Here are 100 books that The Tragedy of Titus Andronicus fans have personally recommended if you like
The Tragedy of Titus Andronicus.
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My work has always been interested in the ways in which systems can be disrupted and subverted by taking radical fresh approaches to them, even where the prevailing view is that overturning them can only lead to the dreaded chaos.
A comprehensive, elegantly written survey of the territory from a genuine polymath, Chaos Imagined considers the philosophical issues raised by the turn to disorder and chance in everything from cutting-edge artistic movements to mathematical chaos theory. Meisel moves with agile ease from historical narrative to considerations of some quite knotty theoretical problems in a style that is genuinely readable and elegant, rather than academically abstruse. He is as assured on avant-garde art movements as he is on the more elusive aspects of western philosophy.
The stories we tell in our attempt to make sense of the world-our myths and religion, literature and philosophy, science and art-are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos.…
My work has always been interested in the ways in which systems can be disrupted and subverted by taking radical fresh approaches to them, even where the prevailing view is that overturning them can only lead to the dreaded chaos.
Foucault’s groundbreaking work from the 1960s looks at how systems of order and classification came into being during the age of rationalism with Descartes, culminating in the 18th-century Enlightenment’s project of subjecting every field of knowledge to its own self-enclosed order. It remains of the great works of theoretical synthesis, patiently dissecting the structures of knowledge, of order and priority, that western learning continues to take for granted. At half a century’s distance, Foucault is the one French thinker whose legacy remains intact for his lucidity, polemical edge, and refusal of esoteric linguistic games.
When one defines "order" as a sorting of priorities, it becomes beautifully clear as to what Foucault is doing here. With virtuoso showmanship, he weaves an intensely complex history of thought. He dips into literature, art, economics and even biology in The Order of Things, possibly one of the most significant, yet most overlooked, works of the twentieth century. Eclipsed by his later work on power and discourse, nonetheless it was The Order of Things that established Foucault's reputation as an intellectual giant. Pirouetting around the outer edge of language, Foucault unsettles the surface of literary writing. In describing the…
My work has always been interested in the ways in which systems can be disrupted and subverted by taking radical fresh approaches to them, even where the prevailing view is that overturning them can only lead to the dreaded chaos.
In a study of great conceptual daring, Hayles examines the links between scientific chaos theory and the representations of disorder in modern literature, from Stanislaw Lem to Doris Lessing. She is more or less unique in the present day in being able to align hard science with contemporary aesthetics, a world away from the half-digested appropriation of scientific chatter by those who love nothing better than an algorithm. Her grasp of contemporary theory is sound, and her readings of modern literature are sensitive and enlightening.
N. Katherine Hayles here investigates parallels between contemporary literature and critical theory and the science of chaos. She finds in both scientific and literary discourse new interpretations of chaos, which is seen no longer as disorder but as a locus of maximum information and complexity. She examines structures and themes of disorder in The Education of Henry Adams, Doris Lessing's Golden Notebook, and works by Stanislaw Lem. Hayles shows how the writings of poststructuralist theorists including Barthes, Lyotard, Derrida, Serres, and de Man incorporate central features of chaos theory.
I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
The only reason I don’t list Love in the Ruins as my favorite novel is because the shadow of this book looms large over every speculative novel I read.
Both books are extraordinarily funny, but Love in the Ruins has become more of a comfy read, while I still find Gravity’s Rainbow complex and challenging. It’s a cross between slapstick and mind f*ck. I would issue a trigger alert for readers who find occasional perverse sex and violence uncomfortable, but I personally believe reading uncomfortable books can make us grow into better readers and better writers.
Hailed by many as the major experimental nov el of the post-war period, Gravity''s Rainbow is a bizarre co mic masterpiece in which linguistic virtuosity creates a who le other world. '
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a brilliant essay in literary criticism. It traces English ambivalence towards French language and culture in the centuries that followed the Norman Conquest. It does so by delving into major literary texts—by Chaucer and Shakespeare among others—that explore that ambivalence for what it is: the symptom of a fetish. I like the way Williams writes and I find her inspiring in her desire to remain faithful to the complexity of the texts she studies and their attitudes.
What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, this book shows how English literature emerged out of a simultaneous engagement with, and resistance to, the pervasive presence of French language and culture in England that was the legacy of the Norman…
My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.
This classic work, first published in the 1960s, interprets Shakespeare’s work as portraying societies corrupted by injustice, cynical political maneuvering, and government surveillance. When it first appeared in the 1960s, it made Shakespeare’s plays seem chillingly relevant. It has the same effect today.
Penelope is about to turn eleven and can't wait to see what life has in store. But on the morning of her birthday, Pen- elope wakens to discover she can no longer hear, just as the Pied Piper, leads the other children of Hamelin out of town. Now Penelope must set out to rescue the children. Age 10 plus.
