Here are 57 books that The Making of the Crofting Community fans have personally recommended if you like
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As a child growing up in a rural community in the isle of Lewis, there were very few books I read which had any real connection with my local environment. This changed in my late teenage years when I encountered some of the books I mentioned here, together with some works about rural communities and islands in Ireland. I loved the way these books – including poetry, drama, non-fiction, short stories, and novels – opened my eyes and enabled me to see familiar surroundings in new and enlightening ways. The legacy of this still persists within me today.
As someone who spent much of his teenage years in the port of Stornoway, I was also acutely aware of the power and impact of the fishing industry on the community.
Neil M. Gunn’s novel is a celebration of this, telling the story of a young fisherman in a powerfully dramatic and poetic way. It is also a fantastic introduction to the rest of his work.
The Silver Darlings is a tale of lives hard won from a cruel sea and crueller landlords. It tells of strong young men and stronger women whose loves, fears and sorrows are set deep in a landscape of raw beauty and bleak reward. The dawning of the Herring Fisheries brought with it the hope of escape from the brutality of the Highland Clearances, and Neil Gunn's story paints a vivid picture of a community fighting against nature and history and refusing to be crushed.
As a child growing up in a rural community in the isle of Lewis, there were very few books I read which had any real connection with my local environment. This changed in my late teenage years when I encountered some of the books I mentioned here, together with some works about rural communities and islands in Ireland. I loved the way these books – including poetry, drama, non-fiction, short stories, and novels – opened my eyes and enabled me to see familiar surroundings in new and enlightening ways. The legacy of this still persists within me today.
There are probably more fantasies and myths about the Hebridean island of St Kilda than any other location in existence – though there are a few other Scottish islands that compete in this field!
Roger’s book is excellent because it is grounded in fact and meticulous research, yet it is also a celebration of this unique landscape to be found at the far western edge of the Outer Hebrides.
St Kilda is the most romantic and most romanticised group of islands in Europe. Soaring out of the North Atlantic Ocean like Atlantis come back to life, the islands have captured the imagination of the outside world for hundreds of years. Their inhabitants, Scottish Gaels who lived off the land, the sea and by birdcatching on high and precipitous cliffs, were long considered to be the Noble Savages of the British Isles, living in a state of natural grace.
St Kilda: A People's History explores and portrays the life of the St Kildans from the Stone Age to 1930, when…
As a child growing up in a rural community in the isle of Lewis, there were very few books I read which had any real connection with my local environment. This changed in my late teenage years when I encountered some of the books I mentioned here, together with some works about rural communities and islands in Ireland. I loved the way these books – including poetry, drama, non-fiction, short stories, and novels – opened my eyes and enabled me to see familiar surroundings in new and enlightening ways. The legacy of this still persists within me today.
Of all the books connected to the Highlands and Islands I have read over the past few years, this is undoubtedly the one that made me feel most uncomfortable.
However, it was also powerful and enlightening, showing how the people in this locality – like many others – profited from the slave trade yet were sometimes victims of those involved in its cruelty and hardship. A fascinating and enlightening read.
Explores the prominent role of Highland Scots in the slavery industry of the cotton, sugar and coffee plantations of the 18th and 19th centuries
Scots were involved in every stage of the slave trade: from captaining slaving ships to auctioning captured Africans in the colonies and hunting down those who escaped from bondage. This book focuses on the Scottish Highlanders who engaged in or benefitted from these crimes against humanity in the Caribbean Islands and Guyana, some reluctantly but many with enthusiasm and without remorse. Their voices are clearly heard in the archives,…
As a child growing up in a rural community in the isle of Lewis, there were very few books I read which had any real connection with my local environment. This changed in my late teenage years when I encountered some of the books I mentioned here, together with some works about rural communities and islands in Ireland. I loved the way these books – including poetry, drama, non-fiction, short stories, and novels – opened my eyes and enabled me to see familiar surroundings in new and enlightening ways. The legacy of this still persists within me today.
There are several Scottish writers with strong Gaelic connections. They range from the likes of Iain Crichton Smith to Norman MacCaig and thriller writer Alistair Maclean.
