Here are 100 books that The Electric Slide and Kai fans have personally recommended if you like
The Electric Slide and Kai.
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I write to spread joy and truth. As a proud Black mother living in a country with school districts that see Black stories as threats worth banning, amplifying these stories is crucial to the fight to help humanize us and retain the privilege of celebration and joy. When I wrote The Juneteenth Story, it was rooted in a conscious effort to balance my own joyous summertime memories of celebrating the holiday with the hard truths that established and evolved this holiday. This list includes a small sample of books about some of the many ways Black folks celebrate - enjoy.
This is absolutely a new classic - an award-winning coming-of-age story about the Sunday a soul food cooking grandmother finally opens up her culinary secrets to the next generation. Winsome Bingham’s vivid language is perfectly matched with C.G. Esperanza’s electric illustrations. I also appreciate the tiny details like the uncle who watches the football game on an itty bitty TV. Brings me back (kids will never understand that pre-smartphone life!) And apparently, the mac n’ cheese recipe is on point, so don’t miss that.
Granny teaches her grandson to cook the family meal in this loving celebration of food, traditions, and gathering together at the table
On Sundays, everyone gathers at Granny's for Soul Food.
But today, I don't go to the backyard or the great room.
I follow Granny instead.
"You're a big boy now," Granny says. "Time for you to learn."
At Granny's, Sunday isn't Sunday without a big family gathering over a lovingly prepared meal. Old enough now, our narrator is finally invited to help cook the dishes for the first time: He joins Granny in grating the cheese, cleaning the…
I write to spread joy and truth. As a proud Black mother living in a country with school districts that see Black stories as threats worth banning, amplifying these stories is crucial to the fight to help humanize us and retain the privilege of celebration and joy. When I wrote The Juneteenth Story, it was rooted in a conscious effort to balance my own joyous summertime memories of celebrating the holiday with the hard truths that established and evolved this holiday. This list includes a small sample of books about some of the many ways Black folks celebrate - enjoy.
You can’t read this book and not smile! This fun, rhythmic read by the lyrical Tameka Fryer Brown celebrates the bonds of a diverse urban community on Neighbors’ Day, and reminds us of the big and small ways neighbors show up for each other. Charlotte Riley-Webb‘s paintings swirl with energy to give a new dimension to Brown’s words.
A little girl celebrates "Neighbors Day" by taking a tour of her urban/Carribbean neighborhood--kids play double-dutch and run after the ice cream man, men debate at the barbershop and play chess, Aunties cook up oxtail stew and other ethnic delicacies, boys play basketball, and jazz floats through the streets. A charming, rhythmic picture book with multi-cultural appeal by a first-time author.
I write to spread joy and truth. As a proud Black mother living in a country with school districts that see Black stories as threats worth banning, amplifying these stories is crucial to the fight to help humanize us and retain the privilege of celebration and joy. When I wrote The Juneteenth Story, it was rooted in a conscious effort to balance my own joyous summertime memories of celebrating the holiday with the hard truths that established and evolved this holiday. This list includes a small sample of books about some of the many ways Black folks celebrate - enjoy.
Written by a father and son duo, Family Reunionstarts with a boy’s reluctance to join a family reunion and ends with him having a change of heart after bonding with a cross-generational group of relatives. Personally, the mini-scenarios throughout the book were so relatable, it made me wonder if the Richardsons were at one of my family reunions! Ashleigh Corrin’s bright cheerful illustrations seal the deal.
In this contemporary #OwnVoices tale, a boy is reluctant to go to his family reunion, which he's sure will be boring. Vivid, poetic language and rich illustrations bring readers along for the boy's emotional journey, as he ultimately finds himself enjoying the large and joyous gathering in spite of himself. This modern kid's-eye view depiction of a Black American extended family celebrates the importance of kinship and intergenerational ties.
I’m a Minnesota-based children’s writer focusing on a mix of books for kids ages baby to teen. I love writing stories as well as nonfiction books focused on Social-Emotional Learning (SEL). After more than 25 years spent writing for a young audience, I started thinking about how I may be old but don’t necessarily feel old. An image came to mind: a rusty, dusty old tricycle. How might “Trike” feel if a happy, snappy new bike were to appear in the garage? Bike & Trike is the story that arose, one about old vs. new and a daring challenge to determine which bike will be the winner on wheels.
