61 books like The Red Knight

As a young man who deals with issues of loneliness, depression, and melancholy, I’ve always been drawn to platonic male friendships in fiction. Seeing acts of brotherly courage and heroism on the page has always resonated with me, especially when my own friendships in the real world have felt lacking. Men aren’t the best at discussing their emotions, especially not with each other, and I’ve desperately sought out stories where even the most grizzled male heroes are, deep down, in need of a friend. In writing Stormblood, I wanted to have a strong sense of brotherhood and unity between the male cast members as they battle enemies and face their personal demons.

I’ve been writing fantasy for two decades now and still, I can’t resist a foul-mouthed rogue with a grubby soul. They’re usually the most entertaining characters to write and in the long days of plugging away at a book, they’re often the ones that remind you what’s so fun about the job. When I started Stranger of Tempest it was (pretty much solely) with that in mind – I wanted a disparate band of crazed, badass idiots to go on an adventure with and see where it took me. Of course, as I got to know them I found there was more to their tales than that, but it was fun right to the end!

I’ve been writing fantasy for two decades now and still, I can’t resist a foul-mouthed rogue with a grubby soul. They’re usually the most entertaining characters to write and in the long days of plugging away at a book, they’re often the ones that remind you what’s so fun about the job. When I started Stranger of Tempest it was (pretty much solely) with that in mind – I wanted a disparate band of crazed, badass idiots to go on an adventure with and see where it took me. Of course, as I got to know them I found there was more to their tales than that, but it was fun right to the end!

I’ve been writing fantasy for two decades now and still, I can’t resist a foul-mouthed rogue with a grubby soul. They’re usually the most entertaining characters to write and in the long days of plugging away at a book, they’re often the ones that remind you what’s so fun about the job. When I started Stranger of Tempest it was (pretty much solely) with that in mind – I wanted a disparate band of crazed, badass idiots to go on an adventure with and see where it took me. Of course, as I got to know them I found there was more to their tales than that, but it was fun right to the end!

Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.

The subject of friendship can be explored endlessly, as every friendship is unique. I am especially drawn to stories of unlikely friendships that look at the surprising and interesting ways that we show up for one another. One of the things that I see in all of the stories that Giselle and I have chosen, is that these unusual friendships make a difficult, awkward, or downright scary world a better place to be. 

Life is stories, man. Telling stories. Listening to stories. One day, somebody had the brilliant idea to start writing these stories down. And that’s what we’ve been doing ever since. Trading yarns. Figuring things out. Reading and writing. I wrote my first story in middle school. My first novel in college. My first published novel (This Way Madness Lies) in my late twenties. Now it’s thirty years, twenty-five novels, fifty short stories, and three books of poetry later, and I’m still as obsessed with and passionate about storytelling as I was as a young buck backpacking around Europe with a notebook and a beat-up copy of Down and Out in London and Paris stuffed into my leather satchel.

After high school, I traveled, exploring cultures beyond North America. I worked on kibbutzim in Israel for nearly two years. During the Yom Kippur War, exploding bombs drove us into underground shelters until the ceasefire. That experience made me consider the impact of war in new ways. Decades later, I wrote about the issue of "conflict" in my country: the Acadian deportation and World War Two. As a school librarian meeting Palestinian families in 2002, I decided to research and visit families in the West Bank through Christian Peacemaker Teams for my novel The Shepherd’s Granddaughter. A story children told me there inspired my picture book What the Kite Saw.

I’ve always been an avid reader, ever since I was old enough to hold a book upright. Today, I’m a writer of science fiction, fantasy, and thrillers, with credits spanning novels, short fiction, television, comic books, and video games. I’m especially fond of heroic tales that feature female main characters, both in books and on-screen. Several of my nearly 40 novels have featured heroic female main characters, including my newest book, Star Trek: Picard: Firewall, which is a coming-of-age tale about Seven of Nine’s journey to becoming a Fenris Ranger.

I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.