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Before I could start writing Into the Lion’s Mouth, I spent a lot of time researching the medieval and renaissance Venice. I was astounded to see how relevant that history is to today. Not only are there many parallels that can be drawn between the past and today there is so much to learn about the consistency of human nature. I find myself currently gravitating towards books that mix history and fiction and these are some of my favorites.
A warm inn, and a stranger’s tale gather together a group of travelers as they become fascinated by the story of three gifted children that is sweeping the land. I loved the way this book brought the story of the people in the inn and the marvelous children together step by step. Peppered with real historical figures and legends this book is a must-read for the middle-grade medieval enthusiast.
A Newbery Honor Book Winner of the Sydney Taylor Book Award
An exciting and hilarious medieval adventure from the bestselling author of A Tale Dark and Grimm. Beautifully illustrated throughout by Hatem Aly!
A New York Times Bestseller A New York Times Editor's Choice A New York Times Notable Children's Book A People Magazine Kid Pick A Washington Post Best Children's Book A Wall Street Journal Best Children's Book An Entertainment Weekly Best Middle Grade Book A Booklist Best Book A Horn Book Fanfare Best Book A Kirkus Reviews Best Book A Publishers Weekly Best Book A School Library Journal…
Before I could start writing Into the Lion’s Mouth, I spent a lot of time researching the medieval and renaissance Venice. I was astounded to see how relevant that history is to today. Not only are there many parallels that can be drawn between the past and today there is so much to learn about the consistency of human nature. I find myself currently gravitating towards books that mix history and fiction and these are some of my favorites.
I found this book through a recommendation from a friend and I am glad I did. A truly spinetingling page-turner, The Crowfield Curse has all the elements of a medieval thriller. A strange magical creature, a mysterious grave, and a deadly curse. What more could you expect from your average medieval abbey? Beautifully written and thoroughly engaging it’s a keeper for your bookshelf.
*"Suspenseful and spooky...with an edgy battle between good and evil." --School Library Journal, starred review
If the deepest secret has been spoken, can the deadliest curse be broken?
Sent into the forest to gather firewood for the medieval abbey where he's an apprentice, Will hears a cry for help, and comes upon a creature no bigger than a cat. Trapped and wounded, it's a hobgoblin, who confesses a horrible secret: Something is buried deep in the snow, just beyond the graveyard. A mythical being, doomed by an ancient curse...
All my life I’ve been pushing against limits. Being the oldest of five children born to a farm couple who became mill workers, I was frequently reminded by family that “people like us” did not need much education, didn’t get the good jobs, and shouldn’t “rise above themselves.” Being a girl, I had additional limits. Naturally, when I learned to read, I was drawn to books in which characters broke through unfair restraints to have adventures and accomplish great deeds. I wanted to be one of those people. By the time I came of age, I knew I had a shot at becoming the heroine of my own story!
Crispin is a young serf in Medieval England--an orphan despised by everyone for reasons he does not understand. Though I never had problems as dire as Crispin faced, I frequently felt mistreated as a child, and like him, the forest was my comfort and refuge. Like him, I had a lively curiosity about the lives of others and many times learned important lessons through observation. I shared Crispin's tendency to hero worship those who befriended me, and like him, I generally chose my role models well.
Newbery Medal winner The Cross of Lead is "a page-turner from beginning to end... full of adventure, mystery, and action" (School Library Journal).
Sometimes I ran, sometimes all I could do was walk. All I knew was that if the steward overtook me, I’d not survive for long....
Crispin is a poor thirteen-year-old peasant in medieval England. Accused of a crime he did not commit, he has been declared a "wolf’s head," meaning he may be killed on sight, by anyone. He flees his tiny village with nothing but his mother’s cross of lead.
A longtime student of history, particularly WW2 and the Cold War, my interest was personally piqued when I started to discover more about how my husband’s family narrowly escaped capture by the Gestapo – and certain death in a concentration camp. I’m driven to write novels set in this era for middle grade kids – featuring brave young heroes faced with moral dilemmas– so they can learn about the horrors of antisemitism, tyrants, and war because “those who do not learn history are doomed to repeat it.”
