Here are 100 books that The Tragedy of Titus Andronicus fans have personally recommended if you like
The Tragedy of Titus Andronicus.
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My work has always been interested in the ways in which systems can be disrupted and subverted by taking radical fresh approaches to them, even where the prevailing view is that overturning them can only lead to the dreaded chaos.
A comprehensive, elegantly written survey of the territory from a genuine polymath, Chaos Imagined considers the philosophical issues raised by the turn to disorder and chance in everything from cutting-edge artistic movements to mathematical chaos theory. Meisel moves with agile ease from historical narrative to considerations of some quite knotty theoretical problems in a style that is genuinely readable and elegant, rather than academically abstruse. He is as assured on avant-garde art movements as he is on the more elusive aspects of western philosophy.
The stories we tell in our attempt to make sense of the world-our myths and religion, literature and philosophy, science and art-are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos.…
My work has always been interested in the ways in which systems can be disrupted and subverted by taking radical fresh approaches to them, even where the prevailing view is that overturning them can only lead to the dreaded chaos.
Foucault’s groundbreaking work from the 1960s looks at how systems of order and classification came into being during the age of rationalism with Descartes, culminating in the 18th-century Enlightenment’s project of subjecting every field of knowledge to its own self-enclosed order. It remains of the great works of theoretical synthesis, patiently dissecting the structures of knowledge, of order and priority, that western learning continues to take for granted. At half a century’s distance, Foucault is the one French thinker whose legacy remains intact for his lucidity, polemical edge, and refusal of esoteric linguistic games.
When one defines "order" as a sorting of priorities, it becomes beautifully clear as to what Foucault is doing here. With virtuoso showmanship, he weaves an intensely complex history of thought. He dips into literature, art, economics and even biology in The Order of Things, possibly one of the most significant, yet most overlooked, works of the twentieth century. Eclipsed by his later work on power and discourse, nonetheless it was The Order of Things that established Foucault's reputation as an intellectual giant. Pirouetting around the outer edge of language, Foucault unsettles the surface of literary writing. In describing the…
My work has always been interested in the ways in which systems can be disrupted and subverted by taking radical fresh approaches to them, even where the prevailing view is that overturning them can only lead to the dreaded chaos.
In a study of great conceptual daring, Hayles examines the links between scientific chaos theory and the representations of disorder in modern literature, from Stanislaw Lem to Doris Lessing. She is more or less unique in the present day in being able to align hard science with contemporary aesthetics, a world away from the half-digested appropriation of scientific chatter by those who love nothing better than an algorithm. Her grasp of contemporary theory is sound, and her readings of modern literature are sensitive and enlightening.
N. Katherine Hayles here investigates parallels between contemporary literature and critical theory and the science of chaos. She finds in both scientific and literary discourse new interpretations of chaos, which is seen no longer as disorder but as a locus of maximum information and complexity. She examines structures and themes of disorder in The Education of Henry Adams, Doris Lessing's Golden Notebook, and works by Stanislaw Lem. Hayles shows how the writings of poststructuralist theorists including Barthes, Lyotard, Derrida, Serres, and de Man incorporate central features of chaos theory.
To me, humor is an essential ingredient, a vibrant medium in which anything can grow. I appreciate a good drama or tragedy as much as the next person, but at the end of the day, if a book doesn’t make me laugh, it won’t resonate. I also believe deeply in the concept of the human comedy. Or maybe I take this too literally. Either way, I consider the exploits of humans to be more often ridiculous than anything else. We are a pompous species and far less intelligent than we believe we are, and we deserve to be made fun of. Well, some of us do, anyway.
Pynchon’s most famous tome is one of the 20th Century’s top literary heavyweights, up on the shelf next to Ulysses and To the Lighthouse, and I dove into it as an aspiring literato, eager to add it to my “conquered classics” list. But I was totally unprepared for the novel’s explosive humor. Still one of the funniest books I’ve ever read, it follows the main character, Tyrone Slothrop, through the ruins of war-ravaged Europe, from the rooftop banana farm in London during the V2 rocket attacks, to the Herman Goering Hotel and Casino on the newly liberated French Riviera, to the German rocket factories at Nordhausen, where we learn the secrets behind Dr. Laszlo Jamf’s diabolical Imipolex G. Along the way we meet Roger Mexico and Colonel Ernest Pudding, Darlene Quoad and Geli Tripping, Scorpia Mossmoon and Richard M. Zhlubb, to name a paltry few. Even Mickey Rooney shows…
Hailed by many as the major experimental nov el of the post-war period, Gravity''s Rainbow is a bizarre co mic masterpiece in which linguistic virtuosity creates a who le other world. '
My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.
This classic work, first published in the 1960s, interprets Shakespeare’s work as portraying societies corrupted by injustice, cynical political maneuvering, and government surveillance. When it first appeared in the 1960s, it made Shakespeare’s plays seem chillingly relevant. It has the same effect today.
Penelope is about to turn eleven and can't wait to see what life has in store. But on the morning of her birthday, Pen- elope wakens to discover she can no longer hear, just as the Pied Piper, leads the other children of Hamelin out of town. Now Penelope must set out to rescue the children. Age 10 plus.
