Here are 100 books that The Islands at the End of the World fans have personally recommended if you like
The Islands at the End of the World.
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Growing up in a kanaka maoli—Native Hawaiian—family in Hawai’i, I hungered for stories centered around island kids and their authentic lived experiences. I scoured classrooms, libraries, and bookstores looking for stories that reflected my reality, but all I ever found were dusty collections of ancient legends, not books that appealed to my sense of wonder or adventure. It’s the reason I wrote the Niuhi Shark Saga trilogy and why I’m so excited to share this collection with you. These books are everything I always wanted to read as a child growing up in Hawai‘i—and more!
With a sacred stone in hand, twelve-year-old Kino hides from bullies in an ancient grass hut on display at Bishop Museum. In a blinding flash, she travels back in time to 1825 and meets a young boy who is destined to become King Kamehameha III. Together they go on an epic adventure facing sharks, Night Marchers, wild boars, and more as they collect the four items Kino needs to return home. I love this fantasy story with Hawaiian kids as heroes because it treats Hawaiian history and culture as both magical and ordinary rather than sensationally exotic.
Want to escape into an epic adventure back in time? Pick up a copy of KINO and the KING and follow Kino Kahele on her visit when Hawaii was a young nation, and the Kamehameha Dynasty ruled the land. After Kino receives a pohaku (stone), that is supposed to help Kino find her destiny, she is chased by bullies into the Hawaiian Hall at the Bishop Museum in Honolulu. She ducks into the ancient grass hut display and hides her rock in a conch shell. With a flash of bright light, she is transported to 1825 where she meets 11-year-old…
Growing up in a kanaka maoli—Native Hawaiian—family in Hawai’i, I hungered for stories centered around island kids and their authentic lived experiences. I scoured classrooms, libraries, and bookstores looking for stories that reflected my reality, but all I ever found were dusty collections of ancient legends, not books that appealed to my sense of wonder or adventure. It’s the reason I wrote the Niuhi Shark Saga trilogy and why I’m so excited to share this collection with you. These books are everything I always wanted to read as a child growing up in Hawai‘i—and more!
What starts out as a camping trip in remote Halape for a boy scout troop from Hilo turns desperate when an earthquake hits and their camp is devastated by a tsunami. The boys are scattered, and it’s up to Dylan and his nemesis Louie to reunite the troop and get them to safety. Inspired by real events that I remember, this book is a survival story about friendship, leadership, and teamwork that keeps readers on the edge of their seats.
DYLAN'S SCOUT TROOP goes camping in Halape, a remote spot below the volcano on the Big Island of Hawaii. The only thing wrong with the weekend on a beautiful, peaceful beach is Louie, a tough older boy. Louie and Dylan just can't get along.That night an earthquake rocks the camp, and then a wave rushes in, sweeping everyone and everything before it. Dylan and Louie must team up on a dangerous rescue mission. The next hours are an amazing story of survival and the true meaning of leadership.
Growing up in a kanaka maoli—Native Hawaiian—family in Hawai’i, I hungered for stories centered around island kids and their authentic lived experiences. I scoured classrooms, libraries, and bookstores looking for stories that reflected my reality, but all I ever found were dusty collections of ancient legends, not books that appealed to my sense of wonder or adventure. It’s the reason I wrote the Niuhi Shark Saga trilogy and why I’m so excited to share this collection with you. These books are everything I always wanted to read as a child growing up in Hawai‘i—and more!
Raw and real, ‘Ikauikalani, is a middle grader who is adrift after the death of his grandmother. Through ‘Ikaui’s daily experiences, we see firsthand the effects of mental illness, drug abuse, bullying, and dispossession faced by the homeless living in Ala Moana Park. ‘Ikaui struggles to eat, keep clean, and fill his days. If he’s swept up by social services, ‘Ikaui fears a physical and spiritual death. But in the middle of his struggle, there are also remarkable moments of grace that allow ‘Ikaui to thrive. ‘Ikaui begins to discover who he is, connects his amazing gifts with his ancestral past, and heals generational wounds. It’s a thought-provoking story about the difference between being homeless and houseless.
A young abandoned Hawaiian boy, living among the homeless in Ala Moana Park, spends his days observing tourists, swimming in the ocean and rummaging in the trash. At first glance there is nothing special about young Ikauikalani, till you learn he can see the future in the movements of the clouds. Following directions received from his deceased grandmother, Ikau sets off on a journey of self-discovery releasing his past and helping him to understand his own future.
