Here are 100 books that The Book About Everything fans have personally recommended if you like
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I have a passion for the topic because it’s so unlimited. We’re all called to destiny inner/outer in so many ways. We see a lot of stories about those calls being massive adventures with global impact—but sometimes the small stories, those inner calls with inner love answers are just as epic, just as magnificent. Love of family, community, country, lovers, nature… truly, it can be anything. These are just a few books off the older shelves to illustrate the many ways love answers the call. My challenge is to go back and re-read them with this list in mind. Re-visit books from a decade ago, reframe the story with love.
This is an obvious pick, I know. Still, it’s on record as the greatest adventure, the highest bar of duty and courage—and ultimately love.
Homer’s epic detailing Odysseus’ journey home from the Trojan War is fraught with peril and obstacles that would have made a lesser human give up and call it a day.
Destiny called him away, but it was love that brought him home from war. At each crossroad Odysseus was offered an alternative, he chose to return to his wife, his son, and his land. He could have been made immortal.
He was offered riches and greater glory, and all the dude wanted was to kiss his wife and sleep in his own bed at the end of the day. Is that so much to ask?
The reason The Odyssey is on my list is to reflect the scale of destiny, and the answering and equal call…
Homer's great epic, The Odyssey, is perhaps Western literature's first adventure story, and certainly remains one of its finest. It describes King Odysseus of Ithaca's epic, ten-year quest to return home after the Trojan War. He encounters giants, sorceresses, sea-monsters and sirens, while his wife Penelope is forced to resist the suitors who besiege her on Ithaca. Both an enchanting fairy tale and a gripping drama, The Odyssey is immensely influential, not least for its rich complexity and the magnetism of its hero.
This Macmillan Collector's Library edition uses a translation by T. E. Lawrence, now remembered as 'Lawrence of…
I’m a professor at Cambridge University, and following years of training in ancient languages and linguistics, I am currently running a research project on the visual aspects of writing systems. Recently, I’ve become passionate about using research on ancient languages and writing to try to help communities today who are in danger of losing their linguistic traditions (I've started an Endangered Writing Network)–which is why the fragility of human culture is high on my agenda. Ultimately, I’d like the world to be a better place for my baby son to grow up in, and I hope to use my academic work to help people in some small way.
This story has always struck me as a quest to identify and regain humanity, as its hero repeatedly faces strange and powerful obstacles to his voyage home. I first read it as a child and then again, but in Greek, as a student—a time in life when anyone is trying to find their feet as a human being!
Perhaps the most comforting thing is that amongst all the gods and monsters and cursing and fighting, eating habits often characterize the work’s characters. Odysseus is always looking for sitophagoi, bread eaters, i.e. civilized people who make their own food, rather than man-eating monsters. I can identify with a hero looking for nice people to share a nice meal with.
The first great adventure story in the Western canon, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage, family and identity; and about travellers, hospitality and the changing meanings of home in a strange world.
This vivid new translation-the first by a woman-matches the number of lines in the Greek original, striding at Homer's sprightly pace. Emily Wilson employs elemental, resonant language and an iambic pentameter to produce a translation with an enchanting "rhythm and rumble" that avoids proclaiming its own grandeur. An engrossing tale told in a compelling new…
Moral injury, post-traumatic stress, and the dark night of the soul are human conditions I understand well. See, over the course of a lengthy military career, I deployed overseas many times, including to Afghanistan. In my last two deployments, I served as the legal advisor to a joint special operations task force. In this role, I advised on more than 500 “strikes”: air attacks intended to kill humans. When I returned from Afghanistan in 2018, I noticed a change in me, and I’ve been living with moral injury and post-traumatic stress since. This list helped me, particularly with the lesser-known “moral injury,” and I sincerely hope it helps you too.
Few today know of moral injury, and I found this book to be a great introduction to the condition. The heart of it concerns betrayal—by those above and even ourselves.
Often seen as the father of “moral injury,” Jonathan Shay reveals that the condition itself actually stretches deep into the bowels of history, at least as far as Shakespeare, if not the Homeric epics written 2,400 years earlier: a reminder that everything old is new again.
Rather than acting as ventriloquist, Shay quotes his patients, allowing the veterans to speak for themselves; to express their traumas and the consequences thereof. And he emphasizes, as few do, the responsibility of society to aid in healing those traumas.
An accessible, practical read for understanding moral injury, trauma, and our communal responsibilities.
In this ambitious follow-up to Achilles in Vietnam, Dr. Jonathan Shay uses the Odyssey, the story of a soldier's homecoming, to illuminate the pitfalls that trap many veterans on the road back to civilian life.
