Here are 100 books that Strange Peaches fans have personally recommended if you like
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As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
This American classic by Pulitzer Prize-winning novelist, Larry McMurtry, is read by university students worldwide. It’s set in its own time of indulgent decadence where little value is placed on the lives of individuals met by Danny Deck, the sad-sack protagonist, who denigrates his published work to the point of tearing up a copy of the novel he carries with him before drowning his own sorry self in the river of the Rio Grande. Yet, Danny is as much at fault for the sloppy treatment of the company he keeps as his company is for being disingenuous.
What McMurtry calls normal life, or mundane happiness, through the voice of novelist Deck, is seen as obtainable if one wants to pursue the creative arts. His conclusion is that the two simply don’t mix. As he explores this idea in a higgledy-piggledy fashion, Deck sets about self-destructing, which has nothing to do…
Hailed as one of "the best novels ever set in America's fourth largest city" (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry's "comic genius, his ability to render a sense of landscape, and interior intellection tension" (Jim Harrison, New York Times Book Review). Desperate to break from the "mundane happiness" of Houston, budding writer Danny Deck hops in his car, "El Chevy," bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable…
I’ve been reading, studying, and writing about Texas literature for over 25 years.
I’m the longtime literary curator at the Wittliff Collections at Texas State University, which holds the archives of many leading writers from Texas and the Southwest. I have a personal passion for the 1960s and have written/co-written three nonfiction books set in the sixties.
I’m cheating a bit here because this book is set in the Japan and Okinawa, rather than Texas. But Sarah Bird is one of Texas’s most beloved writers, and this exquisite novel about the college-aged, Vietnam War-protesting daughter of an Air Force fighter pilot, is one of the finest novels written by anyone from Texas. Bird captures the mood of the Vietnam era with empathy and wonderful humor, but beyond that, The Yokota Officers Club is a deeply affecting story about families, about love, loss, and the hope of redemption. It’s a transcendent novel that feels both intimate and sweeping. Sarah Bird has written several fine books but this one is her masterpiece.
“A GEM, POLISHED AND FACETED IN A WAY THAT PULLED ME INTO THE HEART OF IT WITH THE FIRST PARAGRAPH. . . . Important, touching, meaningful, and uplifting.” –JEANNE RAY Chicago Tribune
After a year away at college, military brat Bernadette Root has come “home” to Kadena Air Base in Okinawa, Japan, to spend the summer with her bizarre yet comforting clan. Ruled by a strict, regimented Air Force Major father, but grounded in their mother’s particular brand of humor, Bernie’s family was destined for military greatness during the glory days of the mid-’50s. But in Base life, where an…
I’ve been reading, studying, and writing about Texas literature for over 25 years.
I’m the longtime literary curator at the Wittliff Collections at Texas State University, which holds the archives of many leading writers from Texas and the Southwest. I have a personal passion for the 1960s and have written/co-written three nonfiction books set in the sixties.
Dick J. Reavis was a white teenager from Texas when he joined the Civil Rights movement in 1965. If White Kids Die is his clear-eyed, unsentimental memoir of his experiences in Alabama for the Student Non-Violent Co-ordinating Committee. It’s a fascinating, grassroots view from a foot soldier of the movement, someone far removed for the glamorous leadership positions.
Following his stint with SNCC, Reavis later joined SDS and became a prominent anti-war protester in Austin. During his time in the Movement, Reavis endured beatings, jailings, denunciations, and poverty. All of that, as it turned out, was good preparation for his eventual career: a life in journalism. He has since become a legendary journalist in Texas, famed for his tough and daring reporting. He once told me: “I knew Spanish, knew how to live poor, knew how to lie to bosses."
In 1965 Dick J. Reavis, a white middle-class Texan, decided to join a voter registration programme, and spent a summer on the wrong side of the tracks in Demopolis, Alabama. This work describes his gradual maturation as he encountered the other side of legally-enforced racism.
I’ve been reading, studying, and writing about Texas literature for over 25 years.
I’m the longtime literary curator at the Wittliff Collections at Texas State University, which holds the archives of many leading writers from Texas and the Southwest. I have a personal passion for the 1960s and have written/co-written three nonfiction books set in the sixties.
William Hauptman is a Tony Award-winning playwright and the author of one of my all-time favorite Texas novels, The Storm Season, about a tornado chaser in Wichita Falls during the Reagan era as the middle class is dissolving.
Journey to the West is a diamond-sharp autobiographical novel based on Hauptman’s experiences leaving his conservative hometown of Wichita Falls to go to college at the University of Texas in Austin. He arrives just as the sixties begin taking off, and soon his mind gets blown and his life upended. Hauptman writes so well of this quintessential experience that so many people have when they go to college and taste freedom for the first time in their lives. The novel/memoir follows our hero as he ends up in San Francisco during the Summer of Love, starving and strung out. Hauptman, is a first-class writer and this is one of his coolest…
It is the 1960s, and Will Langner is a high school thespian who cannot wait to get out of his Texas town and attend college in Austin, where he will never have to see any of his peers again. But Will has no idea his path is about to lead him to a fellow classmate with the power to change everything?even the future.
