Love The Girl at the Back of the Bus? Readers share 100 books like The Girl at the Back of the Bus...

Christine has a brain injury, which causes her memories to degrade every time she sleeps. She wakes up every morning as a blank slate, and her devoted husband explains who she is and then helps her get through the day. Unbeknownst to him, she starts keeping a journal—and soon realizes that his story about how she was injured is a little different each time.

I'm never in the mood for a thriller with a big twist in the penultimate chapter. I always want one with a big twist at the end of every chapter, and this book absolutely delivers. Is the husband a good guy or a bad guy? I changed my mind a dozen times over the course of this book, expertly manipulated by the author. I read the whole thing aloud to my wife on a long drive, and the time went by in a blink.

This is the first of a three-book series. If you’re like me, you may as well take advantage of any discount for the entire series. After starting this book, I wanted to read them all. I loved the formula of the plot. It drew me into the characters, leading me to an opinion about their standing—among the good people or the villains, only to pull the rug out from under me, crashing everything I thought about everyone up to that moment. Nothing was what it seemed. 

But wait! Mystery loomed until the last page. The final twist was like the clip I usually wait for at the end of an action movie, the one that comes after all the credits. Except, in this book, I never had time for boredom. Not even to catch my breath.

I love stories of adventure set in alternative magical worlds and was enchanted by this one. The world building is incredible with a wealth of interesting characters and a riveting plot. The writing is so beautiful and evocative it sang from the pages.

The protagonist of the story is Zarya who has been trained to fight but forbidden to use her magic by her guardian, who has kept her a virtual prisoner by a magical force that won’t allow her to venture far. One day she breaks free and goes in search of the truth of her past and is swept into an adventure with demons, dark magic and romance.

A real escapist read inspired by Indian mythology and culture. It’s the first of a quartet so I can’t wait to read the rest.

I love reading about characters and relationships, and Sue is a master at writing about relatable characters that have depth and a back story.

The story is centred around a bunch of long-lost love letters that Raff brings to Maddy’s Great Aunt Ruthie, who has poor eyesight. As Maddy reads the letters to her bit by bit, Maddy discovers a big secret. Maddy has her own heartbreak, a husband who disappeared years ago when she was pregnant leaving her to bring up their daughter alone.

It’s a heartwarming story with lots of love and laughter that I really connected to.

Whew–this family took me through some changes! This was my first novel by Sunny Hostin, which lived up to all the hype.

First of all, Martha’s Vineyard. The setting alone is intriguing because of the history of the elite Black inhabitants of the land. Secondly, I knew some secret would come out when these three goddaughters were called to the property for one last summer together.

The setting and plot alone had me hooked from the beginning, and I kept reading to learn more about each character’s pain and promise. 

Can I “love” a book when it is so painful to read? I do, though, in the way of admiration for the compelling writing on one of the most depraved outcomes of racism: lynchings. Even worse, Branan’s own ancestors turned out to be involved. This 1912 lynching was of four Black people, including one woman, all of whom were involved in trying to protect a young Black girl against predation by a white man, another of the author’s relatives.

All this occurred in a rough moonshine-making area of Georgia. Growing up in Birmingham, I never knew there were places in the South where white men used their power to openly keep Black women and the children they had together in second homes. That didn’t mean, of course, that the men weren’t racist.

When it comes to Constance Greene, I hardly know where to begin.

She’s certainly the oldest and most deadly character in fiction writing today. I say she’s the oldest because she’s trapped in the body of a thirty-something-year-old woman even though she was born in 1873, long story.

She appears as a supporting character in multiple novels, as the love interest of Detective Aloysius Pendergast, but she is so much more than that. She’s eloquent, brilliant, and does not succumb to emotional distress under any threat of death.

In Blue Labyrinth, eight highly trained mercenaries pursue her and none of them live to tell the tale. At her most ruthless, she can kill with any tool at her disposal and she is loyal to the man she loves.

I love that this book takes a hard look at the perils, reality, and consequences of embracing truth.

It doesn’t sugar-coat the different attitudes and reactions of family members when Annie, with 3 adult children and 27 years of marriage, falls in love with Vivica. The aftermath of the seismic family upheaval reveals dark secrets about legacy, abuse, racial discrimination, revenge, class, and forgiveness.

For me reading this book was cutting edge because it was published not long after same-sex marriage was first made legal in the U.S., in Connecticut.

A bonus is that despite the family’s legacy of trauma the story ends on a note of love and hope.

I loved the book because of my deep interest in its theme: the radicalization of Muslim youth in Europe. It’s a convincing account of a young Londoner getting drawn to ISIS, which upends a family already mired in tragedy.

The key characters shine in their own narrative, and their respective truths speak to me. I also loved that the writer gives us a snapshot of the lives of the ISIS recruits living in Syria.   

I believe Edgar Allan Poe’s stories are ripe for retelling. Poe was constrained by his own aesthetics (he was not fond of longer works), so his short fiction always hinted at larger worlds just beyond the page.

T. Kingfisher gives us one such world behind The Fall of the House of Usher and fills out the story of haunted siblings Roderick and Madeline Usher. I love that Kingfisher, like Poe, knows the names of flowers and fauna, and her book is saturated with trees, flowers, rabbits, and, oh yes, mushrooms. I hunt for mushrooms myself, so I loved this particular element.

The voice of this novel is also key to its success, so I recommend the audiobook as well. It’s a bit campier with the accents, but it adds to the fun.