Fans pick 57 books like The Black Hawks

As a young man who deals with issues of loneliness, depression, and melancholy, I’ve always been drawn to platonic male friendships in fiction. Seeing acts of brotherly courage and heroism on the page has always resonated with me, especially when my own friendships in the real world have felt lacking. Men aren’t the best at discussing their emotions, especially not with each other, and I’ve desperately sought out stories where even the most grizzled male heroes are, deep down, in need of a friend. In writing Stormblood, I wanted to have a strong sense of brotherhood and unity between the male cast members as they battle enemies and face their personal demons.

I’ve been writing fantasy for two decades now and still, I can’t resist a foul-mouthed rogue with a grubby soul. They’re usually the most entertaining characters to write and in the long days of plugging away at a book, they’re often the ones that remind you what’s so fun about the job. When I started Stranger of Tempest it was (pretty much solely) with that in mind – I wanted a disparate band of crazed, badass idiots to go on an adventure with and see where it took me. Of course, as I got to know them I found there was more to their tales than that, but it was fun right to the end!

I’ve been writing fantasy for two decades now and still, I can’t resist a foul-mouthed rogue with a grubby soul. They’re usually the most entertaining characters to write and in the long days of plugging away at a book, they’re often the ones that remind you what’s so fun about the job. When I started Stranger of Tempest it was (pretty much solely) with that in mind – I wanted a disparate band of crazed, badass idiots to go on an adventure with and see where it took me. Of course, as I got to know them I found there was more to their tales than that, but it was fun right to the end!

I’ve been writing fantasy for two decades now and still, I can’t resist a foul-mouthed rogue with a grubby soul. They’re usually the most entertaining characters to write and in the long days of plugging away at a book, they’re often the ones that remind you what’s so fun about the job. When I started Stranger of Tempest it was (pretty much solely) with that in mind – I wanted a disparate band of crazed, badass idiots to go on an adventure with and see where it took me. Of course, as I got to know them I found there was more to their tales than that, but it was fun right to the end!

Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.

The books I recommend here have inspired me and shaped my work. You see, I have always been a writer, but for a long time I viewed it as just a hobby. I did a lot of fan writing (Pern, especially) that allowed me to follow my heart and just have fun writing. My current work questions some of the underlying assumptions in fantasy. Must every problem be solved at the point of a sword? Does magical power always corrupt? And is it truly possible for evildoers to be redeemed? I hope you'll visit my land of Skaythe and find it as magical as Estcarp, Earthsea, and Eld Mountain!

For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events. 

I am a world traveler and educator, a student of psychology and myth, and a lover of the wild and ancient places. I believe that sword and sorcery, the vanguard of modern fantasy, is overdue for a comeback. These tales echo the trials of Hercules, the rage of Achilles, and the melancholy of Gilgamesh and Beowulf, to name a few. There is much yet to learn: I write to stir my readers’ blood, and to examine the lessons of the epics: that man must face down the inhuman and monstrous to discover himself; that we cannot truly live until we have borne a great trial of our own. Stay fierce!

Growing up I devoured science-fiction and spy stories by the boatload—the only person I wanted to be more than James Bond was probably Han Solo. Of course, I couldn’t really become either of them, but I always knew the next best thing would be telling stories about those kinds of characters. Ultimately, I couldn’t decide whether to focus on space adventures or spies, so the only real answer was to smash those two genres together. Five years and four novels later, the world of the Galactic Cold War is humming along quite nicely. But I’m still always on the lookout for the next great sci-fi spy novel.

I am the author of more than sixty published novels, most of which are military science fiction, or near-future alternative history fiction, so I have an abiding interest in the subgenre, and the authors who helped to shape it.