Here are 100 books that Tales of Horror and the Supernatural fans have personally recommended if you like
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When I was a child, my father and older brother read Walt Disney’s Uncle Scrooge comic books. I received them as hand-me-downs and was enchanted by the astonishing adventures of Uncle Scrooge McDuck and his nephews. These illustrated tales of lost civilizations touched a special chord in me that transcended mere enjoyment. Later, I learned that Scrooge’s creator was Carl Barks, a comic artist who was heavily inspired by H. Rider Haggard. It is now clear that Carl Barks inculcated in me, when I was eight years old, my Victorian/Edwardian adventure literary tastes. But it was twenty years later that my literary tastes finally became dedicated to turn-of-the-19th-century literary styles and themes.
When I was 28 I chanced upon H. Rider Haggard’s book when it was republished by Ballantine’s iconic Adult Fantasy Series. The story is about Leonard Outram, who, in an attempt to restore his family's fortune, commits to a perilous journey to Africa, where he discovers a lost city and is tempted by its treasures.
This was my first encounter with Haggard, and it affected me deeply; there was a mysterious something permeating that novel that I found refreshing and illuminating. It seemed to me that the story did not come alive due to characterizations or plot developments so much as it did to turnings of fate. I collected all 68 of his books. Thereafter, 80 percent of all my own writing has emulated Rider Haggard.
The People of the Mist is a classic lost race fantasy novel written by H. Rider Haggard. It is the tale of a British adventurer seeking wealth in the wilds of Africa, finding romance, and discovering a lost race and its monstrous god.
When I was a child, my father and older brother read Walt Disney’s Uncle Scrooge comic books. I received them as hand-me-downs and was enchanted by the astonishing adventures of Uncle Scrooge McDuck and his nephews. These illustrated tales of lost civilizations touched a special chord in me that transcended mere enjoyment. Later, I learned that Scrooge’s creator was Carl Barks, a comic artist who was heavily inspired by H. Rider Haggard. It is now clear that Carl Barks inculcated in me, when I was eight years old, my Victorian/Edwardian adventure literary tastes. But it was twenty years later that my literary tastes finally became dedicated to turn-of-the-19th-century literary styles and themes.
When I read the novel, I was amazed because it was difficult for me to get my head around the idea that the tale was virtually perfect and that it was created by a mere human being.
The story follows David Fairchild, a young antiquary studying ancient manuscripts at Cambridge. Central to the novel is the obscure Cambridge library, where the mysterious Westchurch manuscripts are preserved and sequestered away from the world at large.
I found this book both wildly entertaining and wildly thought-provoking about the mechanics of the universe, the persistence of spirits, and the drama inherent in cosmic astronomy. Thereafter, I recommended the book for 40 years. This epigraph describes the book perfectly: There was logic and coherence enough in the whole affair to persuade me that what I'd stumbled onto—of all the preposterous perils of scholarship!—was a haunted manuscript.
American scholar and lettered medievalist, David Fairchild, swings a plum sabbatical at Cambridge University, where he is given full access to a rare manuscript written by a mad monk of shameful repute—Geoffrey Gervaise. The Westchurch Manuscript has lain neglected in the University vaults for centuries . . . or has it? A shadowy nefarious cabal has had an interest in the manuscript for a very long time and sharpens its claws anytime anyone probes its secrets. Expecting a pleasant year pursuing his passion for medieval literature, Fairchild quickly finds himself entangled in the centuries old curse that surrounds the manuscript…
When I was a child, my father and older brother read Walt Disney’s Uncle Scrooge comic books. I received them as hand-me-downs and was enchanted by the astonishing adventures of Uncle Scrooge McDuck and his nephews. These illustrated tales of lost civilizations touched a special chord in me that transcended mere enjoyment. Later, I learned that Scrooge’s creator was Carl Barks, a comic artist who was heavily inspired by H. Rider Haggard. It is now clear that Carl Barks inculcated in me, when I was eight years old, my Victorian/Edwardian adventure literary tastes. But it was twenty years later that my literary tastes finally became dedicated to turn-of-the-19th-century literary styles and themes.
