Here are 100 books that Congo fans have personally recommended if you like
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When I was a child, my father and older brother read Walt Disney’s Uncle Scrooge comic books. I received them as hand-me-downs and was enchanted by the astonishing adventures of Uncle Scrooge McDuck and his nephews. These illustrated tales of lost civilizations touched a special chord in me that transcended mere enjoyment. Later, I learned that Scrooge’s creator was Carl Barks, a comic artist who was heavily inspired by H. Rider Haggard. It is now clear that Carl Barks inculcated in me, when I was eight years old, my Victorian/Edwardian adventure literary tastes. But it was twenty years later that my literary tastes finally became dedicated to turn-of-the-19th-century literary styles and themes.
When I was 28 I chanced upon H. Rider Haggard’s book when it was republished by Ballantine’s iconic Adult Fantasy Series. The story is about Leonard Outram, who, in an attempt to restore his family's fortune, commits to a perilous journey to Africa, where he discovers a lost city and is tempted by its treasures.
This was my first encounter with Haggard, and it affected me deeply; there was a mysterious something permeating that novel that I found refreshing and illuminating. It seemed to me that the story did not come alive due to characterizations or plot developments so much as it did to turnings of fate. I collected all 68 of his books. Thereafter, 80 percent of all my own writing has emulated Rider Haggard.
The People of the Mist is a classic lost race fantasy novel written by H. Rider Haggard. It is the tale of a British adventurer seeking wealth in the wilds of Africa, finding romance, and discovering a lost race and its monstrous god.
When I was a child, my father and older brother read Walt Disney’s Uncle Scrooge comic books. I received them as hand-me-downs and was enchanted by the astonishing adventures of Uncle Scrooge McDuck and his nephews. These illustrated tales of lost civilizations touched a special chord in me that transcended mere enjoyment. Later, I learned that Scrooge’s creator was Carl Barks, a comic artist who was heavily inspired by H. Rider Haggard. It is now clear that Carl Barks inculcated in me, when I was eight years old, my Victorian/Edwardian adventure literary tastes. But it was twenty years later that my literary tastes finally became dedicated to turn-of-the-19th-century literary styles and themes.
When I read the novel, I was amazed because it was difficult for me to get my head around the idea that the tale was virtually perfect and that it was created by a mere human being.
The story follows David Fairchild, a young antiquary studying ancient manuscripts at Cambridge. Central to the novel is the obscure Cambridge library, where the mysterious Westchurch manuscripts are preserved and sequestered away from the world at large.
I found this book both wildly entertaining and wildly thought-provoking about the mechanics of the universe, the persistence of spirits, and the drama inherent in cosmic astronomy. Thereafter, I recommended the book for 40 years. This epigraph describes the book perfectly: There was logic and coherence enough in the whole affair to persuade me that what I'd stumbled onto—of all the preposterous perils of scholarship!—was a haunted manuscript.
American scholar and lettered medievalist, David Fairchild, swings a plum sabbatical at Cambridge University, where he is given full access to a rare manuscript written by a mad monk of shameful repute—Geoffrey Gervaise. The Westchurch Manuscript has lain neglected in the University vaults for centuries . . . or has it? A shadowy nefarious cabal has had an interest in the manuscript for a very long time and sharpens its claws anytime anyone probes its secrets. Expecting a pleasant year pursuing his passion for medieval literature, Fairchild quickly finds himself entangled in the centuries old curse that surrounds the manuscript…
When I was a child, my father and older brother read Walt Disney’s Uncle Scrooge comic books. I received them as hand-me-downs and was enchanted by the astonishing adventures of Uncle Scrooge McDuck and his nephews. These illustrated tales of lost civilizations touched a special chord in me that transcended mere enjoyment. Later, I learned that Scrooge’s creator was Carl Barks, a comic artist who was heavily inspired by H. Rider Haggard. It is now clear that Carl Barks inculcated in me, when I was eight years old, my Victorian/Edwardian adventure literary tastes. But it was twenty years later that my literary tastes finally became dedicated to turn-of-the-19th-century literary styles and themes.
This quintessential Arthur Machen collection of thirteen of his most highly praised stories and short novels was my introduction to Arthur Machen, and like Rider Haggard’s work, affected me deeply, to the extent that I eventually needed to “soak up some Arthur Machan country” and flew to Wales (from California) for no other purpose.