Widge is an orphan in Elizabethan England, where orphans are sadly too common. But Widge is unusual. He has a unique talent which he learned from his first master: he knows a secret kind of shorthand. Sold to a dastardly villain who wants to use that talent to steal Shakespeare’s newest play, Widge finds himself in London apprenticing with the theatre company. Will he steal the play or risk his life to be loyal to the only “family” he’s ever known? Inspired by Shakespeare’s Lord Chamberlain's Men – and a very real problem of plays being stolen – there’s plenty of action, including swashbuckling swordplay. From the first page, I found myself rooting for Widge, hoping he would make the right choice and live to become an actor in the company.
A delightful adveture full of humor and heart set in Elizabethan England!
Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet"--or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.
* "A fast-moving historical novel that introduces an important era with casual familiarity." --School Library Journal, starred review
Described as a “literary raconteur” and a “virtuoso,” Tim Rayborn admits to nothing, but it’s true that he’s a versatile writer, award-winning editor, and an acclaimed musician. He’s written dozens of books, appeared on more than forty recordings, plays scores of unusual instruments, and visited five continents. Tim lived in England for nearly seven years and has a Ph.D. in medieval studies from the University of Leeds, which he likes to pretend means that he knows what he’s talking about. He has written a large number of books and magazine articles about history, music, and the arts. He will undoubtedly write more, whether anyone wants him to or not.
Wood is known for his stellar television documentaries, but he’s also a prolific and talented author. This gem of a book delves into some of the most famous legends of English/British folklore, ones that still capture the popular imagination. He then examines some key historical events and people from the earlier Middle Ages, and their importance even now. Written in an engaging style, it’s an excellent introduction to the roots and origins of so much British culture.
Where does the idea of England and Englishness come from? Can we see it beginning in the Dark and Middle Ages? Michael Wood tackles these fascinating questions in two ways. First, with a series of pieces on famous English myths. And secondly by looking at the history of half a dozen places in England: a farmhouse on Dartmoor, a battlefield in Sheffield, a medieval village near Leicester...By these means he describes the origins of a sense of Englishness, and how it has developed through the centuries. "The book triumphs...His England is both a real place and an invented community which…
Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.
Much of the fiction set in the Middle Ages follows landmark historical moments and infamous individuals. But just as today, nothing is more complex than the inner life of a teenage girl, so it was in 1290. Written as a personal diary, this book follows Catherine, nicknamed ‘Birdy,’ as she trudges through her lessons on becoming a lady (sewing, spinning, soap making), her fears of an arranged marriage to a gnarly old nobleman, the importance of friendship and the heartbreak of unrequited love. Universal truths, all comically relatable and sprinkled with amusing details of picking off fleas and using the privy. As a preteen and teen, I read, re-read, and re-re-read Catherine's diary, escaping into her daily life as I easily imagined myself in it. This book was a friend I knew I could always return to for comfort and understanding.
A funny coming-of-age novel about a fourteen-year-old girl's fight for freedom and right to self-determination in medieval England.
Catherine's in trouble. Caught between a mother who is determined to turn her into the perfect medieval lady and a father who wants her to marry her off to much older and utterly repulsive suitor.
Luckily, Catherine has a plan. She has experience outwitting suitors and is ready to take matters into her own hands . . .
Karen Cushman's Catherine, Called Birdy is the inspiration for Prime Video's medieval comedy film directed by…
I am a Professor of Early Medieval English History at the University of Cambridge. I also work on relations with the rest of Britain, and between Britain and its European neighbours, especially from an economic and social point of view. My interest in early medieval history arose from the jigsaw puzzle approach that it requires: even more so than for other periods, sources are few and often challenging, so need to be seen together and interpreted imaginatively.
Archaeologists have a history of stimulating and provocative big-picture thinking about Britain, and this volume represents one of the latest and most ambitious surveys of the material remains of Britain as a whole. Its author is a veteran excavator with experience on sites from Sutton Hoo to Portmahomack. Carver’s title signals one of his goals: to break free of the ethnic, national labels for this period, and to lay down a new chronological and geographical framework for thinking about the whole of Britain across the period.