I’ve always loved all things Elizabethan, and I especially love spending time with books and manuscripts where voices from the period speak to us directly. Wanting to understand how Shakespeare and his contemporaries understood themselves led me to investigate their ideas about relations between mind and body, about emotions, about the imagination, and about the minds of women and those of other races. I’ve learned that the Elizabethans grappled with many conflicting ideas about the mind, from classical philosophies, medieval medicine, new theologies, and more – and that this intellectual turmoil was essential fuel for the extraordinary literary creativity of the period.
Renaissance writers were trained in rhetoric: how to use language to work through a problem or convey a state of mind.
Today, theories of cognition explore how linguistic devices relate to processes in the brain; for example, metaphor replicates how the mind understands something by associating or comparing it with something else. Lyne’s radical innovation is to bring together these historical and contemporary frameworks for understanding thought and language.
He explores points of contact between Renaissance rhetorical theories and present-day cognitive theories, then applies his insights to analyse works by Shakespeare. This offers a wholly fresh approach to understanding how Shakespeare translates thoughts – his own and those of his characters – into words; and how those words in turn work on our minds as readers or listeners.
Raphael Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful and ambitious speeches? How do they manage to be so inventive when they are perplexed? Their dense, complex, articulate speeches at intensely dramatic moments are often seen as psychological - they uncover and investigate inwardness, character and motivation - and as rhetorical - they involve heightened language, deploying recognisable techniques. Focusing on A Midsummer Night's Dream, Othello, Cymbeline and the Sonnets, Lyne explores both the psychological and rhetorical elements of Shakespeare's language. In the light of cognitive linguistics and cognitive…
Fake news is not new. Biographies, in particular, are fraught with fallacies and fake stories. When fake news slanders individuals, reputations are ruined and lives destroyed. That’s what happened to Elizabeth Wydeville, Queen Consort to Edward IV, and mother of the two princes who disappeared during Richard III’s reign. When I discovered the slander that destroyed Queen Elizabeth’s reputation, I began a 5-year research project to set the record straight. Some fallacies are deliberate, originating in envy or power putsches. Others derive from historical laziness or incompetence. What I learned from my research has determined my choices of biographies, stories that tell previously unrevealed truths about individuals.
Critics argue that William Shakespeare did not write the works attributed to him because he lacked the knowledge of classical myth and history basic to his plots and imagery. Jonathan Bates proves that the curriculum of the grammar school in Stratford-on-Avon provided an education sufficient to explain Shakespeare’s plays and poems. Bate reviews books in English and Latin that Shakespeare would have read and that created his rhetorical brilliance.
I treasure Bate’s biography because my own background originated in a rural, agricultural setting outside the social and economic circles that usually produce academic types. Bates disproves the fallacy that only the privileged and elite can survive and thrive in life and careers.
“One man in his time plays many parts, His acts being seven ages.”
In this illuminating, innovative biography, Jonathan Bate, one of today’s most accomplished Shakespearean scholars, has found a fascinating new way to tell the story of the great dramatist. Using the Bard’s own immortal list of a man’s seven ages in As You Like It, Bate deduces the crucial events of Shakespeare’s life and connects them to his world and work as never before.
Here is the author as an infant, born into a world of plague and syphillis, diseases with which he became closely familiar; as a…
I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me.
Gorgeously illustrated and elegantly written, Lena Orlin’s new study of William Shakespeare shows her great skill at doing research to give us new ways to understand the playwright. She puts the evidence of his life within the context of other Elizabethan documents. Orlin proves that we can know more about Shakespeare by examining the lives of the people in his circles. As she tells us, this is neither a literary biography nor a full biography, but it is a book that follows the evidence to tell us much more about Shakespeare the man. Shakespeare cared deeply about his father and his marriage to Anne was much less contentious and a more pleasant partnership. Though there have been so many books about Shakespeare, Orlin helps us understand him beyond the myths. Her brilliant and thorough reading of documents presents a wonderful read.
A new biography of William Shakespeare that explores his private life in Stratford-upon-Avon, his personal aspirations, his self-determination, and his relations with the members of his family and his neighbours.
The Private Life of William Shakespeare tells the story of Shakespeare in Stratford as a family man. The book offers close readings of key documents associated with Shakespeare and develops a contextual understanding of the genres from which these documents emerge. It reconsiders clusters of evidence that have been held to prove some persistent biographical fables. It also shows how the histories of some of Shakespeare's neighbours illuminate aspects of…
My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.
Shakespeare’s magnificent history plays have been described as “a feast of Henrys and Richards.” Who were those kings in real life? This book tells their true stories, and compares those stories to what Shakespeare wrote about them. Turns out he stuck pretty close to history!