The most powerful of all, however, is Sorley Maclean from Raasay which lies off the isle of Skye. In his writing, he is not parochial or insular but mingles matters like the Spanish Civil War with Hebridean life – one of the poets to whom I return again and again.
This selected works of Sorley MacLean brings together published poetry from MacLean's own edited volumes of Poetry. The poems will be given in their original Gaelic with English translations and introduced by Angus Peter Campbell and Aonghas Mac Neacail.
Sorley MacLean was born on the island of Raasay in 1911. He was brought up within a family and community immersed in Gaelic language and culture, particularly song. He studied English at Edinburgh University from 1929, taking a first-class honours degree. Despite this influence, he eventually adopted Gaelic as the medium most appropriate for his poetry. He translated much of his…
There’s nothing I love more than a good thriller, especially one with a locked room setting. I’m fascinated by how people react to psychological pressure, and what it would take for any of us to behave in extreme ways. With The Elevator, I wanted to push that locked room scenario to its limits: two characters, trapped together in a tiny space. This might also be the book that’s been gestating inside me for longest – my mum was trapped in a lift when she was pregnant with me! I hope some of the books on this list appeal to you, and that you enjoy them as much as I did.
This is another chiller thriller, set in a remote hotel in the Scottish Highlands. (Note to self: only holiday in Scotland in the summer!)
The hotel is closed to guests, and Rennie Yorke is working what should be her final shift when a storm blows in and seals off her exit. But she’s not alone for long – an injured man arrives at the door, claiming to be a police officer who was transporting a dangerous prisoner when his car crashed, and the prisoner escaped. Rennie lets him in – but shortly afterward another man arrives, making the same claim.
It’s a brilliant hook, and I was completely immersed in trying to work out who was telling the truth and who was lying.
Remie Yorke has one shift left at the Mackinnon Hotel in the remote Scottish Highlands before she leaves for good. Then Storm Ezra hits.
As temperatures plummet and phone lines go down, an injured man stumbles inside. PC Don Gaines was in a terrible accident on the mountain road. The only other survivor: the prisoner his team was transporting.
When a second stranger arrives, Remie reluctantly lets him in from the blizzard. He, too, is hurt. He claims to be a police officer. His name is also Don Gaines.
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
One night, a gaunt woman stumbles into the road in front of Lauren and her father. They take her home, but the next day she is gone, and only Lauren can remember she was ever there.
The best supernatural horror works because it reflects the terrors of real life. Francine Toon’s Pine is the story of Lauren, a young girl growing up in rural Scotland with an alcoholic father and only the memory of a mother who disappeared when she was a child.
And while the supernatural is always present, it is the isolation and actions of the living that create true horror.
WINNER of the McIlvanney Prize 2020 Shortlisted for Bloody Scotland's Scottish Crime Debut of the Year 2020 Longlisted for the Highland Book Prize 2020
'Hugely atmospheric, exquisitely written and utterly gripping' LUCY FOLEY, author of The Hunting Party 'It's both eerie and thrilling at once, and had me under its spell until the end' SOPHIE MACKINTOSH, author of Blue Ticket and The Water Cure ______________
They are driving home from the search party when they see her. The trees are coarse and tall in the winter light, standing like men.
Lauren and her father Niall live alone in the Highlands,…
As a cozy-style mystery writer, I get to live in a world where I know that everything will work out as it should in the end. I look for this in the books that I read and recommend. Do they give the reader something interesting to ponder as they go along with the sleuth (amateur or “real detective)? My father was a police captain, and I grew up looking at things through the eyes of “the law”, I admit. Most people find comfort reading about a small town where nothing will go too wrong. The bad stuff and the bad people are kept at arm’s length, and all is well.
Who can resist a three-book series set in the Scottish Highlands? Travers does not disappoint we lovers of all things Scottish.
She sets this book in Edinburgh, 1911. The main character does something uncommon for women to do at that time—she takes a family inheritance and opens a detective agency. She also brings along Daisy, her lady’s maid.
