Fans pick 100 books like South Side Girls

It’s hard to know quite where to begin with this book–there is so much to love.

This book tells the story of the Great Migration of African American people out of the South across the United States to Chicago, New York, California, and beyond; it transforms and fills in a crucial part of American history that every American should know to understand our present day. But for me, what I love most starts with the way Isabel Wilkerson cares for people’s stories. 

Wilkerson tells this decades-long, sweeping, under-told story through individual stories that are so detailed and compelling, so thoroughly contextualized with historical research, that I was completely enmeshed in these people’s lives, their struggles, their loves, and their feelings. I cared. In the years since I read it, stories from the book often come to my mind, teaching and guiding me like the words of a beloved relative. 

The Promised Land is written in an engaging, eloquent style that makes it an excellent introduction to the history of the Great Black Migration. A noted journalist, Lemann interviewed dozens of migrants and their descendants to create a richly textured story of their experiences. Layered onto this story is description and analysis of the political contexts for the migration, including the civil rights movement and the Great Society programs. He follows a group of Black Americans from the Mississippi Delta to Chicago and, in some cases, back. He shows how the migration affected not just the migrants themselves, but America as a whole, for it shifted race relations from a regional to a national problem. Chicagoans like me will enjoy its wealth of local detail.

Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.

Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel. 

An Alabama native who moved to Detroit as a young child, renowned Black press reporter Herb Boyd paints a lively, knowing portrait of the world that his fellow Southern migrants and their offspring made in his hometown. The sweeping study examines the role that Blacks played in shaping the American car industry and autoworkers union, and fleshes out the backstories of legends who were raised or came of age in Detroit and went on to transform our national culture, from Malcolm X and Aretha Franklin to record mogul Barry Gordy and the young local musicians who became the superstars of Motown Records.

Margo Jefferson is one of the smartest humans on the planet and her memoir reflects that. She tells her story as intertwined with the story of her first cultural context—the Black elite of the 1950s, and the crisis of identity she experienced with the rise of the Black Power movement of the 1960s. She brings her critic’s sharp intelligence and wit to bear in every paragraph, but doesn’t hold back any of her heart. It’s a terrifically moving book and a masterpiece of personal/cultural criticism, full of elegance and nuance. 

Balto explores how the Chicago police, from 1910 to the 1970s “built an intricate, powerful carceral machinery whose most constitutive feature was an extreme racial selectivity.” Black people are over-policed and under-protected. Balto focuses on policing and anti-blackness. Black Chicagoans’ complaints of torture and “aggressive prevention patrol” by the police went on for decades and was essentially ignored by those in power. Balto tells the story of a racially repressive police force. In two decades, from 1945 to 1965 the Chicago police grew more punitive as the department doubled in size. Black communities were targeted by the CPD, in large part, because black was equated with criminality.

Many believe the myth that post-war public housing was constructed to help house the poor.  Hirsch focuses on the business and educational leaders who created urban renewal and public housing legislation to reveal their actual goal – to grab valuable land and displace African American residents who they viewed as threats to their investments. Like white working-class Chicagoans, these elites sought to exclude Black Chicagoans, but the white working class used riots and overt violence against Black residents who dared to enter their communities, while elites simply changed the laws to enable their more genteel form of ethnic cleansing. Published in 1983, Hirsch’s book pioneered whiteness studies. It remains a brilliant, scathing work on the mechanics of white supremacy and the racial politics of urban space.  

This is an extraordinary book: stories, in the voices of those who experienced it, about living in public housing projects in Chicago before these homes were demolished starting in the 1990s. Of course, there are memories of crime, gangs, drugs, violence, police brutality, sickness, and death: sometimes understood as the product of urban life, capitalism, and racism, but also as the product of individual mistakes and failures. But mostly these witnesses tell of community, of self-respect and determination, of learning to survive and even resist.

Students in my urban history class in a prison education program in Illinois reminded me that “urban” in their world—which was often precisely the world of High-Rise Stories—meant not the city as a whole, but the inner city, the world of the street, of the marginalized, of people of color. This is a compelling window into that story, told by people who lived it:… show more.

This book is remarkable for Lewis’s unique profile, which combines status as a major contributor to, as well as a critic of, creative improvised African-American music. It tells of the Association for the Advancement of Creative Music (AACM), an organization focused on freely improvised music, which is unique for having wedded aesthetic innovation with the struggle for social justice.

Steve’s headshot is still hanging in both off-the-beaten path and famous restaurants in Chicago having been known as the “Hungry Hound” when he was the premier food reporter for ABC/Channel 7.

He’s now with Channel 5, and he continues to report on lesser-known restaurants and chefs in the city. In fact, he’s made people famous just by his endorsements! That’s why I love his focus on tavern-style pizza. That’s much less talked about than deep dish so there’s lots to learn by this book!