Growing up in a kanaka maoli—Native Hawaiian—family in Hawai’i, I hungered for stories centered around island kids and their authentic lived experiences. I scoured classrooms, libraries, and bookstores looking for stories that reflected my reality, but all I ever found were dusty collections of ancient legends, not books that appealed to my sense of wonder or adventure. It’s the reason I wrote the Niuhi Shark Saga trilogy and why I’m so excited to share this collection with you. These books are everything I always wanted to read as a child growing up in Hawai‘i—and more!
This coming-of-age story is powerful, immediate, and like a bloody scraped knee, painfully evocative of the transition between childhood and adulthood. I loved this book for its ability to show all the complicated rules, expectations, and entanglements of being a kid trying to make sense out of adult behavior. Set in ‘Ewa Beach, Hawai‘i, in 1982, Landon and Luke face prejudices of class and race, their parents’ alcohol abuse and valium popping coping mechanisms, and sheer dysfunction. Landon shares his reality with heartbreaking twelve-year-old clarity.
Fiction. EWA WHICH WAY is a coming-of-age novel set in the early 1980s, around the time of Hurricane ‘Iwa. The DeSilva family, in economic straits, has suffered the setback of having to move from town to Ewa Beach, and the dissonance between parents impacts the lives of their young sons, Landon and Luke. In addition to humorous moments of growing up local, Portuguese, and Catholic, there are serious underlying themes regarding religion, ethnic tensions, assimilation issues, domestic violence, and the reality that children sometimes need to find their own way in the world at a very young age. With problems…
I was born in a refugee camp in Thailand. I lived there until I was six. I was a child from America’s Secret War in Laos, a child who knew very little of the outside world before my family sought refuge in America. Much of my life’s work has been devoted to a search for peace, to understand the forces that put families in situations like mine. I have published widely on the topic, written of it in books for both adults and children.
Hosseini's book is timely and important. It is a story inspired by the image of a child washed up on the beach of a foreign shore. It tells the story of another child, whose parent send them off on a vessel across a wide ocean in search of a less turbulent future. The art is sweeping. The words travel far into the heart.
An illustrated book on the refugee crisis that will break your heart in under 48 pages, from the #1 New York Times-bestselling author of The Kite Runner, A Thousand Splendid Suns, and And the Mountains Echoed.
"Intensely moving. . .Powerfully evocative of the plight in which displaced populations find themselves."– Kirkus, STARRED Review
"Hosseini's story, aimed at readers of all ages, does not dwell on nightmarish fates; instead, its emotional power flows from the love of a father for his son."– Publishers Weekly, STARRED BOX Review
A short, powerful, illustrated book written by beloved novelist Khaled Hosseini in response to…
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
The Crossing really moved me. It’s an unforgettable story of two young people who suffer extreme trauma and struggle to find their way to a better future. Nat is in England, her mother has died, and in her honour Nat sets herself the task of raising money for refugees by swimming the Channel. Sammy, in Eritrea, has witnessed the political murder of his father and is soon to be drafted into the army, where he knows he will be tortured. I love the way the author weaves their first-person stories together, till we feel the two must meet. Sammy’s desperate journey, with its horrors, hunger, despair, and unimaginable hardship, is particularly graphically told.
I found this story of bravery shocking and frightening, but not without hope.
Powerful, compassionate and ultimately hopeful. Observer
WINNER OF THE COSTA CHILDREN'S BOOK AWARD 2021 and the Sunday Times Children's Book of the Week - a trailblazing novel about two teenagers from opposite worlds; The Crossing is a profound story of hope, grief, and the very real tragedies of the refugee crisis.
The sea carries our pain. The stars carry our future.
Natalie's world is falling apart. She's just lost her mum and her brother marches the streets of Dover full of hate and anger. Swimming is her only refuge.
Sammy has fled his home and family in Eritrea for the…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
The book is a dizzying mix: the grim realities of displacement are intertwined with speculative fiction – fantasy even.
A love story of two migrants, Saeed and Nadia, who traverse the globe to escape conflict and try and find a way to be together. Oftentimes, they find their way across borders through a series of ‘doors’ – a device reminiscent of CS Lewis (in The Lion, The Witch and The Wardrobe) and one which takes the protagonists across the world. Elegant, spare prose; brutal realities, and electrifying flights of fancy – Exit West has it all.
One reason I like the book is that the author, Mohsin Hamid, has found a way to bring the desperate, timely topic of refugees out to a wider audience. His previous book, The Reluctant Fundamentalist, was made into a film and Exit West is being adapted for Netflix.
