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The Life of Anna Kingsford V1.
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As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
Although written as a play, it has a foreword detailing its subject—the life of Joan of Arc. Joan was the inspiration and much-admired heroine of Rebecca Roberts in my own book. Based closely on the Inquisition records, it has very moving moments, whether read or performed as a play.
'What other judgment can I judge by but my own?' Charting the meteoric rise and fall of Joan of Arc and her mission to drive the English from France, Shaw's Saint Joan draws directly on the medieval records to cut through the sentiment that characterized previous literary treatments of her story. A powerful example of a new kind of history play, its staging of dissent and social constraint, personal responsibility and female assertion, as well as fervent adherence to a cause, gave it a powerful modernity in its own day and continuing resonance in ours. Acclaimed internationally, this instant modern…
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
Basically a biography of Anna Kingsford for those who don't like Edward Maitland's. The latter was accused (justly or unjustly) of destroying evidence about Anna—especially about her early life and over-dramatising the occult incidents in her life. This newer biography corrects some of these drawbacks of the earlier version and is more in tune with modern sensibilities.
Anna Kingsford (1846-1888) was an English woman of many talents: physician, feminist, Theosophist, and mystic. She campaigned strenuously for vegetarianism and animal welfare in print and giving lectures. She wrote short stories, a novel, and works on spiritual topics.She crammed much achievement into her short life, dying tragically of TB at the age of 41. Her spiritual writings and activities influenced many people. Among these were MacGregor Mathers, leader of the legendary occult society the Hermetic Order of the Golden Dawn; the poet W.B.Yeats; and Mahatma Gandhi who disseminated her spiritual works in South Africa in the 1890s. This biography…
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
As well as being the best Gothic style verses in the English language with the possible exception of some by Edgar Allan Poe-there are some way ahead of their time. "If Earth & Moon were gone" prefigures Mach's Principle, which was only formulated 4 decades after EJB thought of it. Anyone lucky enough to find an edition with EJB's Essays she wrote in Brussels will have a copy of her formulation of Evolutionary theory 2 decades before Mr. Darwin claimed it as his own.
In 1846 a small book entitled Poems by Currer, Ellis and Acton Bellappeared on the British Literary scene. The three psuedonymous poets, the Bronte sisters went on to unprecedented success with such novels as Wuthering Heights, Agnes Grey, and Jane Eyre, all published in the following year. As children, these English sisters had begun writing poems and stories abotu an imaginary country named Gondal, yet they never sought to publish any of their work until Charlotte's discovery of Emily's more mature poems in the autumn of 1845. Charlotte later recalled: "I accidentally lighted on a MS. volume of verse in…
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
The translations are by Christopher Fry-who wrote The Brontes of Haworth, the YorkshireTV series featuring Emily Bronte`s life, and Lillian Hellman. The latter version of The Lark is a reminder that she features in the Jane Fonda and Vanessa Redgrave movie Julia—set in the troubled period before WW2 when both Julia in the film and a main character in my book face the bad side of Fascism.
Her radical view of religion and belief that a seemingly invincible foe could be beaten was important in convincing the—mainly female followers of Rebecca Roberts in my book that they had a chance against overwhelming odds.
My father, when he consented to talk about all the moments in his life when the odds against his survival were so small as to make them statistically non-existent, would say, ‘I was lucky.’ Trying to understand what he meant got me started on this book. As well as being a novelist, I’m a poker player. Luck is a subject that every poker player has a relationship to; more importantly it’s a subject that every person has a relationship to. The combination of family history and intellectual curiosity and the gambler’s desire to win drove me on this quest.
A young man loses all his money in a Paris casino and goes off to drown himself in the Seine. Before he can do so, he wanders into an antiquarian’s shop of treasures and is offered the skin of the title, a magical pelt that will grant its possessor any wish, but shrink each time, diminishing the possessor’s life force in the process. It’s a moral tale of wish fulfillment and identity, but most of all, it’s a thrilling glittering dark tale of ambition and excess.
'Who possesses me will possess all things, But his life will belong to me...'