Danny Abrams swears there is something better than popularity in high school: Zen enlightenment. As the two search for the meaning of life, they finally graduate and embark on a journey that takes them westward from Austin…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
Popularised as a 1960s counterculture book, its author, Brautigan, playfully breaks all the rules in a modern Dadaistic style of commentary which is a sort of stream of consciousness that verges on playful and purposeful madness. Thoughts of Lewis Carroll’s Through the Looking Glass come to mind when trying to make any sense of this author’s zany work here. In a word: trout? No trout. This is no commentary about fishing. It’s a mishmash of essay-like commentaries on an ‘on the road’ lifestyle which does occasionally mention fishing.
Richard Brautigan's wonderfully zany, hilarious episodic novel set amongst the rural waterways of America.
Here's a journey that begins at the foot of the Benjamin Franklin statue in San Francisco's Washington Square, wanders through the wonders of America's rural waterways and ends, inevitably, with mayonnaise. With pure inventiveness and free-wheeling energy, the counterpoint to all those angry Beatniks, Brautigan tells the story of rural America, and the hunt for a bit of trout fishing. Funny, wild and sweet, Trout Fishing in America is an incomparable guidebook to the delights of exploration - of a country and a mind.
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
I found this book extremely important because it finally put to bed the myth that counter-cultural women were merely subservient to their male counterparts, while these women did so much to actually shape the counter-culture.
I recommend reading this alongside Nina Graboi’s criminally neglected autobiography–One Foot in the Future–that serves as a perfect illustration of American women successfully looking for empowerment in these counter-cultural enclaves.
It was a sign of the sixties. Drawn by the promise of spiritual and creative freedom, thousands of women from white middle-class homes rejected the suburban domesticity of their mothers to adopt lifestyles more like those of their great-grandmothers. They eagerly learned 'new' skills, from composting to quilting, as they took up the decade's quest for self-realization. 'Hippie women' have alternately been seen as earth mothers or love goddesses, virgins or vamps - images that have obscured the real complexity of their lives. Gretchen Lemke-Santangelo now takes readers back to Haight Ashbury and country communes to reveal how they experienced…
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
This is a collection I have constantly gone back to over the years and is probably my all-time favorite in the history of the counter-culture. I love the blend of rigorous research and easy reading, as well as the breadth of topics and diversity of approaches.
It is replete with thoughtful analyses and eloquent descriptions of the counter-culture, without ever giving in to the nostalgia of era or condemning it for that has gone wrong since. A great starting point if you want a good overview of the history of the American counter-culture.
Amidst the recent flourishing of Sixties scholarship, Imagine Nation is the first collection to focus solely on the counterculture. Its fourteen provocative essays seek to unearth the complexity and rediscover the society-changing power of significant movements and figures.
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
I had always been interested in the contradictions of the American counter-culture, so I loved how Frank underscored how rebellion and dissent had such a surprisingly positive impact on the corporate world.
Far from seeing counter-cultural messages as threats to American capitalism, marketing, and advertising executives welcomed these non-conformist ideals as a fantastic way of commercializing their mundane products by connecting them with hipness and authenticity. Frank’s contrarian position jibes well with my own thoughts on the topic, and I really enjoyed how he takes the reader through the genesis of hip advertising.
An evocative symbol of the 1960s was its youth counterculture. This study reveals that the youthful revolutionaries were augmented by such unlikely allies as the advertising industry and the men's clothing business. The ad industry celebrated irrepressible youth and promoted defiance and revolt. In the 1950s, Madison Avenue deluged the country with images of junior executives, happy housewives and idealized families in tail-finned American cars. But the author of this study seeks to show how, during the "creative revolution" of the 60s, the ad industry turned savagely on the very icons it had created, using brands as signifiers of rule-breaking,…
I was a Brooklyn kid who grew up on Long Island. I started hitting the bars and clubs in NYC when I was still a teenager. I found my way to CBGB in 1975, moved to Bleecker St in 1976, and in a right place/right time moment I found myself working the Mudd Club door in early 1979. That moment was a life changer. The Mudd Club book tells the story.
The best book written about 1960’s Pop-Culture madness and mayhem. As founding member of The Fugs and a unique literary voice, Ed Sanders tells this tale brilliantly. The warning signs, the goosebumps, and knowing when it’s time to stop are all there in The Family.
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This novel is a strange triptych, with three tangentially connected parts that all have to do with the darker side of the '60s counterculture. I loved it.
One part is about the early days of the Rolling Stones, with the band members themselves as characters. Then there’s avant-garde filmmaker Kenneth Anger, who made a movie in which Mick Jagger appeared alongside Bobby Beausoleil, who later joined the Manson Family. The third part is about the Manson Family itself, leading up to their inexplicable crimes.
The book engaged and compelled me in spite of (also because of) its disjointed nature—it’s beautifully written and a true work of art.
Three dramatic and emblematic stories intertwine in Zachary Lazar's extraordinary novel, Sway -- the early days of the Rolling Stones, including the romantic triangle of Brian Jones, Anita Pallenberg, and Keith Richards; the life of avant-garde filmmaker Kenneth Anger; and the community of Charles Manson and his followers. Lazar illuminates an hour in American history when rapture found its roots in idolatrous figures and led to unprovoked and inexplicable violence.
Connecting all the stories in this novel is Bobby Beausoleil, a beautiful California boy who appeared in an Anger film and eventually joined the Manson "family." With great artistry, Lazar…
