Fans pick 100 books like St. Patrick's Gargoyle

I’ve loved creating and writing stories since childhood, and my ambitions started early. I started one of my largest and longest writing endeavors back in middle school—novelizing a popular video game called Chrono Trigger—and even into adulthood, it stretched into a serious effort. I used it to hone my writing craft for years, constantly bouncing feedback off others. Eventually, people started to tell me that the best parts of that story were the scenes I added to enhance it, and I finally decided that I wanted to pursue the creation of my own fantasy series. 

These characters exist outside their natural world, forced to adapt. As a white child in the Bahamas, then a foreigner in the US, and finally a gringo in Guatemala, I’m always the odd man out, wearing many different masks to fit in. Because of this background, my views have always clashed, and gave rise to some interesting conflicts that became my own books. Like these fantasy heroes, I had to stop trying to be something I wasn’t to fit in and instead embrace my own weirdness, rejection be damned. These books all push people to think empathetically, and I hope to carry on that tradition, opening the minds of others.  

I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.”  When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.

I’ve been reading/gaming and writing fantasy for over 40 years. My interest in the genre began with mythology, then spread into the now countless branches of the Tolkien tree. Along with the great quests and magic items, I was always enchanted by the non-human characters populating these magical worlds. Not just the elves, dwarves, and dragons, but the intelligent animals and mythological creatures like pegasi, minotaurs, treants, big cats, snakes, apes, eagles, gargoyles – the list is endless. Some were good, some misunderstood, and some were evil incarnate, but almost always, I found their stories the most intriguing. As a result, their stories will be a big part of my new series, The Tamm Chronicles.

I’m a bright bubbly person with a dark, sinister imagination. As an Irish journalist turned fiction writer, the thrillers I write reflect some of the challenging crime scenes I’ve reported from. While the whodunnit element in crime-writing is extremely important, equally, I prefer to have my readers fascinated with the whydoneit. I love writing about dark pasts, buried secrets, simmering resentments, and how they shape my characters in such a way that creates delicious unease and urgency. I like to use settings like tiny Irish villages to enhance the often insular nature of locals protecting their own. The picturesque settings in my books create mood and tension and which include the landscape as character. 

I’ve always loved to read and laugh, and the weirder the humor, the better. It’s a strange and turbulent world out there, and sometimes, it seems like you have to laugh for crying. Fortunately, there are plenty of other talented writers and entertainers out there who share this outlook – and not just authors. Many musicians, actors, and comedians can convey this sense of cosmic absurdity, and I’m a huge fan of most of them. These books just skim the surface of the wild worldviews of kindred spirits who are capable of appreciating just how weird our society really is and can lampoon it to hilarious effect.

At a time when our news feeds are dominated by war and disease and brain-dead politicians I find my escape in the genre known as ‘uplit’ or ‘uplifing literature.’ These are feel-good stories that have a simple goal, to introduce us to characters like ourselves – human, fallible, unreasonable, and flawed – and take us on a journey with them through thick and thin. Not every story ends in the happiest of endings but the reader is always left with a sigh of satisfaction and a feeling of hope. And couldn’t we all do with a bit more of that?

Growing up, I didn’t understand the hypersensitivity I felt to my own inner world and the outer. Highly alert to both interoceptive and exteroceptive data, I often felt overstimulated and overwhelmed by the intensity to which I experienced my own feelings, the feelings of others, and sensory inputs. I thought there was something wrong with me because being a feeler is generally seen as a weakness. I now write novels about quiet, sensitive, introspective young people for others who feel like I did, as a way to share the true power within this way of being, which I have discovered to be a gift, not a curse over time.

I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.

When I start a new book, my aim is to write something completely different from what I’ve written before. It’s challenging, but also important to keep things fresh. To me, a blank slate before each story is thrilling. To start with nothing, and end with something wholly original. This Never Happened, my third book, began with a feeling we’ve all had before: the feeling of not belonging. I asked myself, “What if I really didn't belong here, but was meant for somewhere else entirely?” From there, I created a character who grows increasingly unsure of his own identity and reality, themes that are also present in my selection of books below.