100 books like The Valley of Lost Secrets

I adore all of Emma Carroll’s delicious historical fiction, but Letters from the Lighthouse is my favorite. After the Luftwaffe’s bombings separate them from their mother and older sister, Olive and Cliff are evacuated to Devonshire. There, they end up billeted with the shy and enigmatic young lighthouse keeper, Ephraim Pengilly, who is tasked with taking the children in “whether he likes it or not.” Gorgeously atmospheric (the lighthouse alone – “a beacon to guide the lost to safety” – would have been enough for me), Letters from the Lighthouse also features unexpected friendships, the glimmer of a love story, and a sister who may be a spy.

My own kids absolutely devoured non-fiction when they were middle-graders, and this book would have topped their lists. Torpedoed tells the story of the torpedoing and tragic sinking of the SS City of Benares, an ocean liner bearing English evacuees to Canada. Full of photographs, excerpts from letters, first-person accounts, and ephemera like packing lists, other evacuation paperwork, and even the ship’s emergency drill instructions, Deborah Heiligman’s book belongs in every middle-grade non-fiction collection. There is heartbreak and tragedy in these pages, but there is also extraordinary bravery and heroism. I can’t recommend this one highly enough.

This younger and gentler World War II book is also a great family read aloud—one I read to my own.

After her brother is evacuated during the Blitz, Ada, a young Londoner with a disability kept home by her abusive mother, runs away after him.

Bradley’s story follows a familiar turn: namely the introduction of a seemingly hard-hearted caregiver who turns out to be the very parent Ada needs. But the book hits these notes with precision and warmth, evoking older, beloved classics. There’s also a great sequel!

Several evacuee novels published in the few decades after the war became beloved classics. Michelle Magorian’s Good Night, Mr. Tom, and Nina Bawden’s Carrie’s War, for example, are extraordinary. But my favorite of this era’s evacuee novels is Noel Streatfeild’s. Laura, Andy, and Tim Clark are none too happy to be sent away from their London home, so it’s a pleasant surprise when they find themselves comfortable in the care of Colonel Launcelot Stranger Stranger (not a typo… that’s his name). But when the Colonel dies suddenly, the Clarks run away back to London and their mum. It’s Streatfeild’s ever-so-dry wit that made me fall for this one, and her wry portrayal of the children’s experience in both the countryside and the Blitz-torn streets of London.

I came across this book at a bring-and-buy sale in West Wales and it has become one of my firm favourites. It tells the story of Faye Ludlow whose husband is impatient for her to adapt to life in his family's ancient manor house. As the Second World War unfolds and nearby Dover comes under daily bombardment, Faye struggles to save not only her marriage but the family's finances threatened by her husband's increasingly grandiose schemes. Any sense of purpose she acquires from her war work as an ambulance driver is bolstered by an unlikely friendship with an enigmatic London banker. A story for any of us who have ever faced temptation.

This series deeply involves an Irish family during World War II. A young woman finds herself in love with the town gentry but when she discovers she is pregnant, the young man’s father convinces him that she is a whore, a loose woman, and not solely in love with him. She goes to a family friend’s home in Wales to have the baby and finds herself in love with the son of the family, a Jewish doctor who immigrates to her home and serves as the town doctor. There are many complications and prejudices to overcome in this moving tale.

Okay, I’m cheating here a bit because Winterbourne isn’t a Scot. He’s Welsh!!!! I didn’t think a book boyfriend could get any sexier than a Scot until I discovered Rhys Winterbourne, a Welshman. Who knew? Imagine a dark hulk of a man, a commoner who clawed his way to unimaginable success. And then he meets Helen Ravenel, a delicate, retiring beauty, an aristocrat, the last person on earth he should want and yet he must have her. My heart breaks for this man. He can easily steamroll right over Helen, but she finds the strength within her to stand up for what she wants. The ending of this novel is so satisfying. I’ve read this book a dozen times and I’ll probably read it another dozen. I hope you do too! 

I enjoyed the silly and irreverent humor in this book and was happy to hitch a ride along with protagonist Thursday Next, a literary detective for an English government agency that safeguards literary masterpieces against time travelers.

Having majored in English literature myself, I was delighted by the characters’ discussions on literature, including the evergreen debate on the true author of Shakespearean plays. I also relished the setting–an alternative England in the 1980’s. All in all, this novel is a classic and well worth the read.

This is another historical novel set in my favourite time period AD 600’s, this time in Powys. The main character is Heledd – a peace-weaver bride, she is human, flawed, compelling, and courageous. The background detail is vivid and well researched, but what I love most about this book is the lyrical style of writing, which may almost give the reader the sense that the story is being sung,  reflecting with feeling and humanity, the real Anglo-Saxon poetry that has come down to us. Here is a powerful sense of sadness, regret, and gathering doom, lifted by moments of pure joy – a true lament!

M. Wynn Thomas is the foremost literary critic writing in Wales today, and a writer I particularly admire.

He pioneered the concept of ‘Welsh writing in English’ as distinct from ‘Welsh writing’ (in Welsh), honouring the bilingual culture of Wales. Thomas’s twelve poems are selected from three key periods of Welsh history, the Middle Ages, the pre-modern period, and our own time.

Each poem is read in the context of its social and political background, educating us about the politics of Welshness, the cultural assumptions written into the literature, and above all what it means to be Welsh in a nation that is not a state.

This is such an elegant and original way to foreground the creativity of Welsh poets alongside the cultural forces that shaped them.