90 books like The Killer Next Door

I really don't know how Catriona Ward manages to balance the languid sadness and unrelenting tension so well.

Ward's profound empathy for every single character, no matter how flawed, is what twists your heart. At the same time, you feel as though you're on a roller coaster barreling at breakneck speed through pitch-black tunnels.

I wasn't always sure I understood what was going on from moment to moment, and that seems very much by design because, wow, what a twist! And the deeply felt depiction of the characters never made me feel like I was truly lost. I will indulge a great deal of mystery as long as it is presented by such a steady and skillful hand.

The first line had me hooked: “It would be inaccurate to say that my childhood was normal before they came.”

That one sentence fired up my imagination, and the story kept me turning the pages late into the night. Libby, an adoptee, unexpectedly inherits a once-grand mansion in London’s Chelsea, only to discover it comes with a grim family history that’s nothing like the fanciful one she’d imagined.

I’m particularly drawn to novels like this one, with multiple narrators and intertwining timelines.

In an old mansion that has become a school for wayward girls, a series of troublesome deaths occur. The school is reminiscent of the horrible Lowood School in Jane Eyre, one of my all-time favorite books. The story unfolds across multiple timelines—I enjoyed the 1950s story the most. The crimes are solved in the present day by a determined heroine, and the supernatural element is well integrated into the plot.  

A young woman desperate for a second chance accepts a position as a nanny which comes with lodging in the pool house behind the family’s main house. The pool house is nicer than any place she’s lived recently, but she soon starts hearing strange noises and the little boy she’s watching starts drawing pictures that become creepier and more detailed as time goes on. I loved the flawed but kind heroine and cheered for her to figure out what happened in that pool house and what’s going on with the seemingly normal family who hired her. A real page-turner!

In this excellently researched DI Ben Kitto series the author does not shy away from the fact that bad things happen in beautiful places.

I particularly love this first book because it sympathetically captures the essence of living in a small, remote island community, where drugs, violence, and alcohol are not far beneath the surface and the economic hardships these places endure are a daily concern.

The islands in this book are a far cry from the summer Isles of Scilly that many of us know and love and it is a realistic reminder that life anywhere is not always as idyllic and simple as it appears from the outside.

I flew through Wahala. Pacy, suspenseful, and binge-able, this novel did not disappoint; it delivered in all areas. Zany, memorable characters – tick. Messy, complicated entanglements – tick. Tantalising, mouth-watering descriptions of Nigerian food served in south London restaurants – tick, tick. (The author kindly included a few recipes at the back of the book!) Wahala reminded me of how enjoyable reading can be when you find a widely-entertaining book that you can kick back and sink your teeth into. An engrossing, riveting read that explores the complexity of adult female friendships, I highly recommend it. 

This complete compendium of Spare’s exhibition catalogues has been put together by the great Robert Ansell, a pioneering figure in Spare research. Running from 1907 to 1955, complete with their catalogue essays and some related bits of ephemera, the facsimile catalogues slowly change in their period feel and give the real trajectory of Spare’s career, all the way through to his late shows in pubs.

The book has a generous additional colour section of pictures, and it is all surprisingly readable and even vivid: “Not long now!” says the flyer for an upcoming exhibition in the Mansion House Tavern pub in south London: “The show you’ve been waiting for!” 

What I personally loved about Open Water was just how original it was. From the second-person narration to the poetic prose and the beautiful portrayal of a Black man, not only being on the receiving end of love but also, the giver – a depiction we don’t see enough in publishing. I also enjoyed following how two artists fell in love, organically. And yet, I didn’t feel like a fly on the wall. A key takeaway I got from the story was how freeing vulnerability can be, but also, how difficult it can be to express emotions in words. Although triggering in places, overall, I found Open Water a comforting read; there were lots of cultural references that made me smile and nod my head, such as Peckhamplex cinema and Morley’s chicken shop. 

Packed with funny, unexpected, and disturbing imagery, I read this book in one sitting. Art historians have discussed the agency possessed by material things, arguing that art and other manufactured objects can shape the actions and attitudes of individuals and groups. This has led to the creation of biographies of ancient objects, tracking their movements and transformations over time.

Fischer takes this one step further in his picaresque novel, told from the perspective of an ancient Sumerian bowl. As the title suggests, the bowl surreptitiously observes and records the lives of the collectors who have owned it over the course of millennia. I haven’t looked at old pots in my house in the same way again! 

A delightful book, a complete treat, certainly the funniest I’ve read in recent years as well as one of the most original. How it wasn’t picked up by a major publisher is beyond me, especially given Sue Clark’s background in television comedy scriptwriting.

The way Sue manages so realistically to get inside the head of both the aged and yet ageless ex-fashion icon, Eloise, and Bradley, a south London council estate lad with dreams above his station, is astonishing. Writing in the first person is hard enough, but to do it so successfully for two such disparate characters is extraordinarily clever. It is no easy thing to make the reader believe so thoroughly in their highly unlikely, blossoming (business) partnership.

Clever, imaginative, and life-affirming.