I flat-out love Michael Crichton’s 1980 jungle-adventure novel Congo, which uses for inspiration H. Rider Haggard’s 1885 breakout adventure King Solomon’s Mines, the protagonist of which is hunter/trader Allan Quatermain. King Solomon’s Mines was about seeking diamonds in central Africa, as is Congo.
The main character in the book is Karen Ross who is asked by her high-tech company to learn why the previous diamond-seeking expedition vanished. Beyond that, the book perfectly exemplifies the technical thriller Crichton invented in the 1960s with Andromeda Strain, written on two levels at once, the action and adventure layer meshing seamlessly with the layer explaining the world’s most up-to-the-minute sophisticated technology.
Note that the last sentence of Congo reads: “The projected intersection point now marked a field of black quatermain lava with an average depth of eight hundred meters.” The name “Quatermain” is sufficiently close to the geological term “quaternary”…
The search for diamonds, a crucial scientific breakthrough and a mythical ruined city set off this adventure into the heart of the Congolese jungle.
The American expedition is led by Karen Ross, desperate to find her husband and recover the data he found before he disappeared. But there are other teams trying to get there first, and the way is strewn with life-threatening dangers -- plane crashes, civil wars and a dormant volcano awoken by dormant explosives.
In the tradition of Arthur Conan Doyle and H. Rider Haggard, Congo is a novel of high adventure from the master of the…
When I was a child, my father and older brother read Walt Disney’s Uncle Scrooge comic books. I received them as hand-me-downs and was enchanted by the astonishing adventures of Uncle Scrooge McDuck and his nephews. These illustrated tales of lost civilizations touched a special chord in me that transcended mere enjoyment. Later, I learned that Scrooge’s creator was Carl Barks, a comic artist who was heavily inspired by H. Rider Haggard. It is now clear that Carl Barks inculcated in me, when I was eight years old, my Victorian/Edwardian adventure literary tastes. But it was twenty years later that my literary tastes finally became dedicated to turn-of-the-19th-century literary styles and themes.
To my mind, this is the finest of all Christmas stories. Written by Seabury Quinn in 1938, it successfully combines two supremely different sorts of Christmas stories. One style is religious and involves the Nativity and the infant Jesus. The other type, of course, is tales of Santa Claus, often explaining his origin.
I cannot recall any fiction that combines these two motifs, a type of story that is sadly missing from our culture except for this book, which blends the true meaning of Christmas with the Santa Claus narrative and does it to perfection.
Charles Dicken's A Christmas Carol, for almost two centuries, has been the touchstone Christmas tale, successfully engendering joy and rebirth in countless readers and viewers. Yet, nowhere in that short novel is Jesus or his birth mentioned, no iconic Nativity moments or words mentioned at all. Quinn quite simply brought together the Nativity and…
Drawing upon the original Christian legends that coalesced over centuries into the familiar, jolly form of Saint Nicholas, pulp fiction pioneer Seabury Quinn weaves a spellbinding new origin for this most beloved of children’s icons in his classic novella Roads.“I have not tried to paint the portrait of a man, but merely to present a personality and hazard a guess as to the motivation that makes Santa Claus the wondrous figure he is — a figure who more than any other exemplifies the beauty of selflessness.” — Seabury Quinn
One of the reasons I wanted to write about and explore mental health was because I was always fascinated by how the mind works and how it can turn on you without provocation. How and why some people can power through dark times, while others struggle is a topic that, within the African American community, isn't frequently discussed. Often the advice given to someone about how to get through depression or anxiety is to pray or just dig deep and power through. It is the idea that because our ancestors suffered so much, those of us living in "easier" times should have nothing to be sad about that seems to prevent us from asking for help or getting therapy.
Lily’s mom has schizophrenia and Lily is terrified that she might get it too. Lily gets personally involved in a story at her newspaper internship about an abandoned elephant calf. Feeling a kinship with the elephant, Lily goes through extraordinary lengths to make sure the calf finds a safe home, while at the same time, realizing that she has begun to show signs of mental illness. Fischer combines mental illness, family, friendship, and animal welfare into a riveting, thought-provoking book. I loved how she showed the reader how a character can live with the early stages of schizophrenia without losing her sense of self and purpose.