Seamlessly combining important psychological work and brilliant literary interpretation with an impassioned plea to renovate American military institutions, Shay deepens our understanding of both the combat veteran's experience and one of the world's greatest classics.
In Achilles in Vietnam, Dr. Jonathan Shay used the story of the Iliad as a prism through which to examine how ancient and modern wars have battered the psychology of…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
For fantasy, adventure, and humanity, I find no book like Homer’s Odyssey. Some prefer the Iliad, but for me, the Odyssey has greater depth, resonance, and experience of life. Most of us know about Odysseus’ wonderful adventures, but the whole second half of the epic is about his attempts to get home and, once home, to reintegrate himself into his family and society, from which he has been absent for twenty years.
I love the way the epic relates stories but also makes you think about what stories mean, why people tell them, and how to tell false ones from true. There are many fine translations of the Odyssey, including Emily Wilson’s recent one; my favorite, however, though a bit dated, remains that of Lattimore.
This is Homer's epic chronicle of the Greek hero Odysseus' triumph over Troy and arduous journey home: Odysseus survives a storm and shipwreck, the cave of the Cyclops and the isle of Circe, the lure of the Sirens' song and a trip to the Underworld, only to find his most difficult challenge at home, where treacherous suitors seek to steal his kingdom and his loyal wife, Penelope.
My interest in the heroes and myths of the Trojan War came from a dream. My father was a wounded Greek youth and I carried him down into the Underworld. As I explored that dream and my relationship to my father, the world of Greek mythology opened to me. I absorbed The Iliad and The Odyssey, read the fragments and summaries of the other six poems that in antiquity had been part of the Epic or Trojan Cycle, immersed myself in Greek myths and gods, wondered if Homer wrote both surviving epics (I don’t think he did), and found within myself the voice of Telemachus ready to narrate On Wine-Dark Seas.
The author, a professor of classics at Bard College, invites his father to attend his class on The Odyssey. What unfolds is a marvelous father-son story as his opinionated father vigorously participates and the author limns his complicated relationship to this endearing and perplexing man. All this is set against insightful discussions of The Odyssey and the father-son relationship of Odysseus and Telemachus. A surprising and very pleasurable read.
From award-winning memoirist and critic, and bestselling author of The Lost: a deeply moving tale of a father and son's transformative journey in reading--and reliving--Homer's epic masterpiece.
When eighty-one-year-old Jay Mendelsohn decides to enroll in the undergraduate Odyssey seminar his son teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his "one last chance" to learn the great literature he'd neglected in…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
Don't look for some high-brow version full of pseudo-Shakespearean language. Homer's story is a blood-and-guts tale (literally) of hard-bitten heroes, feuding among spiteful gods and bombastic military commanders. Try John Dolan's version from Feral house publishing, deliberately written as he imagined the story was first told – by soldiers sitting around a campfire exchanging yarns.
We recognize the names: Achilles, Odysseus, Zeus, and Apollo. We're taught that The Iliad is a foundational text of civilization. But who has really read the text? Until now, The Iliad was hijacked by academics and used to bludgeon schoolchildren as a boring-yet- mandatory reading.
Poet, novelist, essayist, and former teacher John Dolan revisits this ancient tale and restores it to its ancient glory. The Greeks and Trojans are still fighting. The gods are still interfering. But in Dolan's version, you'll be amazed at how funny, raw, and terrifying this doomed world of war really is. He strips away clunky,…
I’ve been fascinated by the ancient Greeks and Romans since my teenage years. I was lucky to have inspiring teachers when I was an undergraduate. Spending a few months in Greece during my university years intensified my love of antiquity, and now I’m a professor who teaches Greek and Latin. One of the things that first drew me to the Greeks and Romans was the sophistication of their poetry, and that’s why I wrote this list.
Even after 20 years of separation, brought on by the Trojan War and the gods, Odysseus and Penelope hold on to their love and reunite in Ithaca. They must overcome tremendous obstacles: divine anger, violent suitors, jealous lovers, ghosts, and monsters.
Of course, the poem has double standards regarding relations between men and women. And yet, the central love story hasn’t lost its appeal since antiquity. Fitzgerald’s English translation of the Odyssey is one of the best and a wonderful creation in its own right: it’s a magnificent rendition of Odysseus and his world.
The classic translation of The Odyssey, now in paperback.
This edition also features a map, a Glossary of Names and Places, and Fitzgerald's Postscript. Line drawings precede each book of the poem.
