Here are 100 books that The Islands at the End of the World fans have personally recommended if you like
The Islands at the End of the World.
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Growing up in a kanaka maoli—Native Hawaiian—family in Hawai’i, I hungered for stories centered around island kids and their authentic lived experiences. I scoured classrooms, libraries, and bookstores looking for stories that reflected my reality, but all I ever found were dusty collections of ancient legends, not books that appealed to my sense of wonder or adventure. It’s the reason I wrote the Niuhi Shark Saga trilogy and why I’m so excited to share this collection with you. These books are everything I always wanted to read as a child growing up in Hawai‘i—and more!
With a sacred stone in hand, twelve-year-old Kino hides from bullies in an ancient grass hut on display at Bishop Museum. In a blinding flash, she travels back in time to 1825 and meets a young boy who is destined to become King Kamehameha III. Together they go on an epic adventure facing sharks, Night Marchers, wild boars, and more as they collect the four items Kino needs to return home. I love this fantasy story with Hawaiian kids as heroes because it treats Hawaiian history and culture as both magical and ordinary rather than sensationally exotic.
Want to escape into an epic adventure back in time? Pick up a copy of KINO and the KING and follow Kino Kahele on her visit when Hawaii was a young nation, and the Kamehameha Dynasty ruled the land. After Kino receives a pohaku (stone), that is supposed to help Kino find her destiny, she is chased by bullies into the Hawaiian Hall at the Bishop Museum in Honolulu. She ducks into the ancient grass hut display and hides her rock in a conch shell. With a flash of bright light, she is transported to 1825 where she meets 11-year-old…
Growing up in a kanaka maoli—Native Hawaiian—family in Hawai’i, I hungered for stories centered around island kids and their authentic lived experiences. I scoured classrooms, libraries, and bookstores looking for stories that reflected my reality, but all I ever found were dusty collections of ancient legends, not books that appealed to my sense of wonder or adventure. It’s the reason I wrote the Niuhi Shark Saga trilogy and why I’m so excited to share this collection with you. These books are everything I always wanted to read as a child growing up in Hawai‘i—and more!
What starts out as a camping trip in remote Halape for a boy scout troop from Hilo turns desperate when an earthquake hits and their camp is devastated by a tsunami. The boys are scattered, and it’s up to Dylan and his nemesis Louie to reunite the troop and get them to safety. Inspired by real events that I remember, this book is a survival story about friendship, leadership, and teamwork that keeps readers on the edge of their seats.
DYLAN'S SCOUT TROOP goes camping in Halape, a remote spot below the volcano on the Big Island of Hawaii. The only thing wrong with the weekend on a beautiful, peaceful beach is Louie, a tough older boy. Louie and Dylan just can't get along.That night an earthquake rocks the camp, and then a wave rushes in, sweeping everyone and everything before it. Dylan and Louie must team up on a dangerous rescue mission. The next hours are an amazing story of survival and the true meaning of leadership.
Growing up in a kanaka maoli—Native Hawaiian—family in Hawai’i, I hungered for stories centered around island kids and their authentic lived experiences. I scoured classrooms, libraries, and bookstores looking for stories that reflected my reality, but all I ever found were dusty collections of ancient legends, not books that appealed to my sense of wonder or adventure. It’s the reason I wrote the Niuhi Shark Saga trilogy and why I’m so excited to share this collection with you. These books are everything I always wanted to read as a child growing up in Hawai‘i—and more!
Raw and real, ‘Ikauikalani, is a middle grader who is adrift after the death of his grandmother. Through ‘Ikaui’s daily experiences, we see firsthand the effects of mental illness, drug abuse, bullying, and dispossession faced by the homeless living in Ala Moana Park. ‘Ikaui struggles to eat, keep clean, and fill his days. If he’s swept up by social services, ‘Ikaui fears a physical and spiritual death. But in the middle of his struggle, there are also remarkable moments of grace that allow ‘Ikaui to thrive. ‘Ikaui begins to discover who he is, connects his amazing gifts with his ancestral past, and heals generational wounds. It’s a thought-provoking story about the difference between being homeless and houseless.
A young abandoned Hawaiian boy, living among the homeless in Ala Moana Park, spends his days observing tourists, swimming in the ocean and rummaging in the trash. At first glance there is nothing special about young Ikauikalani, till you learn he can see the future in the movements of the clouds. Following directions received from his deceased grandmother, Ikau sets off on a journey of self-discovery releasing his past and helping him to understand his own future.