When their first case leads them into the Highland society, the Duchess of Duddington employs them to ferret out a jewel thief. They go undercover to hunt for the thief, but soon realize they are hunting for a killer. This book blended the political and cultural reality of the day, but did it seamlessly.
I learned a few things while following Maud and Daisy around that fancy house in the Highlands.
‘Had me hooked… Loved!’ ⭐⭐⭐⭐⭐ ‘Delightful… Kept me on the edge of my seat’ ⭐⭐⭐⭐⭐ ‘Wonderful… Had me giggling’ ⭐⭐⭐⭐⭐ ‘I really loved this… Fantastic’ ⭐⭐⭐⭐⭐ ‘I absolutely adored this… Brilliant’ ⭐⭐⭐⭐⭐
Move over Holmes and Watson, there’s a new detective duo in town!
Edinburgh, 1911: When headstrong Maud McIntyre decides to pour her inheritance into starting her very own detective agency, she asks her lady’s maid, Daisy, to form The Scottish Ladies’ Detective Agency. After all, she knows they have a better brain for these things than most men!
Maud and Daisy never dreamed that their first case would…
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
Scabby Queen opens with the death by suicide of Clio Campbell, at different times a popstar, a political activist, a lover of life.
The book stretches back five decades to tell her story, from different perspectives and jumping around between time periods. I really love that such a complicated, strong, and uncompromising woman gets to take centre stage in a story that is both political (poll tax riots, miners’ strikes, Brexit) and personal.
'Gripping and moving. A literary triumph' Nicola Sturgeon
'A humane and searching story' Ian Rankin
'Kirstin Innes is aiming high, writing for readers in the early days of a better nation' A.L. Kennedy
A NEW STATESMAN BOOK OF THE YEAR * A SCOTSMAN BOOK OF THE YEAR
Three days before her fifty-first birthday Clio Campbell - one-hit wonder, political activist, lifelong love and one-night-stand - kills herself in her friend Ruth's spare bedroom. And, as practical as she is, Ruth doesn't know what to do.
As the news spreads around Clio's collaborators and comrades, lovers and enemies, the story of…
I spent the majority of my twenties living and working abroad, and I've always been a sucker for a love story that crosses borders. I met my husband while living and working in Turkey, and now I write lighthearted romance novels inspired by the idea that you don't have to choose between catching flights or catching feelings - why not both? While I'm doing less traveling these days, I feel like I still get to experience different countries, cultures, and settings thanks to so many wonderful books that feel like vacations.
I adored the premise of this novel so much—a wee Scottish cafe needs a volunteer to come run it? Yes, please.
The setting was utterly delightful, and I just love a small town full of colorful characters. It made me want to travel back to Scotland as soon as possible.
In this steamy tale by USA Today bestselling author Meghan Quinn, an American searching for her purpose escapes to a Scottish town but finds more questions than answers when she meets a brooding yet handsome handyman.
Freshly fired from her third job in a row, Bonnie St. James has lost her way. So when she and her best friend stumble upon a "help wanted" post to run a coffee shop in the Scottish Highlands, they apply on a whim. Who knows? Maybe traveling to a new place is just what she needs to figure out her next move.
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
Although this is, strictly speaking, a Young Adult level book, it belongs here in my cadre of stories that have woven a measure of magic through my being. I first read this as a young girl, and loved it so much I saved my pennies to buy my own copy (I still have it). Sally Watson showed me how to create a real, believable, and magical heroine. One with flaws, and fears, and a call to be other than those who surround her. Other than those who surround her. The story also takes place in the Scottish Highlands, a place very dear to my heart, and presents a wealth of actual historical characters who come to life between the pages. This one will forever have a place in my heart.
The time was 1644 in Inverness, Scotland. As the "wicked wee lass" raced along the steep streets, just ahead of the stones and cries of briosag! hurled at her, she wished with all her heart that she were a witch. What a spell she would put on them all! For all her seventeen years, Kelpie could remember nothing but belonging to Mina and Bogle, gypsies who lived by their evil wits. The only law any of them knew was that of self-preservation. Bogle said she had been kidnaped because of her blue ringed eyes of the "Second Sight," and she…
