100 books like South Side Girls

Growing up, Marlene learned about the Holocaust through stories about members of her mother’s family who died in the Holocaust. As a Lutheran growing up in Minnesota, Fern learned little about the Holocaust. As whites, neither of us learned much about the Jim Crow era in the US or the northern migration of southern African Americans during that era.

Isabelle Wilkerson grew up knowing the stories of her parents’ migration north to Washington, DC. Those stories shaped her desire to chronicle the Great Migration (1915-1970), in which millions of African Americans left the Jim Crow South for better lives in northern cities. Although many achieved success that would not have been possible, they experienced the same interpersonal and institutional racism in the North that they thought they were escaping from.

Wilkerson, a journalist, gives us the sweep of history grounded by the stories of four African Americans. 

The Promised Land is written in an engaging, eloquent style that makes it an excellent introduction to the history of the Great Black Migration. A noted journalist, Lemann interviewed dozens of migrants and their descendants to create a richly textured story of their experiences. Layered onto this story is description and analysis of the political contexts for the migration, including the civil rights movement and the Great Society programs. He follows a group of Black Americans from the Mississippi Delta to Chicago and, in some cases, back. He shows how the migration affected not just the migrants themselves, but America as a whole, for it shifted race relations from a regional to a national problem. Chicagoans like me will enjoy its wealth of local detail.

I’m pretty certain Invisible Man is The Great American Novel. Some lines make me laugh aloud: “I would remain and become a well-disciplined optimist and help them to go merrily to hell.” But the moments that really sing for me are those that ring with humor, horror, tragedy, and beauty all at once.

Near the end, during a moment when the nameless narrator hides and listens to some men telling a story, he aches with the urge to laugh while realizing what’s been said isn’t only funny: “It was funny and dangerous and sad.” The book reminds me that all of those things can be held in my head at once. 

An Alabama native who moved to Detroit as a young child, renowned Black press reporter Herb Boyd paints a lively, knowing portrait of the world that his fellow Southern migrants and their offspring made in his hometown. The sweeping study examines the role that Blacks played in shaping the American car industry and autoworkers union, and fleshes out the backstories of legends who were raised or came of age in Detroit and went on to transform our national culture, from Malcolm X and Aretha Franklin to record mogul Barry Gordy and the young local musicians who became the superstars of Motown Records.

Margo Jefferson is one of the smartest humans on the planet and her memoir reflects that. She tells her story as intertwined with the story of her first cultural context—the Black elite of the 1950s, and the crisis of identity she experienced with the rise of the Black Power movement of the 1960s. She brings her critic’s sharp intelligence and wit to bear in every paragraph, but doesn’t hold back any of her heart. It’s a terrifically moving book and a masterpiece of personal/cultural criticism, full of elegance and nuance. 

Balto explores how the Chicago police, from 1910 to the 1970s “built an intricate, powerful carceral machinery whose most constitutive feature was an extreme racial selectivity.” Black people are over-policed and under-protected. Balto focuses on policing and anti-blackness. Black Chicagoans’ complaints of torture and “aggressive prevention patrol” by the police went on for decades and was essentially ignored by those in power. Balto tells the story of a racially repressive police force. In two decades, from 1945 to 1965 the Chicago police grew more punitive as the department doubled in size. Black communities were targeted by the CPD, in large part, because black was equated with criminality.

This is an extraordinary book: stories, in the voices of those who experienced it, about living in public housing projects in Chicago before these homes were demolished starting in the 1990s. Of course, there are memories of crime, gangs, drugs, violence, police brutality, sickness, and death: sometimes understood as the product of urban life, capitalism, and racism, but also as the product of individual mistakes and failures. But mostly these witnesses tell of community, of self-respect and determination, of learning to survive and even resist.

Students in my urban history class in a prison education program in Illinois reminded me that “urban” in their world—which was often precisely the world of High-Rise Stories—meant not the city as a whole, but the inner city, the world of the street, of the marginalized, of people of color. This is a compelling window into that story, told by people who lived it:… show more.

Many believe the myth that post-war public housing was constructed to help house the poor.  Hirsch focuses on the business and educational leaders who created urban renewal and public housing legislation to reveal their actual goal – to grab valuable land and displace African American residents who they viewed as threats to their investments. Like white working-class Chicagoans, these elites sought to exclude Black Chicagoans, but the white working class used riots and overt violence against Black residents who dared to enter their communities, while elites simply changed the laws to enable their more genteel form of ethnic cleansing. Published in 1983, Hirsch’s book pioneered whiteness studies. It remains a brilliant, scathing work on the mechanics of white supremacy and the racial politics of urban space.  

Vera Abramowitz, ‘Dollface,’ was a flapper who got caught up with the mob.

Her two mobster lovers cause her life to take a downward spiral. Read how she puts the broken pieces of her life back together. Realistic and gritty, we see the flip side of the frivolous life of flappers seen in the movies.

This gorgeous coffee table book jam-packed with full-size photographs from every angle of the Fair. There is enough text to explain what the reader is looking at, but the glory of this volume is the photography. The map at the front is one of the best I’ve found, as well.