Growing up in a kanaka maoli—Native Hawaiian—family in Hawai’i, I hungered for stories centered around island kids and their authentic lived experiences. I scoured classrooms, libraries, and bookstores looking for stories that reflected my reality, but all I ever found were dusty collections of ancient legends, not books that appealed to my sense of wonder or adventure. It’s the reason I wrote the Niuhi Shark Saga trilogy and why I’m so excited to share this collection with you. These books are everything I always wanted to read as a child growing up in Hawai‘i—and more!
This coming-of-age story is powerful, immediate, and like a bloody scraped knee, painfully evocative of the transition between childhood and adulthood. I loved this book for its ability to show all the complicated rules, expectations, and entanglements of being a kid trying to make sense out of adult behavior. Set in ‘Ewa Beach, Hawai‘i, in 1982, Landon and Luke face prejudices of class and race, their parents’ alcohol abuse and valium popping coping mechanisms, and sheer dysfunction. Landon shares his reality with heartbreaking twelve-year-old clarity.
Fiction. EWA WHICH WAY is a coming-of-age novel set in the early 1980s, around the time of Hurricane ‘Iwa. The DeSilva family, in economic straits, has suffered the setback of having to move from town to Ewa Beach, and the dissonance between parents impacts the lives of their young sons, Landon and Luke. In addition to humorous moments of growing up local, Portuguese, and Catholic, there are serious underlying themes regarding religion, ethnic tensions, assimilation issues, domestic violence, and the reality that children sometimes need to find their own way in the world at a very young age. With problems…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
The book is a dizzying mix: the grim realities of displacement are intertwined with speculative fiction – fantasy even.
A love story of two migrants, Saeed and Nadia, who traverse the globe to escape conflict and try and find a way to be together. Oftentimes, they find their way across borders through a series of ‘doors’ – a device reminiscent of CS Lewis (in The Lion, The Witch and The Wardrobe) and one which takes the protagonists across the world. Elegant, spare prose; brutal realities, and electrifying flights of fancy – Exit West has it all.
One reason I like the book is that the author, Mohsin Hamid, has found a way to bring the desperate, timely topic of refugees out to a wider audience. His previous book, The Reluctant Fundamentalist, was made into a film and Exit West is being adapted for Netflix.
The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
This wordless picture book uses gorgeous collage art to soften the frightening story of a wartime escape from Vietnam. The use of ants as a refugee metaphor, and the intertwined wordless stories of ants with a fleeing human family, may make the story a bit complex for very young readers. But the lack of text, in this case, makes it a perfect read-together book and conversation starter. It is a story of hope, courage, and kindness, which are key pillars for refugees to survive and thrive. Separately, we all tend to focus on the biggest, most current, refugee crises (and there are many!). Yet children should also hear refugee stories from around the world and through history. What do these journeys have in common? What makes them unique? What can we learn?
Named a best picture book of 2020 by Kirkus, School Library Journal, Booklist, New York Public Library, the Globe and Mail, CBC, and the Bulletin of the Center for Children’s Books ― a heartfelt and personal immigration story by critically acclaimed author Thao Lam
New from Thao Lam, the award-winning author of picture books My Cat Looks Like My Dad, Wallpaper, and Skunk on a String, comes a personal story inspired by her family’s refugee journey.
In The Paper Boat, Thao’s signature collage art tells the wordless story of one family’s escape from Vietnam―a journey intertwined with an ant colony’s…
I’m pretty sure I’m about to die in space. And I just turned twelve and a half.
Blast off with the four winners of the StellarKid Project on a trip to the International Space Station and then to the Gateway outpost orbiting the Moon! It’s a dream come true until…
I’m a journalist in Edmonton, Canada, who covered former premier Jason Kenney’s rise through Alberta politics, in which he tapped into the populist zeitgeist of Donald Trump and Brexit, and his eventual implosion. I have a newsletter on Substack, "The Orchard," where I cover the intersection of politics, the media, and corporate power. Through my journalism, I’ve developed a keen interest in this age of mass discontent we find ourselves in, with right-wing political and economic elites promising to blow up the entire system they embody while feckless liberal politicians seek to tinker around the edges to make the established order more palatable.
Borders are far more than mere demarcations of territory, argues Canadian academic and activist Harsha Walia in a book I greatly appreciated for connecting seemingly disparate phenomena into a cohesive takedown of the modern state and its service of corporate power.
The conventional wisdom that corporate globalization eliminates national boundaries is only true, Walia explains, for an increasingly mobile global ruling class. For a global underclass of migrant labourers and asylum seekers, borders are increasingly entrenched, segregating newcomers as a source of cheap labour from the working class and fuelling the exploitation of both.