Robert Fitzgerald's translation of Homer's Odyssey is the best and best-loved modern translation of the greatest of all epic poems. Since 1961, this Odyssey has sold more than two million copies, and it is the standard translation for three generations of students and poets. Farrar, Straus and Giroux is delighted to publish a new edition of this classic work. Fitzgerald's supple verse is ideally suited to the story…
I have three lifelong passions, the first was reading, then writing, and then archaeology/history. To this end I studied and trained as an archaeologist before I sat down and decided to write stories set in the past as a way of bringing it to life. Of course, there had to be an adventure, a bit of a mystery, and a dash of magic to bring it all together. The books on my list are just a few of those that I have enjoyed reading during my hunt to get to know the past in intimate detail – on my own time travelling journey.
My love of ancient Greek heroes began with the old stop footage films of the 70s and early 80s.
The bravery, the adventure, and the mystery had me hooked at a young age. So, it was a delight to find a book that dealt with the heroes of the ancient Greeks in such an easy-to-read way. This book is not just a rehash of those much-loved tales such as Jason and the Argonauts or Odysseus, Stephen Fry has brought a more modern language to the stories making them relatable and relevant for today.
Mortals and Monsters. Quests and Adventures . . . ___________
There are Heroes - and then there are Greek Heroes.
Few mere mortals have ever embarked on such bold and heart-stirring adventures, overcome myriad monstrous perils, or outwitted scheming vengeful gods, quite as stylishly and triumphantly as Greek heroes.
In this companion to his bestselling Mythos, Stephen Fry brilliantly retells these dramatic, funny, tragic and timeless tales. Join Jason aboard the Argo as he quests for the Golden Fleece. See Atalanta - who was raised by bears - outrun any man before being tricked with golden apples. Witness wily Oedipus…
I daylight as a lawyer, moonlight as a stand-up comic and gaslight as a storyteller. A connoisseur of mythology and momos, I have often wondered how our ancient tales might have unfolded if narrated from women’s perspectives - a curiosity kindled since I listened to my grandmother’s grievances even as she regaled me with these stories. In the same breadth, I could not help but see how harmful and reductionist “evil” labels can be especially when history is chronicled only by victors. It is this quest of humanizing the vanquished and the vilified while honouring the essence of a timeless epic that led me to play a medieval matchmaker by wedding Indian Lore to Italian Renaissance.
Talking about Penelope brings me to the Penelopiad. This book could have been more accurately called the Trial of Odysseus.
Odysseus here feels like an ancient Andrew Tate. Picture the ancient soap opera: Penelope, the ever dutiful, saintly wife, is left holding the fort while Odysseus sails off on a ten-year vacation fighting the Trojan War, followed by another decade of epic escapades and sexscapades.
And meanwhile Penelope is using her twelve maids to let themselves be used and abused by her suitors to buy time till Odysseus returns. Well, the suitors are killed, naturally. But the maids…Honor killing is still an epidemic in parts of India, and to see it from the POVs of the maids, who have so far been overlooked as extras in a play, felt like redemption.
The best thing in the book that worked for me was the way it is structured as a conversation…
Penelope. Immortalised in legend and myth as the devoted wife of the glorious Odysseus, silently weaving and unpicking and weaving again as she waits for her husband's return.
Now Penelope wanders the underworld, spinning a different kind of thread: her own side of the story - a tale of lust, greed and murder.
The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and…
I am an avid fantasy reader and writer. I have been writing for many years and love to craft detailed worlds and complex characters that surprise and delight readers. Stories are about challenges, overcoming the barriers that are put in front of us, and growing in the process. Characters do not have to be good or bad; they can be both, a mixture, just like real people. I strive to create characters that make people stop and think, make them question their assumptions, or relate to them in ways that they had not expected. Fantasy is about bringing real emotions to readers through an imaginary setting, and I love it.
Eperitus is not a hero. He is a soldier with a murky past who just wants to serve a noble lord and do better with his life. I love that he always strives to do the right thing, even when he is caught in the center of the great war for Troy.
Eperitus is surrounded by great men, Odysseus, Achilles, and Agamemnon, and yet many turn to him for advice or counsel, and he never once lets himself be overawed or manipulated by those around him. I admire his truth and his steadfast desire to stick to what he believes is right and to fight for those that he believes in.
It's ten years since Odysseus and the warrior, Eperitus, joined the heroes of the age to compete for the hand of Helen of Sparta. Settled in his small island kingdom, Odysseus wants nothing more than to rule Ithaca in peace. Meanwhile Eperitus, frustrated at his quiet life, dreams of glory in battle.
When the lion-motifed sails of Agamemnon appear on the horizon, Odysseus knows that the time for peace is over and a time of war is beginning. Helen of Sparta has been abducted by a prince of Troy and the hosts of ancient Greece are gathering.