Arthur Machen is known best for the exceptionally vivid, mind-numbingly creepy horror stories that he wrote in the late 1880s, which have hugely inspired Lovecraft, Stephen King, and T.E.D. Kline, among many others. Machen’s work is, nearly all of it, alchemical; that is, by some divine magic, he made mere words and sentences seem far more than the sum of their parts; when he strung together any eight words, they would always sound more charming than the same eight words strung together by any other author.
"Tales of Horror and the Supernatural" is a collection of some of Welsh author and mystic Arthur Machan's best horror and mystery fiction. Throughout his life, Machan espoused the existence of the mystical and supernatural, a belief reinforced by numerous inexplicable and, he would argue, preternatural experience that he himself was witness to. His life and work revolved around this idea, and in time he became one of the masters of modern supernatural horror fiction. The stories of this collection include: "The Novel Of The Black Seal", "The Novel Of The White Powder", "The Great God Pan", "The White People",…
Fall 2028. Mickey Cooper, an elderly homeless man, receives an incredible proposition from a rogue pharmaceutical company: “Be our secret guinea pig for our new drug, and we’ll pay you life-changing money, which you’ll be able to enjoy because if (cough) when the treatment works, two months from now your…
When I was a child, my father and older brother read Walt Disney’s Uncle Scrooge comic books. I received them as hand-me-downs and was enchanted by the astonishing adventures of Uncle Scrooge McDuck and his nephews. These illustrated tales of lost civilizations touched a special chord in me that transcended mere enjoyment. Later, I learned that Scrooge’s creator was Carl Barks, a comic artist who was heavily inspired by H. Rider Haggard. It is now clear that Carl Barks inculcated in me, when I was eight years old, my Victorian/Edwardian adventure literary tastes. But it was twenty years later that my literary tastes finally became dedicated to turn-of-the-19th-century literary styles and themes.
To my mind, this is the finest of all Christmas stories. Written by Seabury Quinn in 1938, it successfully combines two supremely different sorts of Christmas stories. One style is religious and involves the Nativity and the infant Jesus. The other type, of course, is tales of Santa Claus, often explaining his origin.
I cannot recall any fiction that combines these two motifs, a type of story that is sadly missing from our culture except for this book, which blends the true meaning of Christmas with the Santa Claus narrative and does it to perfection.
Charles Dicken's A Christmas Carol, for almost two centuries, has been the touchstone Christmas tale, successfully engendering joy and rebirth in countless readers and viewers. Yet, nowhere in that short novel is Jesus or his birth mentioned, no iconic Nativity moments or words mentioned at all. Quinn quite simply brought together the Nativity and…
Drawing upon the original Christian legends that coalesced over centuries into the familiar, jolly form of Saint Nicholas, pulp fiction pioneer Seabury Quinn weaves a spellbinding new origin for this most beloved of children’s icons in his classic novella Roads.“I have not tried to paint the portrait of a man, but merely to present a personality and hazard a guess as to the motivation that makes Santa Claus the wondrous figure he is — a figure who more than any other exemplifies the beauty of selflessness.” — Seabury Quinn
I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I consider myself a very spiritual person and I believe that it is a person’s responsibility to question what it means to be spiritual in order to better understand one’s own faith.
As I am, Philip K. Dick was obviously obsessed with wanting spiritual answers. Valis is very entertaining, but it also made me question all that I believe in a way that expanded and made my spirituality stronger.
It began with a blinding light, a divine revelation from a mysterious intelligence that called itself VALIS (Vast Active Living Intelligence System). And with that, the fabric of reality was torn apart and laid bare so that anything seemed possible, but nothing seemed quite right.
It was madness, pure and simple. But what if it were true?
When my older sister died, I felt a pressing need to tell her story. Rachel was a strong, courageous woman, who endured decades in a psychiatric system that failed her. She was a survivor, but the stigma of severe mental illness made her an outcast from most of society. Even so, her enduring passion for poetry inspired me to write about her. I sought out other people’s stories. I enrolled in workshops and therapy. I devoured books and blogs by survivors, advocates, and family members. Everything I read pointed to a troubling rift between the dominant medical model and more humane, less damaging ones. This list represents a slice of my learning.
