100 books like The Printing Press as an Agent of Change

I have read dozens of books on a variety of free speech topics–everything from political dissent to hate speech to pornography. But I have never found a single book on the entire history of free speech over the ages of Western civilization.

I love the way that this work portrayed the most significant free speech struggles from ancient Greece and Rome, through the Enlightenment, and beyond to today’s social media controversies. More often than not, histories are boring and pedantic, but this history kept me involved and interested right up to the last page.  

Although Stanley Fish is recognized as a major scholar in English studies, I was intrigued by his controversial and searing criticism of the American culture at large. I loved his witty and easily understandable attacks on everything from multiculturalism, affirmative action, and hate speech to legal reform–and on all sides of these social and political debates.

It was fascinating to see Fish turn from his assault on conservative claims to traditional values to demolish the intellectual left’s commitments to equality and non-discrimination.   

I have been puzzled over the progressive left’s calls for governmental censorship for hate speech that they abhor, when they have so often been the victims of such governmental campaigns against subversive speech.

Nadine Strossen, the former national president of the ACLU, whom I have long called “The First Lady of Liberty,” has provided very strong arguments against such progressive calls for censorship. I love how Strossen, a true liberal in her own right, turns the tables on her more extremist partisan colleagues and makes a very good case for the old adage, “Not Censorship, but More Speech”! 

Freedom of speech means many things to many people, but often the advocates of free speech have not thought very clearly or deeply about the purposes for protecting speech and the reasons for the American free speech system.

Of all of the books on free speech theory that I have read, I appreciate Fred Schauer’s book the most. It is truly a classic about the philosophical foundations of freedom of speech. Do not be intimidated by the idea of free speech theory:  Schauer’s book can be understood by any serious nonfiction reader, and I highly recommend it for its powerful reasoning and beautiful prose.  

Müller takes up the story of the Kingdom of Paper by illustrating that the Kingdom was still firmly in place by 1932 when paper was omnipresent and indispensable in and for modern civilization. 

He focuses on paper as more than just a writing surface, especially on its physical, material form, as a product of civilization, something which does not occur naturally in the world but instead requires a technology to produce. This leads him into the great boom in Western paper mills and the realization that we are after all still living in what Marshall McLuhan called the “Gutenberg era” which was made possible by paper. 

Müller further notes how in 1997, faced with what seemed like the extinction of the Kingdom of Paper in the face of the Internet, the world found out that paper continues to have a massive presence in modern civilization even after the explosion of… show more.

I love the open-mindedness of this book and the way in which it can open your mind as a reader.

Can pictures think for themselves? How do pictures communicate with each other and with their audiences? These are the kinds of questions that this pathbreaking work opens up to its audience.

It also changed my sense as to how photography and painting/prints relate to each other, as well as providing a strong defence of the idea that deep cultural critique can be founded upon the study of quite ordinary objects and texts.

This book has everything I love in a Christmas romance—a delightfully competent heroine, a deliciously grumpy hero, a cast of eccentric characters, and themes of found family and healing.

Holly, a widow, takes a housesitting job during the holidays at a remote house on the Lancashire moors. But then people keep arriving, and Holly finds herself being guilt tripped into hosting Christmas. When Jude, the owner, is forced to return home, blizzards hit, and they’re all snowed in.

I felt for Holly and Jude who both had good reasons to avoid Christmas, but beneath their prickly exteriors they’re kind, big-hearted characters. It was a joy to see them rediscover the joy of the season. In turn hilarious and emotional, this is a big warm hug of a book.

I love the huge size (12.5”x17”) and gorgeous printing of this book.

Of course, the photos are amazing. This book was published by Abrams during the years when they were known for their exquisite art books. There are not many publishers who would put out a book like this today, including Abrams. The photos of New York City in this book are the work of a photo genius.

I get immense pleasure holding this book and going through the pages which show all of New York in beautiful late sun and night light, and so large you can feel like you are right there.

Q takes place in strife-ridden 1500s central Europe. At the center is an Anabaptist revolutionary, of many names, hunted by a Papal spy, Q. Identities mutate in Q. Thus, Q is an espionage novel, with disguises, code, counterfeiting. Commoners build egalitarian communities in Q. But rulers cannot tolerate egalitarianism. It might be catching. Thus, Q is also a war novel, with battles, skirmishes, narrow escapes. 

Is Q an allegory for modern revolution? The take-away seems to be, “Use the new technology and dissimulate.” A seems self-evident. But B? Would I even know, if they’re dissimulating? An idea-filled, engrossing, wide-ranging, tragi-comic read.

Barzun, who lived to be 104, was in his lifetime possibly the most erudite human being on the planet. 

And this book, published when he was much younger (as a spry 93-year-old) is an almost perfect history of the modern age: a superb, readable sort-of survey that is not surveyish but rather earnestly engaged with themes that were important in the 16th-century beginnings of our modern civilization and are important still. 

Barzun doesn’t seem to be a gloomy naysayer, and he admires and appreciates the achievements of Western civilization; but as his title suggests, he came to believe that the culture is exhausted and unraveling. An informative and provocative read!