Here are 100 books that The Murder of Harriet Monckton fans have personally recommended if you like
The Murder of Harriet Monckton.
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I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.
It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.
Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist.
As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may…
I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.
Ask anyone to name a Victorian detective and they’ll almost invariably say Sherlock Holmes.
Books written in the tradition of the Conan Doyle stories don’t always work, but The House of Silk smashes it. Holmes and Watson are drawn into a case of apparent stalking that soon descends into something much darker, involving the mysterious ‘House of Silk’.
The novel traverses London, from privilege to abject poverty. What Holmes and Watson uncover is shocking and draws back the veil on the darkest of secrets. Just as you’d expect with Horowitz, this is a real page-turner but it’s not afraid to examine the more depraved side of Victorian life.
For the first time in its one-hundred-and-twenty-five-year history, the Arthur Conan Doyle Estate has authorized a new Sherlock Holmes novel.
Once again, The Game's Afoot...
London, 1890. 221B Baker St. A fine art dealer named Edmund Carstairs visits Sherlock Holmes and Dr John Watson to beg for their help. He is being menaced by a strange man in a flat cap - a wanted criminal who seems to have followed him all the way from America. In the days that follow, his home is robbed, his family is threatened. And then the first murder takes place.
I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.
Do not be put off by the fact this book, and the others in the Sally Lockhart quartet, are often marketed as children’s/YA literature. Like the best of fiction, they transcend categorisation.
The Ruby in the Smoke introduces us to the indomitable Sally Lockhart, orphaned and forced to uncover the secret behind her father’s death. She’s feisty and fiercely independent, navigating her way in a world where the chips are stacked against her. Pullman provides us with an impeccably researched foray into the 1870s, all wrapped up in a hugely entertaining read.
The first book in Philip Pullman's classic SALLY LOCKHART quartet in a beautiful new edition to celebrate the 30 year anniversary.
Soon after Sally Lockhart's father drowns at sea, she receives an anonymous letter. The dire warning it contains makes a man die of fear at her feet. Determined to discover the truth about her father's death, Sally is plunged into a terrifying mystery in the dark heart of Victorian London, at the centre of which lies a deadly blood-soaked jewel. Philip Pullman's ever-popular, action-packed Victorian melodramas are rejacketed for the bicentenary of Charles Dickens in 2012.
I’m a law professor and the son of a very well-dressed man. My father was a university Dean, a community organizer, a Presbyterian minister, and a social worker. But he also trained as a tailor and knew clothing—both how it is (or should be) constructed and also how it communicates. I became interested in the importance of clothing because of his influence. Then, in law, I noticed a lot of disputes that involved clothing: high school dress codes, workplace dress codes, dress codes used on public transportation. I wanted bring these two together to give a better idea of why we still fight and struggle over clothing.
This book explores the origins and evolution of nuns’ habits, explaining why religious women initially chose distinctive attire and how their relations to what, in the end, we must call fashion, evolved. There is great stuff here on schisms between progressive feminists who called for reform and traditionalists who insisted on elaborate and cumbersome clothing. The book is broadly sympathetic to its subject—unlike some religious studies work that adopts a stance of cosmopolitan opposition to religious faith. But it is also probing and savvy: Kuhn highlights the inherent tension between a garment that is supposed to reflect modesty but is also conspicuous and stylized striking comes through.
Curiosity about nuns and their distinctive clothing is almost as old as Catholicism itself. The habit intrigues the religious and the nonreligious alike, from medieval maidens to contemporary schoolboys, to feminists and other social critics. The first book to explore the symbolism of this attire, The Habit presents a visual gallery of the diverse forms of religious clothing and explains the principles and traditions that inspired them. More than just an eye-opening study of the symbolic significance of starched wimples, dark dresses, and flowing veils, The Habit is an incisive, engaging portrait of the roles nuns have and do play…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
Anyone who has been involved in the investigation of crime will tell you that establishing the time of the offence is vital. It’s always been surprisingly hard in the case of murder. This well-written book takes the reader through the advances and pitfalls in estimating the time of death accurately. It’s a superb work, full of scientific detail, and fascinating details which make this book a must for every crime writer.
When detectives come upon a murder victim, there's one thing they want to know above all else: When did the victim die? The answer can narrow a group of suspects, make or break an alibi, even assign a name to an unidentified body. But outside the fictional world of murder mysteries, time-of-death determinations have remained infamously elusive, bedeviling criminal investigators throughout history. Armed with an array of high-tech devices and tests, the world's best forensic pathologists are doing their best to shift the balance, but as Jessica Snyder Sachs demonstrates so eloquently in Corpse, this is a case in which…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
For any fans of vintage murder mysteries this book is a must-read. This is a thorough examination of the poisons used by Agatha Christie, giving details of the availability, interactions with the human body, how toxins can be detected now, and at the time the books were written. As a reader or a writer, this book will make murder by poison less of a mystery, and more of a trail of clues.