Before my sister became so ill, people used to say we looked alike. But ours was just a resemblance. In this novel, Dominick looks exactly like his brother, who has schizophrenia. Dominick encounters his identical twin every time he looks in a mirror. And he is terrified.
I first read this book 25 years ago and inhaled every one of the intertwined subplots in its 900 + pages. Recently, I re-read the “story within the story,” a memoir by Dominick’s grandfather. I became fascinated by his story about the Sicilian market where one chicken transforms into two whole ones—a bit of magical realism about twinning, schizophrenia, and hope. I too excavated old family documents to understand why my sibling suffered so much.
#1 New York Times Bestseller and Oprah Book Club selection
"Thoughtful . . . heart-wrenching . . . . An exercise in soul-baring storytelling—with the soul belonging to 20th-century America itself. It's hard to read and to stop reading, and impossible to forget." — USA Today
Dominick Birdsey, a forty-year-old housepainter living in Three Rivers, Connecticut, finds his subdued life greatly disturbed when his identical twin brother Thomas, a paranoid schizophrenic, commits a shocking act of self-mutilation. Dominick is forced to care for his brother as well as confront dark secrets and pain he has buried deep within himself—a journey…
Enter a captivating world where science fiction and thrilling suspense converge. After plummeting from the roof of Helix Unbound, Amanda awakens to a life devoid of memories. Desperately longing to fit in, yet sensing she harbors an extraordinary secret beneath her seemingly ordinary facade, she explores the unfamiliar world in…
I was an imaginative and sensitive kid – growing up in the confusing oppressions of the US south and raised by parents who are themselves trauma survivors. When I started to go into altered states, hear voices, withdraw in frightened isolation and drift towards strange beliefs, I was forcibly locked up at Langley Porter Psychiatric Hospital in San Francisco. I was drugged, put in restraints and solitary confinement, and told I was schizophrenic and would never live a normal life. Today I don’t take medication, work as a therapist teacher, and advocate, and have joined the international patients’ movement working to change an abusive and misguided mental health system. I am not anti-medication, but I see psychiatric meds for what they are – tranquilizers, not treatments, tools not solutions. We need compassionate approaches and caring communities for individuals suffering from a psychotic crisis like I was. I am also the author of the Harm Reduction Guide to Coming Off Psychiatric Drugs.
Hearing voices is considered a symptom of schizophrenia and can quickly lead to hospital lockup, medication, and being shunned by society as “mentally ill.” In this fascinating account, Smith reveals the truth about this experience we call “madness” – hearing voices is actually a normal human experience across history and culture. Poets, religious visionaries, people spending time alone or grieving – even Freud, Gandhi, actor Anthony Hopkins, singer Lady Gaga -- all heard voices, and anyone under the right kind of stress can hear voices. The problem only arises when people hear distressing voices and have nowhere to go for help other than being treated as ill by a doctor.
Psychiatry made the catastrophic mistake of calling homosexuality a mental disease, and for many decades LGBT people were abducted, confined in hospitals, drugged, tortured, and killed for the mental crime of being different. Today people who hear voices are also…
An inquiry into hearing voices-one of humanity's most profound phenomena
Auditory hallucination is one of the most awe-inspiring, terrifying, and ill- understood tricks of which the human psyche is capable. In the age of modern medical science, we have relegated this experience to nothing more than a biological glitch. Yet as Daniel B. Smith puts forth in Muses, Madmen, and Prophets, some of the greatest thinkers, leaders, and prophets in history heard, listened to, and had dialogues with voices inside their heads. In a fascinating quest for understanding, Smith examines the history of this powerful phenomenon, and delivers a ringing…
I have the expertise for this topic because I was raised in a loving home with a mother who struggled with bipolar disorder. At times my life was hilariously adventurous or heart-wrenchingly sad. Given little direction, I married an alcoholic and then went on to work at a Drug and Alcohol Treatment Center. I have fallen on hard times, but at the age of thirty-two, as a single mother collecting welfare, I managed to grief, heal and dig myself out, creating a rewarding life. I am optimistic, and I try to find humour in all things, especially after the tears and healing have subsided. My writing has brought me tremendous healing and joy.