Walia describes how this segmentation undermines labour standards for all and fuels a xenophobic backlash against the depredations of global capitalism.
In Border and Rule, one of North America's foremost thinkers and immigrant rights organizers delivers an unflinching examination of migration as a pillar of global governance and gendered racial class formation.
Harsha Walia disrupts easy explanations for the migrant and refugee crises, instead showing them to be the inevitable outcomes of conquest, capitalist globalization, and climate change generating mass dispossession worldwide. Border and Rule explores a number of seemingly disparate global geographies with shared logics of border rule that displace, immobilize, criminalize, exploit, and expel migrants and refugees. With her keen ability to connect the dots, Walia demonstrates how borders…
In 2010, I met a Somali refugee in Cape Town. His name was Asad Abdullahi. He told the tale of his life with a richness bordering on genius and I was hooked. I spent the next two years tracing his childhood footsteps through the Horn of Africa, looking for anyone and everyone he had encountered. In the course of writing a book about him, I read countless other books about exile, migration, and human beings on the move. My five recommendations are among the books that helped me imagine the experience of exile best.
My mother read this book to me over the course of several weekday afternoons. I was nine, maybe ten. The book’s protagonist, David, is a boy who escapes from a concentration camp somewhere in Eastern Europe and walks to Denmark in search of his mother. Lying next to my own mother, on her bed, listening to her voice, cocooned by her love, I identified so very powerfully with this unrooted, solitary, questing boy. It stirred me more than anything else I read as a child. There is something in a refugee’s tale that is so primal, so hard to shake off. There but by the grace of God go I, I thought, every time my mother opened the book to read some more.
This is the story of a young boy's journey through Europe after escaping from the camp where he has lived all his life. Faced with a host of new experiences, David gradually begins to understand the world around him.
My biggest aim as a writer is for my reader to feel something. It could be on a page where they are fighting back the tears or at the end of a chapter where they are gasping at an unexpected plot twist. I think we can sometimes forget how powerful children’s books can be – yes, they can make you cry, laugh, gasp and feel scared! Here are some of my favorites that will make you have all the feelings.
Nine-year-old Ahmet, a Syrian refugee, has arrived in Mrs. Khan’s classroom after fleeing the horrors of war. One of the things that is so striking about this book is how the children in the story have far more understanding than most adults. It is both funny and heartfelt and is a masterclass in teaching empathy – for the young and the old.
WINNER OF THE BLUE PETER BOOK AWARD 2019 WINNER OF THE WATERSTONES CHILDREN'S BOOK PRIZE 2019 SHORTLISTED FOR THE JHALAK PRIZE 2019
Told with heart and humour, The Boy at the Back of the Class is a child's perspective on the refugee crisis, highlighting the importance of friendship and kindness in a world that doesn't always make sense.
There used to be an empty chair at the back of my class, but now a new boy called Ahmet is sitting in it.
He's nine years old (just like me), but he's very strange. He…
In a world ravaged by an inexplicable plague, society lies in ruins. Amidst the desolation, a lone survivor perseveres in a secluded state park along the Delaware Coast. Over a year has passed since she lost everything, yet as the sanctuary she’s carved for herself begins to crumble, she must…
My family and I were among those prioritized for admission to the United States during the Cold War—a migration I discussed in my first book, Havana, USA. Not all who seek refuge are as fortunate, however. Less than one percent of refugees worldwide are ever resettled in the top resettlement nations like the United States. My scholarship examines how US refugee policy has evolved in response to humanitarian, domestic, and foreign policy concerns and agendas.
The United States was conceived as a place of refuge, and the nation has accommodated many different types of refugees since its founding. Despite these ideological origins, a distinct and permanent track for refugee admissions within the immigration bureaucracy was not institutionalized until the Cold War.
Bon Tempo examines the reasons why this distinct track emerged during the late 1940s, how the track evolved over the next forty years, and how the track was used to accommodate millions of people fleeing communism during the Cold War. By the end of the Cold War, US refugee policy had become intertwined with Cold War foreign policy, and the term “refugee” had become synonymous with anti-communism.
Unlike the 1930s, when the United States tragically failed to open its doors to Europeans fleeing Nazism, the country admitted over three million refugees during the Cold War. This dramatic reversal gave rise to intense political and cultural battles, pitting refugee advocates against determined opponents who at times successfully slowed admissions. The first comprehensive historical exploration of American refugee affairs from the midcentury to the present, Americans at the Gate explores the reasons behind the remarkable changes to American refugee policy, laws, and programs. Carl Bon Tempo looks at the Hungarian, Cuban, and Indochinese refugee crises, and he examines major…