96 books like The Collected Poetry of William Butler Yeats

I am recommending George Eliot’s novel (published in parts 1871-72) because I believe it is as good as any of the great Russian novels and probably the best novel written in English. Eliot (real name Mary Ann Evans) was herself a revolutionary person. In 19th century England, she worked as an independent woman, lived with a married man (she eventually married him), and later married a man a lot younger than herself. Her novel is set in the early part of the 19th century when the aftereffects of the French Revolution were strongly felt in England, and there was even fear of revolution among the English aristocracy. The 1832 parliamentary reforms gave political power to the new middle class, and change was underway. Middlemarch is a fictional town, where the banker, mayor, and other middle-class professionals are rising in influence.

At the center of the novel is a medical doctor… show more.

Dickens was a great intuitive psychologist, and The Tale of Two Cities shows some brilliant insights into human behavior during and after revolutions. The wonderful dreams of French society being built on justice and fairness came crashing down after the revolution. This is because people driven by opportunism and pathological hatred took over society. These ‘revolutionaries’ had an intense desire for vengeance and violent retribution–as well as gaining power for themselves. 

This is a feature of revolutions that we see again and again after the collapse of the old regime: unprincipled opportunists jumping to power. The direction of change becomes more radical. Inevitably, a lot of innocent people became victims during this post-revolution period, as did many innocent French people during what became known as the period of ‘Terror,’ when the guillotine rapidly killed thousands and thousands.

Dickens shows that in this terrifying post-revolution period, some individuals make great sacrifices… show more.

I include Robert Putnam’s book because, in a sense, it is about continuity rather than change, so it is about how things stay the same in some ways rather than revolutions that change things. What I particularly like about this book is Putnam’s discussion of inheritance, which he sees as being about far more than monetary wealth. Inheritance includes all the social networks, friends, connections, social knowledge, and everything else of value that your family passes on to you. Many inherited things are intangibles–like what you learn while sitting around as a child with your family, listening to grown-ups speak. 

Because inheritance is so vast, kids who are ‘poor’ are not just poor materially; they are poor because they lack the vast social knowledge and informal networks that rich kids inherit. This makes it far more difficult for poor kids to move up and make a success of themselves–so there… show more.

I am deeply passionate about Tolstoy’s novel War and Peace because I find that when I re-read it, I can always learn profound new lessons about human behavior. The setting of War and Peace is Russia in the period before, during, and after the Napoleonic Wars–roughly the end of the eighteenth century and the beginning of the nineteenth century. Both directly and indirectly, Tolstoy is dealing with the question of what happens after great revolutions.

France has experienced its great revolution and is now ruled by Emperor Napoleon. The talk is of spreading ‘revolutionary justice’ to the rest of Europe (and the world). In practice, Napoleon is making his own family members monarchs–the revolutionaries are the new aristocracy. Russia also experienced a kind of revolution because the French army's invasion of Mother Russia turned the Russian world upside down.

After invading Russia and capturing Moscow, the French military found themselves… show more.

I spent eighteen years writing the authorized biography of W.B. Yeats, and he haunts me still.

Though his poetry is world-famous, his autobiographies are less well known; yet they illuminate like nothing else the experience of living between Ireland and England and the contrast between a childhood in late-Victorian County Sligo and coming of age in the artistic circles of fin-de-siecle London.

At the end of his life, Yeats reflected on the tension between his Irish background and English conditioning and the contradictory feelings they inspired, writing, "My hatred tortures me with love, my love with hate." Elsewhere, he wrote that poetry comes out of "the struggle with ourselves," and his autobiographies show this to mesmerizing effect.

This play conveys the inner world of nationalism in both its romance and fanaticism.

Yeats’s play became a cult for young revolutionary nationalists in celebrating blood sacrifice for the nation. A young man joins an uprising on the eve of his wedding after meeting an old woman, Cathleen ni Houlihan (a folk name for Ireland), who pleads for his help to recover her green fields. By his sacrifice, Cathleen is transformed into a beautiful young woman with "the face of a queen." 

Yeats later agonised over this play and developed a more ambivalent attitude to nationalism. When young nationalists staged a sacrificial rebellion in 1916, he warned in his poem "Easter 1916" that "Too long a sacrifice can make a stone of the heart." He asked in a later poem, "Did that play of mine send out / Certain men the English shot?" 

The War Poets is a powerful and moving collection that, despite being about fighting and dying, somehow managed to teach and inspire me. For certain, it made me stop and think deeply about life, choices, and consequences. This little book shows the hearts and minds of soldier poets who went to war, and the ultimate self-discoveries they achieved. For such a small book, The War Poets tackles a big topic and goes deep beneath the surface. At times in my life, I have struggled to simply accept, and this collection of raw and honest verse has helped me push on through to the other side.

Yeats, a mystic poet, travelled across Ireland in the late 1800s and early 1900s, asking country people if they’d ever seen fairies and taking down their stories. “I believe when I am in the mood that all nature is full of people whom we cannot see,” he wrote in an earlier book, The Celtic Twilight. “Even when I was a boy I could never walk in a wood without feeling that at any moment I might find before me somebody or something I had long looked for without knowing….” Yates believed the songs and stories "handed down among the cottages” were “Folk art [which]… because it has gathered into itself the simplest and most unforgettable thoughts of the generations… is the soil where all great art is rooted.”  His own poetry bears this out. 

In the 1980s and 1990s, Keith Holyoak and I collaborated on a series of articles and books about analogy, which is the underpinning of complex metaphors. His new book is a delightfully insightful discussion of metaphors in poetry, drawing not only on his deep knowledge of cognitive psychology but also on his experience as a highly published poet. Through analysis of great poems by Walt Whitman, Emily Dickinson, and many others, he illuminates how metaphors contribute to beautiful poems and to creativity in general.  

This is a fascinating look at the perceptions of Irish mythology at different points throughout our history. There’s always a lot of fuss on the internet about fantasy writers who get our mythology “wrong”, but Mark Williams shows that the legends themselves and their themes have evolved constantly to reflect the concerns and mores of the times and of the storytellers themselves. Ireland’s Immortals is almost an academic proof of the thesis laid out in Robert Holdstock’s brilliant novel, Mythago Wood, which -- it goes without saying -- I also highly recommend.