Shortlisted for the BMA Book Awards and Macavity Awards 2016
Fourteen novels. Fourteen poisons. Just because it's fiction doesn't mean it's all made-up ...
Agatha Christie revelled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random - the characteristics of each often provide vital clues to the discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but this is not…
Books about switching places and mistaken identity have always interested me. Sometimes, it takes a comedic turn where the hero bumbles through misadventures. Sometimes, there's something sinister at play at the hero must fight to get their own lives back. Whether funny or scary or romantic or thrilling, it’s always a wild ride. The fun of it, and the frightening part, is that the reader must guess what's happening along with the hero. You have to figure out who is who and what is what, so there's always a mystery.
RL Stine's Switched isn't just a switching places story, it's a switching bodies story. And in this Fear Street installment, one of them is a killer. Yeah, it's intense. Nicole is a super normal teenager with pretty regular problems, like a boyfriend who can't get his act together and homework she can't manage, but a trip to the woods changes all of that. Next thing you know, people start to die.
Things really take some strange twists and turns so you're in for a wild ride with this one. This is classic Stine and just a fun read, if your idea of fun is being shocked, confused and frightened with every page. What a great time!
Nicole always thought her friend Lucy’s life was so much better than hers. She had cooler parents and a cuter boyfriend—next to her, Nicole felt like a loser. So when Lucy asked if she wanted to switch bodies, Nicole thought it sounded like a fun idea. Good for a laugh.
She didn’t realize the switch would actually work. Or that Lucy’s life might not be so sweet after all. Turns out, Lucy’s got a few issues. And she’s about to get her revenge—using Nicole’s body!
I love to take destination thrillers with me on vacation. It’s like a double whammy of travel. I also love to write destination thrillers and have written quite a few, including my first book, set in a charming lakefront community on Lake Erie, Ohio. My other destination thrillers include Beneath the Surface, set on a luxurious super yacht on a trip to Catalina Island from Newport Beach, California, and my latest, Under the Palms, set at a fabulous Laguna Beach luxury resort. I love to write about grown-ups behaving badly. Dropping the characters into a beautiful resort or vacation setting increases the suspense.
This island mystery is set on a chilly resort off the coast of Ireland, so you won’t need sunscreen here, but you will need stamina as you’re once again trapped.
I loved this cast of characters attending the wedding of a glamorous and famous bride and groom. Media celebrities are so much fun to read about. But the real star of the show is the hostile setting and the menacing characters who are all there for something, some cleverly hiding their true motives until the very end.
*The brand new thriller from Lucy Foley - THE PARIS APARTMENT - is available to pre-order now*
The No.1 Sunday Times bestseller
*Over 1 million copies sold worldwide*
*One of The Times and Sunday Times Crime Books of the Year*
*Goodreads Choice Awards winner for Crime & Mystery 2020*
A gripping, twisty murder mystery thriller from the No.1 bestselling author of The Hunting Party.
'Lucy Foley is really very clever' Anthony Horowitz 'Thrilling' The Times 'A classic whodunnit' Kate Mosse 'Sharp and atmospheric and addictive' Louise Candlish 'A furiously twisty thriller' Clare Mackintosh
I’m a taxidermy-loving vegan who had a pet cemetery as a kid. So, I guess you could say I’m a bit of a Wednesday Adams. My airplane reading? Forensic pathology textbooks. When my first thrillers were published, a lot of people were surprised. “You seem so nice!” they said. “You’re so funny and happy!” Here’s a secret: thriller writers are some of the most jolly people I know. We get it all out on the page. We get to murder people for a living. So, if you cut me off in traffic or don’t RSVP to my Evite, it's no big deal. I won’t get upset. I’ll just kill you later...in a book.
Camilla is the so-called Queen of Nordic Noir. I got way into her books during the pandemic, which is to say I read every single one of them right after the other while I had a fever. The great thing about the Scandinavians is that they describe truly horrible happenings matter-of-factly.
I love Camilla’s books because she also adds another tension – my favorite kind of tension – the “when will the protagonists kiss?”. I will endure the most gruesome crime scenes because I’m invested in a relationship, and her series pays this off over and over.
“A top-notch thriller, one of the best of the genre” (Minneapolis Star Tribune) from international crime-writing sensation Camilla Läckberg tells the story of brutal murders in a small Swedish fishing village, and the shattering, decades-old secrets that precipitated them.
In this electrifying tale of suspense from an international crime-writing sensation, a grisly death exposes the dark heart of a Scandinavian seaside village. Erica Falck returns to her tiny, remote hometown of Fjällbacka, Sweden, after her parents’ deaths only to encounter another tragedy: the suicide of her childhood best friend, Alex. It’s Erica herself who finds Alex’s body—suspended in a bathtub…