The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
This wordless picture book uses gorgeous collage art to soften the frightening story of a wartime escape from Vietnam. The use of ants as a refugee metaphor, and the intertwined wordless stories of ants with a fleeing human family, may make the story a bit complex for very young readers. But the lack of text, in this case, makes it a perfect read-together book and conversation starter. It is a story of hope, courage, and kindness, which are key pillars for refugees to survive and thrive. Separately, we all tend to focus on the biggest, most current, refugee crises (and there are many!). Yet children should also hear refugee stories from around the world and through history. What do these journeys have in common? What makes them unique? What can we learn?
Named a best picture book of 2020 by Kirkus, School Library Journal, Booklist, New York Public Library, the Globe and Mail, CBC, and the Bulletin of the Center for Children’s Books ― a heartfelt and personal immigration story by critically acclaimed author Thao Lam
New from Thao Lam, the award-winning author of picture books My Cat Looks Like My Dad, Wallpaper, and Skunk on a String, comes a personal story inspired by her family’s refugee journey.
In The Paper Boat, Thao’s signature collage art tells the wordless story of one family’s escape from Vietnam―a journey intertwined with an ant colony’s…
In books, essays and reportage, I've been writing about Israel and the conflict since moving from the U.S. to Israel in 1982. Even as I write from within my Israeli consciousness, I have tried to understand and convey other perspectives. For Israelis and Palestinians, there is nothing abstract about this conflict; it is, instead, a matter of life and death. My writing is an attempt to simultaneously convey the passions of this conflict and offer an empathic voice for all those caught in this seemingly hopeless situation.
What is the core of the Palestinian-Israeli conflict, and what is the key to its solution? In this groundbreaking work, Adi Schwartz and Einat Wilf argue that the answer is not settlements or holy places or even the absence of a Palestinian state. Instead, the core of the conflict is the Palestinian national movement’s insistence on “right of return” of millions of descendants of Palestinian refugees to what is now the state of Israel – rather than resettlement in a future Palestinian state. What Palestinian leaders have effectively done, argue the authors, is link the end of the conflict to a “solution” that will mean the end of a sovereign Jewish state. The authors, who support the creation of a Palestinian state, argue that its creation depends on the willingness of Palestinian leaders to give up their dream of destroying Israel through a shift in its demographic balance. Until that…
Two prominent Israeli liberals argue that for the conflict between Israel and the Palestinians to end with peace, Palestinians must come to terms with the fact that there will be no "right of return."
In 1948, seven hundred thousand Palestinians were forced out of their homes by the first Arab-Israeli War. More than seventy years later, most of their houses are long gone, but millions of their descendants are still registered as refugees, with many living in refugee camps. This group―unlike countless others that were displaced in the aftermath of World War II and other conflicts―has remained unsettled, demanding to…
I am interested in the history of people on the move, and in particular how migrants and refugees negotiated the upheavals of war and revolution in the 20th century. Originally, I turned to these topics as a specialist in Russian history, but I have since broadened my perspective to consider the causes and consequences of mass population displacement in other parts of the world. I have just retired from the History faculty at the University of Manchester, where I taught since 1976. In 2019 I was elected a Fellow of the British Academy, the UK’s national academy for the humanities and social sciences.
My final choice is a scintillating work of scholarship by Lyndsey Stonebridge, Professor of Humanities and Human Rights at the University of Birmingham. Entitled Placeless People: Writing, Rights, and Refugees, it draws upon a range of reportage, political theory, poetry, and other texts to ask challenging questions about the stance that modern states and citizens in Western societies adopt towards refugees who are sometimes described as distant strangers. By engaging with authors who are relatively well known, such as George Orwell, W.H. Auden, Simone Weil, Samuel Beckett, and the political philosopher Hannah Arendt, and with those who may be less familiar, such as the American journalist Dorothy Thompson (1893-1961) and the contemporary Palestinian Lebanese-born poet Yousif M. Qasmiyeh, Stonebridge insists that it is essential to portray refugees as deserving and demanding something other than charity or humanitarian concern no matter how well-intentioned. Instead, the appropriate response is to demand…
In 1944 the political philosopher and refugee, Hannah Arendt wrote: 'Everywhere the word 'exile' which once had an undertone of almost sacred awe, now provokes the idea of something simultaneously suspicious and unfortunate.' Today's refugee 'crisis' has its origins in the political-and imaginative-history of the last century. Exiles from other places have often caused trouble for ideas about sovereignty, law and nationhood. But the meanings of exile changed dramatically in the twentieth century. This book shows just how profoundly the calamity of statelessness shaped modern literature and thought. For writers such as Hannah Arendt, Franz Kafka, W.H. Auden, George Orwell,…