A harrowing and beautiful tale of two sisters growing up with a paranoid schizophrenic mother. The author describes a fine line between gentle artistic creativity and debilitating mental illness. The reader will come away with a better understanding of how deeply children are affected growing up in a dysfunctional and traumatic environment. A mother's love and a journey to forgiveness teach us the complex meaning of love.
In the tradition of The Glass Castle, two sisters confront schizophrenia in this New York Times bestselling poignant memoir about family and mental illness. Through stunning prose and original art, The Memory Palace captures the love between mother and daughter, the complex meaning of truth, and one family’s capacity for forgiveness.
*A Washington Post Best Book of the Year * *The National Book Critics Circle Award Winner for Best Autobiography*
“People have abandoned their loved ones for much less than you’ve been through,” Mira Bartók is told at her mother’s memorial service. It is a poignant observation about the relationship…
I’d been writing for forty years before I could write about the biggest story in my life. My 25 non-fiction books about the American West—landscape, Native peoples, conservation—are a joy to research, photograph, and create. But I had unfinished emotional business: my mentally ill brother who left home when I was six, never to return. After everyone in my family was gone, it was finally safe. I began to recreate my brother’s life, reveling in research. I know how to do that. Opening myself emotionally to the heart of my family story took far longer. Empathy is a choice, and I’ve made my choice.
Robert Whitaker’s books inform my work. Both Mad in America and Anatomy of an Epidemic provided crucial policy background as I searched for my brother's personhood. Whitaker’s deep research and ferocious insistence that we rethink psychiatric care guided me into the world of mental illness, the history of treatment, and the controversy over forcing medication on unwilling people. I sympathize with Whitaker and the people who believe anti-psychotics make things worse. But I also meet many with diagnoses who believe in the mantra, “take your meds.” Best practices cannot be one-size (pill)-fits all. I end my own book by imagining the best possible world for mental health treatment—guided both by Whitaker and his most vehement critic, E. Fuller Torrey.
Schizophrenics in the United States currently fare worse than patients in the world's poorest countries. In Mad in America, medical journalist Robert Whitaker argues that modern treatments for the severely mentally ill are just old medicine in new bottles, and that we as a society are deeply deluded about their efficacy. The widespread use of lobotomies in the 1920s and 1930s gave way in the 1950s to electroshock and a wave of new drugs. In what is perhaps Whitaker's most damning revelation, Mad in America examines how drug companies in the 1980s and 1990s skewed their studies to prove that…
In the harrowing aftermath of Chornobyl's meltdown in 1986, the fate of Eastern Europe hangs by a thread.
From Beijing, American radiation scientist Lara, once a thorn in the Russian mob's side, is drawn back into the shadows of the Soviet Union on the Trans-Mongolian Express. She isn't alone. Anton,…
According to my mother, my first words were, “what’s that?” and I believe that’s indicative of the level of curiosity with which I try to approach life. That curiosity led me to write books about how we can better love ourselves and each other when depression is gumming up the works. Talking about mental illness is hard, and I aim to make it easier. I’m not a doctor or therapist. I am best described as a “sex writer with a theatre degree” and I like to say my work focuses on sex, mental health, and how none of us are broken.
It can be incredibly frustrating to try to talk about how broken the mental healthcare system is (especially in the United States). Most people have no frame of reference for it.
Similarly the impact mental illness can have on family and loved ones is, for many, uncharted territory. Enter No One Care About Crazy People.
Powers expertly weaves the history of mental healthcare in America together with the story of his family’s battles with schizophrenia. The result is a heartbreaking and beautiful and horrifying and eye-opening book that leaves you better equipped to have those frustrating conversations.
I’m not going to lie to you, this is a hard one to read. It hurts. That said, it is one of my all-time favorite books.
"Extraordinary and courageous . . . No doubt if everyone were to read this book, the world would change."---New York Times Book Review
New York Times-bestselling author Ron Powers' critically acclaimed narrative of the social history of mental illness in America paired with the deeply personal story of his two sons' battles with schizophrenia.
From the centuries of torture of "lunatiks" at Bedlam Asylum to the infamous eugenics era to the follies of the anti-psychiatry movement to the current landscape in which too many families struggle alone to manage afflicted love ones, Powers limns our fears and myths about mental…