Formative Britain presents an account of the peoples occupying the island of Britain between 400 and 1100 AD, whose ideas continue to set the political agenda today. Forty years of new archaeological research has laid bare a hive of diverse and disputatious communities of Picts, Scots, Welsh, Cumbrian and Cornish Britons, Northumbrians, Angles and Saxons, who expressed their views of this world and the next in a thousand sites and monuments.
This highly illustrated volume is the first book that attempts to describe the experience of all levels of society over the whole island using archaeology alone. The story is…
I fell into medieval history from the moment I arrived at university, when I looked at a lecture list that included the Norman Conquest, King John and Magna Carta, Edward I – in short, the subjects of the books I have gone on to write. The attraction for me was that the medieval centuries were formative ones, shaping the countries of the British Isles and the identities of the people within them. After completing my doctorate on the thirteenth-century earls of Norfolk I was keen to broaden my horizons, and presented a TV series about castles, which was a great way to reconnect with the reality of the medieval past.
When I arrived in Oxford in 1998 to begin my doctorate, I knew a bit about English medieval history, but almost nothing about the histories of Wales, Scotland, and Ireland. That deficiency was corrected by Prof Rees Davies, at whose feet I was lucky enough to sit. Earlier that same year Rees had delivered the prestigious Ford lectures in Oxford, and they were published two years later as The First English Empire. Deeply learned, but also beautifully written, they are a powerful meditation on centuries when English power expanded aggressively into the rest of the British Isles, and the effects this had on national identities, which continue to resonate to this day.
The future of the United Kingdom is an increasingly vexed question. This book traces the roots of the issue to the Middle Ages, when English power and control came to extend to most of the British Isles. By 1300 it looked as if Edward I was in control of virtually the whole of the British Isles. Ireland, Scotland, and Wales had, in different degrees, been subjugated to his authority; contemporaries were even comparing him with King Arthur. This was the culmination of a remarkable English advance into the outer zones of the British Isles in the twelfth and thirteenth centuries.…
I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.
I first came across this short book when researching for stories set in the Anglo-Saxon kingdom of Northumbria. Kathleen Herbert, (herself a historical novelist) provided not only excellent information, but also a practical vision of the period specifically from a woman’s point of view. It is easy to read and presents the information in an accessible way; perhaps one of the earliest books focussed on women’s history.
An account of the earliest Englishwomen; the part they played in the making of England, what they did in peace and war, the impressions they left in Britain and on the continent, how they were recorded in chronicles and how they come alive in heroic verse and jokes.
I decided to write this book because while there are many works on the Hundred Years War, they tend to dwell on the political and diplomatic, rather than the military aspects. I considered that this period marked a real revolution in military affairs, led by England. It was England that had the world’s only professional army since the collapse of the Roman Empire in the west in the 5th Century, that used technology (the longbow) as a force multiplier, and while moving on horseback did its fighting on foot. It was these three legs of the revolution that allowed tiny English armies to defeat far larger French feudal ones.
Henry of Monmouth, Henry V, was the second king of the disputed Lancastrian dynasty, and in my opinion the greatest Englishman who ever lived.
He was king at 25, slaughterer of the nobility of France at 27, regent and acknowledged heir to the French throne at 32, and dead at 34. Had he lived, the history of Europe might be very different. He was a man who shaped English history and who still affects Anglo-French relations to this day.
This book, by Ian Mortimer, one of the very best authors of the period, looks at the year 1415, the year when the young Henry led a sick, exhausted, and starving English army to a stunning victory over a far larger French force at Agincourt, in an example of leadership and military professionalism of the highest order.
Henry V is regarded as the great English hero. Lionised in his own day for his victory at Agincourt, his piety and his rigorous application of justice, he was elevated by Shakespeare into a champion of English nationalism for all future generations. But what was he really like? Does he deserve to be thought of as 'the greatest man who ever ruled England?'
In Ian Mortimer's groundbreaking book, he portrays Henry in the pivotal year of his reign. Recording the dramatic events of 1415, he offers the fullest, most precise and least romanticised view we have of Henry and what…
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![Book cover of The Chronica Maiora of Thomas Walsingham [1376-1422]](https://res.cloudinary.com/hzpwrwfdi/image/upload/w_220/media/covers/81OHr5D264S_yc7asn.webp "Book cover of The Chronica Maiora of Thomas Walsingham [1376-1422]")
