Fans pick 100 books like The End of Vandalism

This list could be full of Toni Morrison novels and be no worse for it.

I’d argue that the late writer is the finest we’ve ever had on the topics of grief, loss, and ancestry—especially from the Black American perspective. One of my favorite examples is Song of Solomon, a mesmerizing journey through what it takes to craft an identity in the midst of racism and the ruptures it creates in our lives.

Morrison's singular prose is pure magic as it weaves a tale of the enduring power of love. A literary masterpiece.

Imagine waking up one morning to find brown, evil-smelling water flowing from your taps. This is what happened in Flint, Michigan, one morning in 2014. Some people blamed the residents of Flint for the debacle, but the city manager made the arbitrary decision to tap into the Flint River to save money. It's ironic that within a week, GM hooked themselves back up to the Detroit waterline as the untreated water was ruining their equipment. 

The story follows two families through generations, converging in the present. I found the flashback to the sit-down strike in 1936 at GM in Flint (Chevy in the Hole) especially interesting. It was the beginning of a strong UAW. 

The main characters, who are determined to coax life back into a city everyone else has given up on, are flawed, thus likeable and real. Gus, newly committed to sobriety, and Monae, an urban farmer, seem… show more.

Toews is a Canadian writer, not Midwestern, but I’m from Michigan and we tend to lump Canada in with us whenever possible. My list, my rules. The book takes place in the adorable town of Algren with heroine Knute and her daughter Summer Feelin’ as well as a cast of other quirky lovable small-town characters. Toews has the ability to write sweet and funny small-town stories without pandering to stereotypical character tropes. Whenever I think of this book, I think of the peaceful feeling it gave me one summer, reading on my porch steps or leaned over my grocery cart in line for checkout, whenever I had two free minutes to read. Toews later fiction is quite a bit darker and she does that well too, but I always love to sink into her earlier works when I want something feel-good.

A mix of coming of age in the first half of the twentieth century, and Bradbury’s peculiar brand of very earthly oddness and sci-fi strangeness, Dandelion Wine is full of all sorts of magic. It reminds you of what it is to be a small human again, when everything seems possible, and aliens and monsters are as likely (and as important) as long summer days spent outside, barefoot and sunburnt and a little feral. Even when we don’t recognise the details of the childhood described, we remember the feeling, and it reawakens a sense of wonder that’s incredibly precious.

This is mom culture at its best: Wolitzer traces the members of a clique who drop their kids at pre-k and enjoy over the ensuing years the gravitational pull of parenting, school volunteering, and part-time work.

She explores familiar dilemmas about aging, career versus family, and female friendship, while offering a sometimes heartbreaking, but always realistic, look at the choices moms face as they watch their kids grow.

A Kirkus review aptly described this novel as “mysterious, bizarre, frustrating, weirdly smart and pretty cool”. 

It’s mostly a fiercely intelligent exploration of both political and personal crises in 2017, the year of Trump and Brexit. Radical feminist Kathy has also fairly inexplicably agreed to get married. Pre-wedding she travels to a resort in Italy with her fiancé where she tumbles through a range of highly-emotive stances on intimacy and closeness.

After an argument about prosciutto and fig ciabattas with her husband “she hated him, she hated any kind of warmth or dependency, she wanted to take up residence as an ice cube in a long glass of aqua frizzante.”  Her fury quickly dissolves “anyway they sorted it out” and the novel travels brilliantly onwards.

Developing alongside Afi Tekple through this book was like spending time with an inspirational cousin.

Despite being in my mid-thirties, I frequently feel like I’m just beginning to shake off external expectations and live my own life. Unlike Afi, my scenarios don’t involve marrying a man I’ve never met for the sake of my family. But constantly striving to “do the right thing” – as defined by others – has been an emotional burden.

I loved this sensitively written, funny, sensual portrayal of a woman locating her own inner compass. It helped me believe that speaking up for the contours of my existence – and even disappointing a few people along the way – is healthy. Inevitably, some things are lost as a result. But there’s also much to be gained.

I found this book hysterically funny, and the dialogue more imaginative than any book I’ve ever read. The characters are without equal in terms of their originality, including the children of Jack and Babette Gladney.

The sheer number of meaningful topics this story covers is also without equal. The author’s observations are extremely keen. At its core, it is about the fear of death, though it is not a depressing story in any sense. It’s no wonder why it won the 1985 National Book Award.

Although published long ago, it is remarkable how easy it is to become involved in this book and be charmed by its main character, Tom.

Orphans abound in 18th and 19th-century fiction. What happens to him in an upper-class environment is inevitably unfair and hypocritical, so when he gets on the road—whether as a result of desire or force—the fun truly begins.

Tom says at the beginning that his tale has the purpose of understanding “human nature”, and after spending time with him on his adventures, from the estate where he grows up to his romp in London, we have a sense of the good nature of human nature. Tom’s sense of life infuses his life on the road, offering a character to celebrate despite his flaws.

Eddy Bale becomes a crusader for children after the death of his own young son and decides to take a group of terminally ill children to Disneyland for a holiday. The antic hyperbolic tone of the narration is utterly at odds with the grave subject matter and the novel is as hilarious as it is heartbreaking.