I prefer to write historical fiction because so many fascinating stories have already happened in the past, and these tales are filled with real-life characters with rich backstories and personalities. I try to find the best historical figures and scenarios I can through exhaustive research and then stitch them together into thrillers that mesh seamlessly with the history I researched. My books are written to educate and entertain, and nothing makes me prouder than when readers follow the breadcrumb trails I leave behind for further research. I hope you enjoy the hunt!
Shakespeare the Manis not the best book out there on William Shakespeare. There are many others that are better researched and less opinionated. However, Rowse gave me the best impression of what Shakespeare has meant to centuries of dramatists and researchers. It was recommended to me by the late Dr. John M. Bell of NYU, who was the most knowledgeable man on Shakespeare I've ever known. I see why he recommended this. It's a short but thorough read, and very enjoyable. Just don't treat Rowse's every word as gospel. His book is about Shakespeare, the man and myth.
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Cornwell is one of the best—if not thebest—historical novelists writing today.
In Azincourt, we follow one English longbowman on an epic adventure that culminates in one of the most famous battles in history. Cornwell deftly weaves in authentic period detail without hitting you over the head with it.
Most importantly, he is a master of characterisation and rich prose who makes you truly care about the people on the page. Leavened with humor, grittiness, and an engaging romance set amidst war, I found it a compelling and moving read.
An extraordinary and dramatic depiction of the legendary battle of Agincourt from the number one historical novelist
Azincourt, fought on October 25th 1415, St Crispin's Day, is one of England's best-known battles, in part through the brilliant depiction of it in Shakespeare's Henry V, in part because it was a brilliant and unexpected English victory and in part because it was the first battle won by the use of the longbow - a weapon developed by the English which enabled them to dominate the European battlefields for the rest of the century.
Bernard Cornwell's Azincourt is a vivid, breathtaking and…
Lena Einhorn is a writer and filmmaker, with a background in medicine. She has portrayed Greta Garbo’s life before the breakthrough, in the novel Blekinge Street 32, and in Nina’s Journey, she told the story of her mother, one of the last to leave the Warsaw ghetto alive. Nina’s Journey also became a feature film, written and directed by Einhorn. The book received the National Book Award of Sweden, and the film received the National Film Award for best picture and best script, as well as a number of international awards. In 2019 the critically acclaimed autobiographical novel The Thin Ice came out.
This is one of the many books that have delved into the old question of who William Shakespeare really was. And it is one of the more clever ones, drawing clear parallels between Shakespeare's texts, on the one hand, and the travels, experiences, opinions, and facilities of the main suspect, the Earl of Oxford, on the other. Looney’s book was the first one to propose and present exhaustive evidence that the Earl of Oxford was the sole author of all of Shakespeare’s works – a hypothesis that is now dominant among those who doubt the role of the relatively uneducated and untravelled “Stratford-man”.
Excerpt from "Shakespeare" Identified in Edward De Vere, the Seventeenth Earl of Oxford (Classic Reprint)
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a brilliant essay in literary criticism. It traces English ambivalence towards French language and culture in the centuries that followed the Norman Conquest. It does so by delving into major literary texts—by Chaucer and Shakespeare among others—that explore that ambivalence for what it is: the symptom of a fetish. I like the way Williams writes and I find her inspiring in her desire to remain faithful to the complexity of the texts she studies and their attitudes.
What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, this book shows how English literature emerged out of a simultaneous engagement with, and resistance to, the pervasive presence of French language and culture in England that was the legacy of the Norman…
Fake news is not new. Biographies, in particular, are fraught with fallacies and fake stories. When fake news slanders individuals, reputations are ruined and lives destroyed. That’s what happened to Elizabeth Wydeville, Queen Consort to Edward IV, and mother of the two princes who disappeared during Richard III’s reign. When I discovered the slander that destroyed Queen Elizabeth’s reputation, I began a 5-year research project to set the record straight. Some fallacies are deliberate, originating in envy or power putsches. Others derive from historical laziness or incompetence. What I learned from my research has determined my choices of biographies, stories that tell previously unrevealed truths about individuals.
Critics argue that William Shakespeare did not write the works attributed to him because he lacked the knowledge of classical myth and history basic to his plots and imagery. Jonathan Bates proves that the curriculum of the grammar school in Stratford-on-Avon provided an education sufficient to explain Shakespeare’s plays and poems. Bate reviews books in English and Latin that Shakespeare would have read and that created his rhetorical brilliance.
I treasure Bate’s biography because my own background originated in a rural, agricultural setting outside the social and economic circles that usually produce academic types. Bates disproves the fallacy that only the privileged and elite can survive and thrive in life and careers.
“One man in his time plays many parts, His acts being seven ages.”
In this illuminating, innovative biography, Jonathan Bate, one of today’s most accomplished Shakespearean scholars, has found a fascinating new way to tell the story of the great dramatist. Using the Bard’s own immortal list of a man’s seven ages in As You Like It, Bate deduces the crucial events of Shakespeare’s life and connects them to his world and work as never before.
Here is the author as an infant, born into a world of plague and syphillis, diseases with which he became closely familiar; as a…
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