91 books like The Slippery Slope

There's no particular reason why I'm the right person to talk about intrusive narrators. I studied math, not literature, in school, though variables can be as tricky as any imaginary character. As an unpopular child, I read a developmentally unhealthy number of books, but tragic backstories are a dime a dozen. I pepper my life with ironic asides to the Reader, but anyone with a devoted Reader (better yet, a dozen of them) can do that. To be honest, you'd probably have come up with a better list than I did. You should give it a shot.

I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.  

I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.

“Truth may be stranger than fiction, but fiction is truer.” Frederic Raphael. When I was a child, a relative often told stories of a cowboy gear clad cousin who visited our New York family from Texas and claimed he’d once served in Pancho Villa’s army. These tales were the spark that eventually led to Viva, Rose! and my interest in storytelling as well. There’s something about the combination of lived experience and fiction that I find irresistibly engaging and exciting. I’ve worked as a journalist, ghostwriter, and editor, but my happiest happy place is writing and reading stories birthed from a molten core of real life.

In order to read, I need fast-paced action, adventure, compelling characters with depthful backstories and motives, and a way of challenging and commentating on the most controversial morals of the present day. To write, I need the exact same thing. Every world I create is filled with action in every chapter, characters with invincible will-strength, and situations that bend the very borders of moral thinking.

Imagination knows no bounds. That's what I love about reading and writing fantasy. No matter what you create, a name, a monster, or a type of food, it exists because it exists in your mind. I can get lost in the authors' worlds and become part of the adventure. I wrote the duology, yep, two books, after watching Lord of the Rings, The Fellowship of the Ring, at the cinema. When I arrived home, I had the first book plotted in my head: the characters, the conflict. In my head, I built a fantasy world without elves, hobbits, dragons, and dwarfs. Even the names of the characters. All thanks to the inspiring storytelling of Tolkien.

I’m a middle school librarian, former language arts teacher, and middle grade author. I have a passion for all things literary, especially as they relate to kids in grades 5-8. I also grew up in New Jersey, so I come by my fascination with the Mob as a result of proximity. What I enjoy most about books about criminals is the moral gray area that some criminals exist in. They’re doing bad things—robbing banks, selling stolen goods, killing people—but their hearts are pulling them in another direction. Middle school kids also feel that tug of moral dilemmas, figuring out what is just and unjust, and I love to help them wrestle with those ideas.

I dreamed of being a fairy tale princess at a young age, and although I never received my glass slipper, I still have a highly active imagination. This is probably why fantasy books are my favorite, and I’ve read extensively in this space. I’m also a huge Disney and Harry Potter nerd. While I might not win a trivia competition on these topics, I could definitely hold my own. To be honest, immersing myself in another world is my favorite form of escapism and the number one way I relax and unwind after work. I’ve read many, many books in my life and can quickly tell you the ones I love the best.

I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.

I’m a children’s book author and regularly read 2-3 middle grade books a week. I love books that respect kids enough to make them think, and I seek out good books constantly, whether they are intended for kids, youth, or adults. I’m the author of the early education books It’s OK Not to Share and It’s OK to Go Up the Slide, and the ghost adventure The Griffins of Castle Cary for kids ages 8-12. I’m a graduate of Swarthmore College and the University of Wisconsin-Madison, and besides writing, I host two podcasts: BookSmitten (children’s books), and Renegade Rules (early childhood). Enjoy the books!