Love The Red Knight? Readers share 60 books like The Red Knight...

Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.

I’ve been writing fantasy for two decades now and still, I can’t resist a foul-mouthed rogue with a grubby soul. They’re usually the most entertaining characters to write and in the long days of plugging away at a book, they’re often the ones that remind you what’s so fun about the job. When I started Stranger of Tempest it was (pretty much solely) with that in mind – I wanted a disparate band of crazed, badass idiots to go on an adventure with and see where it took me. Of course, as I got to know them I found there was more to their tales than that, but it was fun right to the end!

I’ve been writing fantasy for two decades now and still, I can’t resist a foul-mouthed rogue with a grubby soul. They’re usually the most entertaining characters to write and in the long days of plugging away at a book, they’re often the ones that remind you what’s so fun about the job. When I started Stranger of Tempest it was (pretty much solely) with that in mind – I wanted a disparate band of crazed, badass idiots to go on an adventure with and see where it took me. Of course, as I got to know them I found there was more to their tales than that, but it was fun right to the end!

I’ve been writing fantasy for two decades now and still, I can’t resist a foul-mouthed rogue with a grubby soul. They’re usually the most entertaining characters to write and in the long days of plugging away at a book, they’re often the ones that remind you what’s so fun about the job. When I started Stranger of Tempest it was (pretty much solely) with that in mind – I wanted a disparate band of crazed, badass idiots to go on an adventure with and see where it took me. Of course, as I got to know them I found there was more to their tales than that, but it was fun right to the end!

Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.

I was drawn into the study of medieval history through an interest in chivalry and this led to a PhD and various publications on the career and household of Edward the Black Prince (1330-76). He lived through the heart of what’s become known as the late medieval crisis: a period which many contemporaries thought was a prelude to the apocalypse. I’ve been teaching and writing about this period for more than 20 years now and remain fascinated by the contrasts between creativity and utter devastation that characterise the later middle ages.

I identify as a member of the GLBTQ+ community. My husband and I had a church wedding. I have written several stories that have GLBTQ+ representation and are love stories. I have also read and familiarized myself with many GLBTQ+ children’s books. 

We tell stories for many reasons, but one of the best reasons is to teach our kids (or remind ourselves!) how to navigate in the world. We’ve all read Aesop’s Fables and at the end, the moral lesson is spelled out. This ruins the conversations you can have with someone else about what the story was about. Instead of feeling entertained, we feel like we were being told what to think and how to feel. As a writer, I love to include multiple themes in a book so that, depending on the age of the reader, or how many times the story is read, new ideas jump out of the book and into your brain.

I’ve been more than lucky to live a life of adventure from the start. My family did things a little unusually – we lived on a boat, we bought a ranch, we trained (and I still train) horses, we traveled, and through it all, we read. My entire adventuring family always had books, even on that boat when we have very little space. We would all go to the main cabin at night and either escape to a new world in novel or, in my case quite often, a note book. I’ll be forever grateful for these experiences because it was adventure shaped who I am as an author and reader.

I’m Lindsay, and I never stop falling in love with human creativity. From the moment I first cracked open a library-borrowed copy of The Wizard of Oz as a child, I’ve been asking “What if…?” and I’ve delighted in how other authors imaginatively tackle that question. My interests are eclectic, ranging from history and politics to baking and sparkly things. I read to be swept away and to take a peek inside the storyteller’s mind and heart.