"Nancy Richardson Fischer deserves high praise for her well-researched and endearing novel. Her imagination, craft, and effort has resulted in her writing a piece of fiction that is worthy of winning a prize. This really is an outstanding piece of fiction that cannot be recommended enough.” –New York Journal of Books
A Parade Most Anticipated Book of Fall 2018! A YA Books Central Buzzworthy Books of Fall 2018! A Publishers Lunch Fall Buzz Book!
Don’t miss one of the most heartwarming young adult novels of the year. Perfect for fans of Water for Elephants, Wonder and All the Bright Places,…
Long before I trained to be a clinical psychologist, I was drawn to questions about how the human mind works and what it means to suffer and to heal. Even now, after having digested countless academic papers and books on these subjects, I continue to gravitate toward fiction, memoir, and popular nonfiction that grapples with the complexities of mental illness and psychotherapy without the jargon and insularity of many professional texts. These are some of my favorites—I hope you find them as illuminating as I did.
When a friend first handed me her copy of Esmé Weijun Wang’s book, I imagined it would sit unread on my shelf for a long time. Given how much time I spend in my professional life working with people with severe mental illness, I assumed Wang’s personal account of her struggle to find a diagnosis and effective, compassionate treatment would be redundant for me.
I was so, so, so wrong. I read nearly the entire essay collection in one sitting—it is stunning, somehow scholarly and deeply personal at the same time. The book is required reading for anyone who wants to better understand one of the least understood diagnoses in the history of psychiatry.
An intimate, moving book written with the immediacy and directness of one who still struggles with the effects of mental and chronic illness, The Collected Schizophrenias cuts right to the core. Schizophrenia is not a single unifying diagnosis, and Esme Weijun Wang writes not just to her fellow members of the "collected schizophrenias" but to those who wish to understand it as well. Opening with the journey toward her diagnosis of schizoaffective disorder, Wang discusses the medical community's own disagreement about labels and procedures for diagnosing those with mental illness, and then follows an arc that examines the manifestations of…
I’d been writing for forty years before I could write about the biggest story in my life. My 25 non-fiction books about the American West—landscape, Native peoples, conservation—are a joy to research, photograph, and create. But I had unfinished emotional business: my mentally ill brother who left home when I was six, never to return. After everyone in my family was gone, it was finally safe. I began to recreate my brother’s life, reveling in research. I know how to do that. Opening myself emotionally to the heart of my family story took far longer. Empathy is a choice, and I’ve made my choice.
Robert Whitaker’s books inform my work. Both Mad in America and Anatomy of an Epidemic provided crucial policy background as I searched for my brother's personhood. Whitaker’s deep research and ferocious insistence that we rethink psychiatric care guided me into the world of mental illness, the history of treatment, and the controversy over forcing medication on unwilling people. I sympathize with Whitaker and the people who believe anti-psychotics make things worse. But I also meet many with diagnoses who believe in the mantra, “take your meds.” Best practices cannot be one-size (pill)-fits all. I end my own book by imagining the best possible world for mental health treatment—guided both by Whitaker and his most vehement critic, E. Fuller Torrey.
Schizophrenics in the United States currently fare worse than patients in the world's poorest countries. In Mad in America, medical journalist Robert Whitaker argues that modern treatments for the severely mentally ill are just old medicine in new bottles, and that we as a society are deeply deluded about their efficacy. The widespread use of lobotomies in the 1920s and 1930s gave way in the 1950s to electroshock and a wave of new drugs. In what is perhaps Whitaker's most damning revelation, Mad in America examines how drug companies in the 1980s and 1990s skewed their studies to prove that…
I was an imaginative and sensitive kid – growing up in the confusing oppressions of the US south and raised by parents who are themselves trauma survivors. When I started to go into altered states, hear voices, withdraw in frightened isolation and drift towards strange beliefs, I was forcibly locked up at Langley Porter Psychiatric Hospital in San Francisco. I was drugged, put in restraints and solitary confinement, and told I was schizophrenic and would never live a normal life. Today I don’t take medication, work as a therapist teacher, and advocate, and have joined the international patients’ movement working to change an abusive and misguided mental health system. I am not anti-medication, but I see psychiatric meds for what they are – tranquilizers, not treatments, tools not solutions. We need compassionate approaches and caring communities for individuals suffering from a psychotic crisis like I was. I am also the author of the Harm Reduction Guide to Coming Off Psychiatric Drugs.