Raphael de Valentin, a young aristocrat, has lost all his money in the gaming parlours of the Palais Royal in Paris, and contemplates ending his life by throwing himself into the Seine. He is distracted by the bizarre array of objects in a chaotic antique shop, among them a strange animal skin, a piece of shagreen with magical properties. It will grant its possessor his every wish, but each time a wish is bestowed the skin shrinks, hastening its owner's death. Around this fantastic premise Balzac…
Dan Fesperman has made a living by writing about dangerous and unseemly people and places since his days as a journalist, when he was a foreign correspondent for The Baltimore Sun. Now traveling on his own dime, his books draw upon his experiences in dozens of countries and three war zones. His novels have won two Dagger awards in the UK and the Dashiell Hammett Prize from the International Association of Crime Writers. His thirteenth novel, Winter Work, will be published in July by Knopf. He lives in Baltimore.
What's not to like when the main character is a self-styled "book detective" making his way through the hidden passages and darker alleys of the world of rare antiquarian books? Lucas Corso seeks to authenticate an old manuscript by Alexander Dumas, but his quest takes an eerie turn as the events and characters he encounters along the way begin to replicate those found in Dumas's fiction. This delightful 1993 novel was meta before meta was cool, and is deeply rewarding for any bibliophile.
#1 International Bestseller"A thriller of marvelous intricacy" (The New York Times Book Review), The Club Dumas is a provocative literary thriller that playfully pays tribute to classic tales of mystery and adventure.Lucas Corso is a book detective, a middle-aged mercenary hired to hunt down rare editions for wealthy and unscrupulous clients. When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters…
The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
John Faustus is the original bad influence. He makes a deal with the devil for absolute power, uses his new power to play childish pranks on people, and has a pretty good but stupid time until the devil shows up one day and literally rips him to pieces. Didn’t think that one through, did you, John?
If you get caught reading this book, try saying something like, “Well, now I know not to do that!” But, still, those pranks of his sound fun…
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
I am a privileged individual of our Western society, with access to a good education, living away from hunger and despair. Am I wealthy? Far from it. I am amid that middle class where working hours are well understood and spare time is fully enjoyed. I have been a consultant to businesses of all sizes and I have learned closely how the wheels turn, how in order to produce anything, always someone and something is crushed and squeezed. Profit on one side and destruction and poverty on the other one. Throughout time, I have met people from various countries and understood the value of a multicultural world, which I defend.
I was very young when I first read this book. Many years later I took it back from the shelf and went through its pages with older eyes.
The reality portrayed by Émile Zola in the 19th Century is quite brutal. The coal miners back then – with their struggle for life, excess work, permanent fatigue, lack of knowledge and understanding, contrasted by the careful calculations and comfort of their masters – mirror miners and other workers today.
Greed on one side, poverty on the other regarded as normal. The very few with enough wit to overthrow the injustice were silenced, as it happens today at the productive facilities of the capital.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
As a conservative Mennonite from Pennsylvania, I have observes many people who, despite numerous desperate attempts at locating lasting fulfillment, find themselves always craving more and never satisfied to relax and be content. I have consequently dedicated myself to helping these folks obtain the satisfaction they inwardly crave. This lead to hours of contemplating, praying, and reading numerous books on the subject.
The Kneeling Christian illustrates the importance of sincere prayer.
I read relatively short sections of this book at a time because I would get an overwhelming desire to pray. In fact, it was during a prayer that was prompted while reading this book that I had one of my most profound encounters with God.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
I’m an award-winning author and professor of history at Wayne State College in Nebraska. Called “the dean of 1812 scholarship” by the New Yorker, I’ve written eleven books and more than a hundred articles, mostly on the War of 1812 and its causes. I’ve been passionate about the War of 1812 ever since first studying it as an undergraduate in college. Although the outcome on the battlefields was inconclusive and the war is largely forgotten today, it left a profound and lasting legacy. Since first “discovering” this war, my aim has been to elevate its public profile by showing how it shaped the United States and Canada and Britain’s relationship to both nations for the rest of the nineteenth century and beyond.
Lossing was an accomplished sketch artist and antiquarian who traveled 10,000 miles in the 1850s and 1860s, visiting battle sites and interviewing survivors of the war. The result of his labors was this compendium that includes songs, poems, battle maps, and illustrations. Lossing treatment of almost every subject yields fascinating gems.