Learning to ride a bike is no easy feat, so it helps when your encouraging dad is along for the inaugural ride.
This warm story of father-daughter bonding celebrates a bike-riding milestone and the feeling of freedom that comes from an afternoon spent outside on wheels. The story is lyrical and upbeat, with a whiff of nostalgia.
Learning to ride is no easy feat! But with a little courage, a guiding hand from her dad, and an enthusiastic bark from her pup, one brave girl quickly learns the freedom that comes from an afternoon spent outside on a bike.
Experience the fear, the anticipation, and the delight of achieving the ultimate milestone in this energetic, warm story that celebrates the precious bond between parent and child.
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
Josie wants to dance at next summer’s powwow. But she needs nearly everyone in her family to help make this possible. As Josie’s story unfolds we are introduced to the special people in her family. We learn of their love, their kindness, and their special talents. We are also introduced to the beautiful connections to many parts of our natural world.
Josie dreams of dancing at next summer's powwow. But first she needs many special things: a dress, a shawl, a cape, leggings, moccasins, and, perhaps most important of all, her spirit name. To gather all these essential pieces, she calls on her mom, her aunty, her kookum, and Grandma Greatwalker. They have the skills to prepare Josie for her powwow debut.
As the months go by, Josie practices her dance steps while Mom stitches, Aunty and Kookum bead, and Grandma Greatwalker dreams Josie's spirit name. Josie is nervous about her performance in the arena and about all the pieces falling…
I am a philologist with a passion for Atlantic cultural history. What started with a research project on the African-American Pinkster tradition and the African community in seventeenth-century Dutch Manhattan led me to New Orleans’ Congo Square and has meanwhile expanded to the African Atlantic islands, the Caribbean, and Latin America. With fluency in several foreign languages, I have tried to demonstrate in my publications that we can achieve a better understanding of Black cultural and religious identity formation in the Americas by adopting a multilingual and Atlantic perspective.
In this fascinating study, Chasteen examines the historical experiences that molded Latin American popular dance from an Atlantic perspective. It delves into the “deep” history of Latin American culture and analyzes the development of dancing culture in its socio-historical context. This is not only a well-researched, but also a well written and oftentimes funny book that is broadly accessible. It is a must-read for any new scholar interested in the field of Black performance culture. Although the focus is on Latin America, Chasteen’s study reveals connections that are also of great importance to understanding the historical development of Black dance culture in North America.
When John Charles Chasteen learned that Simon Bolivar, the Liberator, danced on a banquet table to celebrate Latin American independence in 1824, he tried to visualise the scene. How, he wondered, did the Liberator dance? Did he bounce stiffly in his dress uniform? Or did he move his hips? In other words, how high had African dance influences reached in Latin American societies? A vast social gap separated Bolivar from people of African descent; however, Chasteen's research shows that popular culture could bridge the gap. Fast-paced and often funny, this book explores the history of Latin American popular dance before…
I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research.
Erotic Triangles returns to a part of the world I know well, though the topic is alien to my own natural resource emphasis. Yet I found it fascinating for its symbolic analyses of West Java’s musical and art worlds – intertwined intimately with the relations between men and women and among men. Its emphasis on triangles was the inspiration for me to structure my own analyses as a harp (another ‘triangle’), within which the strings signify traits that men value in a given culture. Spiller’s analysis inspired my own analogy between the creation of harp music and the clusters of values that influence men’s identities, their personal and cultural ‘songs.’
In West Java, Indonesia, all it takes is a woman's voice and a drumbeat to make a man get up and dance. Every day, men there - be they students, pedicab drivers, civil servants, or businessmen - breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In "Erotic Triangles", Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that…
I specialize in writing Young Adult Fiction with an emphasis on the Romance genre, and my debut novel, Kismat Connection, releases from Inkyard Press and HarperCollins in Summer 2023. Growing up as an Indian American, I remember searching for bits and pieces of my identity in the media. Most of the time, I wouldn’t find any representation at all—so it wasn’t long before I decided that if I couldn’t find the representation that I so desperately wanted to see, I’d have to make it myself. Kismat Connection was born from this moment in my life, and it will forever serve as the foundation for my career in publishing.
