Love The Song of Heledd? Readers share 70 books like The Song of Heledd...

I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.

I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.

I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.

I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.

When I was a child, the thing that plagued me most about my favorite genre, sci-fi, was that none of the protagonists were women! As a daughter to doctors and research scientists, it felt strange that the only female characters in sci-fi were these buxom, mystical healers or seamstresses who meekly repaired their crewmates’ uniforms. While that problem has been remedied over the last two decades of excellence in mainstream sci-fi with some truly unforgettable female heroines, they’re not as plentiful in the niche market of humorous sci-fi. I am thrilled to share this list of my favorite lighthearted, humorous sci-fi reads with female protagonists. 

I’ve been fascinated by England’s World War II evacuations since I was a child. Appropriately enough, I first learned of this extraordinary historical event in a story: it’s the reason the Pevensies are sent to the Professor’s house in C.S. Lewis’s The Lion, the Witch, and the Wardrobe. In the dark days of World War II, more than a million English children boarded trains, buses, and ships, to be picked up and cared for by strangers, in some cases for the duration of the war. It’s a historical event that is as astonishing to me now as it was when I first read of it all those years ago. 

Growing up in post-WWII Europe, young people’s anxiety was often channelled into searching for ‘lost worlds’, places hope could be nurtured and ancient solutions revived. So I encountered Atlantis and Lemuria and other imagined places but also learned, from training as a geologist, that once-populated lands had actually been submerged. Myths and legends often contain grains of observational truth at their heart. The more ‘submergence stories’ I research, from Australia through India and across northwest Europe, the more I realize how much we have forgotten about undersea human pasts. And how our navigation of the future could be improved by understanding them.

I was lucky enough to be introduced to medieval Welsh literature when I was an undergraduate, and the Welsh language mesmerised me. It is so unlike any other language that I had come across and translating texts from Welsh into English was as absorbing as code-cracking. My apprenticeship as a scholar was long and hard and I soon realised that my particular contribution was to make Welsh literature accessible to non-Welsh speakers, not simply through translations, but by aligning the Welsh tradition with the wider literary cultures of Europe. I want Wales and its two literatures to take their place as two of the great literatures of Europe.

I was drawn into the study of medieval history through an interest in chivalry and this led to a PhD and various publications on the career and household of Edward the Black Prince (1330-76). He lived through the heart of what’s become known as the late medieval crisis: a period which many contemporaries thought was a prelude to the apocalypse. I’ve been teaching and writing about this period for more than 20 years now and remain fascinated by the contrasts between creativity and utter devastation that characterise the later middle ages.

I’m a family physician and therapist, but I was a book-lover first. At age seventeen, I had to choose between studying medicine or literature, and I chose a profession with a clear-cut career path. But books and writing never lost their hold, and I began to write seriously in my late thirties. I’ve had four novels published, and I’m well into my fifth. Being a writer makes me a better doctor, more empathic and curious, and more engaged with patients’ narratives. Medicine is such a rich and fascinating field, and I feel privileged to write about it from an insider’s point of view.