds herself mired deep in a complex intrigue but is bright, resourceful, and just foolhardy enough to be believable as a complete amateur who unravels it (with a touch of kidnapping along the way). 

Read this if you’re looking for a book where the author subverts expectations to deliver a punchy, action-packed adventure. 

Although this isn’t the first entry in the Peculiar Crimes Unit series, it’s the first that I read, and it hooked me. What a great idea for an offbeat police series, cleverly handled and featuring two eccentric London detectives, Arthur Bryant and John May. In this mystery, two cases initially appear unrelated, and it takes quite a bit of sleuthing before the links emerge. Bryant and May must unravel encrypted codes and symbols, discover secret rooms and dig through baffling clues as danger mounts. While this series has a darker tone than some of my preferences, it’s engaging and rewarding.

This first-in-series book is set in Regency London, a place I would love to see via time machine (but only to visit—not to live there—because I like my creature comforts way too much).  

The two main characters, Charlotte Sloane and the Earl of Wrexford, are from different sides of the tracks, so to speak, but there is some evidence that Charlotte may have experienced affluence at one time. Charlotte and Wrexford team up to solve a murder for which Wrexford stands accused. Their witty dialogue, disparate strengths, and willingness to overlook the other’s shortcomings make this a great read. 

And the cover is gorgeous, isn’t it? 

Pam Jenoff’s historical fiction rocks, but Almost Home is my favorite of her books. Here’s a secret: it’s her favorite, too. With its interwoven past and present storylines and breathtaking suspense, I couldn’t put it down. As a graduate student ten years ago at Cambridge University, Jordan Weiss’s life was shattered when her boyfriend drowned. Now, a U.S. intelligence officer, she finally returns to England to help her terminally ill friend, Sarah, and to make sense of decade-old secrets. As soon as Jordan arrives, she discovers that no one and nothing are what they seem. But she doesn’t give up her investigation—even in the face of grave danger. A true badass! This book kept me up all night—exactly the kind of read I adore. 

I picked up this book because I loved the cover (who says we don’t choose books by their covers?) and shortly thereafter found myself completely immersed in a 17th-century English Restoration mystery. I would visit that era in my time machine provided it’s fully stocked with soap and hand sanitizer (this time period being the one during which the Great Plague took place). 

Main character Lucy Campion is a chambermaid in the home of a London magistrate. Her days are filled with the drudgery of servant duties—that is, until a murder claims the life of a servant in the household and someone Lucy holds dear is accused of the crime. Knowing that person can’t possibly be the killer, Lucy sets out to find out whodunit. I don’t want to give away any spoilers, so I’ll stop there. 

I learned more about 1660s England reading this book than I ever did… show more.

Although Kate Summerscale is best known for The Suspicions of Mr Whicher, this is a book to read for those interested in mental illness and crime. The boy of the title is indeed a child – one who killed his mother and entered the asylum at the age of eighteen. The influence of Victorian social media – the penny dreadfuls and sensational journalism – feels relevant as today’s youth are lambasted for similar fascinations. The story ends far from Broadmoor and provides hope of recovery from even the most desperate and tragic situations.