This is a young adult romance novel featuring Radha Chopra, a world-renowned Kathak dancer, who gives up her love of dance when a family betrayal comes to light. Radha is instantly a protagonist to root for, a strong, independent, and fierce Indian woman that we so rarely see in contemporary Western media. Nisha Sharma champions such genuine desi representation in this story, and it is absolutely a must-read for all—but especially for passionate and creative Indian American teenagers.
Radha was on the verge of winning the world's biggest kathak dancing competition when a family betrayal shattered her dreams, and her confidence. Now, she's made a deal with her mum: study dance for a year at the Princeton Academy of Arts and Sciences and then leave that world forever. But if she's not a dancer, what is she? Could learning to cook - a way to connect with her absent father - become her new passion?
Jai, captain of the academy's Bollywood Beats dance team, is putting his hopes of going to medical school on hold because money is…
The most important words of advice my incisive editor at Knopf, Victoria Wilson, gave me while I was laboring upon my biography of Martha Graham – coming out in October, you can pre-order it now – was to say that “she was not a goddess, and you don’t want to worship her.” Yes, I had the nerve to take on this formidable and forbidding figure as a result of bearing witness to her anti-War masterwork, Chronicle, on a winter evening fourteen years ago. Yes, I believed that modern dance was the missing link in my long exploration of American modernism. And yes, I believe that I have proven my point, painting Martha Graham’s portrait as a person – rather than an icon.
I am sure many of you already know this visionary philosopher from his ground-breaking The Hero With a Thousand Faces. You may not be aware that Campbell was married to Jean Erdman, one of Martha Graham’s principal dancers in the ‘30s and ‘40s. Campbell’s initiations to modern dance came at Sarah Lawrence College when witnessing Erdman as Graham’s student; and then at Bennington, where Erdman performed with Graham’s company. His own learned background in the archetypal ethos of C.G. Jung made Campbell a prime candidate for Graham’s deeply-digging, Nietzschean/ecstatic archaic/abstract movement vocabulary. The choreographer and the professor spoke the same kinaesthetic language, Erdman remembered. There were many late nights when “Martha would call Joe on the phone” with some arcane question about her mythographic pieces in progress – Night Journey and Errand into the Maze. Many of Campbell’s essays in this book were first published in Dance Observer…
Joseph Campbell’s collected writings on dance and art, edited and introduced by Nancy Allison, CMA, the founder of Jean Erdman Dance, and including Campbell’s unpublished manuscript “Mythology and Form in the Performing and Visual Arts,” the book he was working on when he died.
Dance was one of mythologist Joseph Campbell’s wide-ranging passions. His wife, Jean Erdman, was a leading figure in modern dance who worked with Martha Graham and had Merce Cunningham in her first company. When Campbell retired from teaching in 1972, he and Erdman formed the Theater of the Open Eye, where for nearly fifteen years they…
I have written poetry since I was a little boy. Rhyme came naturally to me, and I found it to be a world to escape to. This led me to songwriting and touring in bands, and it grew into my vocation as a jingle writer in Australia. Eventually, I wrote the jingle that won the World’s Best Jingle award in Hollywood, and this, in part, inspired me to move to New York City from Australia. The other driving force was getting my first book, How To Steal From Banks—an autobiography—published in America. Writing and rhyming are deeply embedded in my soul and cells.
I found this wonderful book later in life. Actually, I literally found it lying on the street—probably dropped from a stroller.
The rhyming is so beautifully supported by the illustrations of dancing animals that it overwhelmingly makes it a compelling page-turner. Giraffes Can’t Dance immediately connects me to my inner child, and he can dance like a monkey.
Gerald was a tall giraffe whose neck was long and slim, But his knees were awfully bandy and his legs were rather thin . . .
Gerald the giraffe longs to go to the great Jungle Dance, but how can he join in when he doesn't know how to tango or two-step? Everyone knows that giraffes can't dance . . . or can they?
A funny, touching and triumphant story about being yourself and finding your own tune, with joyful illustrations from Guy Parker Rees. This chunky board book edition is perfect for little hands.
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