Hearing voices is considered a symptom of schizophrenia and can quickly lead to hospital lockup, medication, and being shunned by society as “mentally ill.” In this fascinating account, Smith reveals the truth about this experience we call “madness” – hearing voices is actually a normal human experience across history and culture. Poets, religious visionaries, people spending time alone or grieving – even Freud, Gandhi, actor Anthony Hopkins, singer Lady Gaga -- all heard voices, and anyone under the right kind of stress can hear voices. The problem only arises when people hear distressing voices and have nowhere to go for help other than being treated as ill by a doctor.
Psychiatry made the catastrophic mistake of calling homosexuality a mental disease, and for many decades LGBT people were abducted, confined in hospitals, drugged, tortured, and killed for the mental crime of being different. Today people who hear voices are also…
An inquiry into hearing voices-one of humanity's most profound phenomena
Auditory hallucination is one of the most awe-inspiring, terrifying, and ill- understood tricks of which the human psyche is capable. In the age of modern medical science, we have relegated this experience to nothing more than a biological glitch. Yet as Daniel B. Smith puts forth in Muses, Madmen, and Prophets, some of the greatest thinkers, leaders, and prophets in history heard, listened to, and had dialogues with voices inside their heads. In a fascinating quest for understanding, Smith examines the history of this powerful phenomenon, and delivers a ringing…
According to my mother, my first words were, “what’s that?” and I believe that’s indicative of the level of curiosity with which I try to approach life. That curiosity led me to write books about how we can better love ourselves and each other when depression is gumming up the works. Talking about mental illness is hard, and I aim to make it easier. I’m not a doctor or therapist. I am best described as a “sex writer with a theatre degree” and I like to say my work focuses on sex, mental health, and how none of us are broken.
It can be incredibly frustrating to try to talk about how broken the mental healthcare system is (especially in the United States). Most people have no frame of reference for it.
Similarly the impact mental illness can have on family and loved ones is, for many, uncharted territory. Enter No One Care About Crazy People.
Powers expertly weaves the history of mental healthcare in America together with the story of his family’s battles with schizophrenia. The result is a heartbreaking and beautiful and horrifying and eye-opening book that leaves you better equipped to have those frustrating conversations.
I’m not going to lie to you, this is a hard one to read. It hurts. That said, it is one of my all-time favorite books.
"Extraordinary and courageous . . . No doubt if everyone were to read this book, the world would change."---New York Times Book Review
New York Times-bestselling author Ron Powers' critically acclaimed narrative of the social history of mental illness in America paired with the deeply personal story of his two sons' battles with schizophrenia.
From the centuries of torture of "lunatiks" at Bedlam Asylum to the infamous eugenics era to the follies of the anti-psychiatry movement to the current landscape in which too many families struggle alone to manage afflicted love ones, Powers limns our fears and myths about mental…
I’ve always been fascinated by the brain, which, despite all our medical advances, remains a mysterious black box of humbling power and complexity. When I started researching prosopagnosia (face blindness) for Remember Me, I was surprised to find it’s a much-underdiagnosed condition. Those born with it often don’t realise “it’s a thing” until later in life, when the diagnosis explains many difficulties they encounter in daily life. My main character Sarah develops social anxiety as a result yet many people develop coping techniques and live full professional and personal lives. I currently live in Mauritius with my author husband, Adam Hamdy, and our three children.
This isn’t a crime book but it does involve an unravelling of a mystery. The story spans three timelines, childhood recollections of a tragic accident, in which the main character Matt’s brother dies, the aftermath of the incident and then the present day, in which Matt is being treated for schizophrenia in a mental hospital. Too often those suffering with schizophrenia get a hackneyed handling by creatives but author Nathan Flier, a former mental health nurse, paints vivid and insightful observations into this poorly misunderstood condition.
WINNER OF THE SPECSAVERS POPULAR FICTION BOOK OF THE YEAR 2014
WINNER OF THE BETTY TRASK PRIZE 2014
'I'll tell you what happened because it will be a good way to introduce my brother. His name's Simon. I think you're going to like him. I really do. But in a couple of pages he'll be dead. And he was never the same after that.'
There are books you can't stop reading, which keep you up all night.
There are books which let us into the hidden parts of life and make…
