Love South Pacific Handbook? Readers share 96 books like South Pacific Handbook...

OK, I’m a historian. I think the origins are interesting. Herman Melville’s book was there at the start of intruder tales. It is also a virtual time transformer, transporting the reader to a vivid other time and place. The narrative is based on Melville's experiences on the island of Nuku Hiva in the Marquesas Islands, where he deserted the ship to hang out.  The prose, like Stevenson’s, has that considered, flowing, Victorian narrative style I find refreshing—the type of prose you wrote slowly with a quill pen.

This book and its subsequent sister volume Omoo were Melville’s most famous books in his lifetime, far better known than Moby Dick. It is considered a classic in travel and adventure literature.

This book is one of those books I reread every few years for the pleasure of Stevenson’s prose mastery and its richness in accurate detail of South Pacific Island existence.

RLS ranked this novella among his top accomplishments. Written in his final years at his home on the island of Upolu in Samoa, it is a lesson in the art of storytelling. Set on a small South Seas Island, it encapsulates in its tale of one white trader’s experience the essence of the human interface between two disparate cultures. While his In the South Seas journals more deeply explore the intricacies of island life, This book takes you there 150 years ago.

In Samoan, white people are called papalagi, which means skybreaker. All the other books on this list are by papalagi, intruders, or outside observers, I called them.  John Kneubuhl was a native Samoan.  His father was a U.S. sailor. So, in a way, his observer/observed situation—the interface, the dialogue between the two disparate cultures—was internal. In these three acclaimed plays, Kneubuhl brings to life memorable characters who embody—and sometimes resolve—that conflict.

These three plays—Think of a Garden, Mele Kanikau: A Pageant, and A Play, A Play—portray the true lives of twentieth-century, “post-colonial” Polynesians. They are the culminating works of this stage, screen, and TV dramatist’s long and accomplished career, and they deserve to be read.

Before M*A*S*H and Catch 22, Michner’s book gave American readers a captivating view of the human side of U.S. soldiers and sailors at war in the South Pacific. This sequential series of interconnected short stories set in Vanuatu and the Solomon Islands works like the best TV mini-series. There are not just sailors and marines; there are locals and colonial characters. 

A great read. Don’t just take my word for it: it won a Pulitzer in 1947. And yes, the highly successful musical play South Pacific by Rodgers and Hammerstein is based on stories from this Michener classic. 

An incredible motivating story of a man who refused to allow his poverty-stricken working-class life define him. Tony Williams, a school caretaker, had a dream to move to a desert island. His peers in his dead-end town ridiculed him, but he persisted with his ambition. Saving up money by pretending they smoked, and needed to buy cigarettes every day, Tony and his wife managed to travel to and live on uninhabited islands in the South Pacific twice, once with their kids. Anyone who believes their own personal circumstances prevent them from achieving their dreams needs to read this book, as well as anyone interested in the Cook Islands and the South Pacific lifestyle.

Ben Finney was a surfer, sailor, and anthropologist who spent his career at the University of Hawai‘i and was a founder of the Polynesian Voyaging Society (PVS). The PVS built Hōkūle‘a, a double-hulled sailing canoe modeled on a traditional Hawaiian design but constructed of modern materials.

Finney, then, was part of a team that sailed from Hawai‘i to Tahiti in 1976 without instruments under the leadership of Pius “Mau” Piailug, a renowned navigator from the Micronesian island of Satawal. This book is Finney’s account of that journey and its many challenges.

Hōkūle‘a and the PVS’s experience helped inspire me to write my volume on Anutan seamanship, and Finney wrote the foreword. Later, in 2007, he joined me in a study of Taumako voyaging.

We have focused our recommendations on Melville’s (and other people’s) takes on Polynesian islands, but Melville also wrote about another crucial Pacific archipelago, the Galápagos Islands. His collection of sketches, “The Encantadas,” explores a very different world from Nukuhiva, Maui, or Tahiti, one nearly empty of human inhabitants, given over to birds, tortoises, iguanas, and insects. Yet here as elsewhere, Melville finds plenty to satisfy his “itch for things remote.” And here as elsewhere he meditates on human nature: the misfits, petty tyrants, and exiles who might find a home in such a forbidding place. If you think of Melville as an entertaining chronicler of the Pacific world, you will find much in that vein here—but also philosophy, history, and a sort of melancholy romance.

I read this book before we embarked on a two-year mission to Tonga, and it created in me a picture of the South Pacific that proved to be somewhat misleading – largely because I didn’t pay enough attention to the fact that it was set in the 1700s and on Tahiti, which is quite different from Tonga.

Nevertheless, it was worth reading. First, because it is still a thrilling story, even after so many years. And second, because little did I know that some months later I would travel on rickety rusty fishing boats to visit remote islands at roughly the same location where the mutiny on the Bounty had occurred about 200 years before me.

The version I read was published in 1980 (by Sir John D Barrow), but I recommend this version as it makes the topic more accessible. It is a piece of South Pacific history that… show more.

Imagine, if you will: the world’s tallest mountain suddenly appears in the middle of the ocean. Where did it come from? What is its purpose? And what happens when dumb, curious humans (a natural but very dangerous combination) decide to go investigate?

They certainly don’t have fun! But the reader will because this horror novel is so wonderfully weird that I was gobsmacked by the time I finished. You can’t be sad when you’re wondering if there are monsters in the snow…

As if a plague of memory loss that eventually makes you forget how to breathe isn’t scary enough, Cutter takes us deep under the ocean, to a lab where something has gone terribly wrong with our potential saviors. This is the most claustrophobic book I’ve ever read. You can feel the crushing weight of the water and the dark just outside the lab’s walls. There’s a wonderful sort of madness to the whole thing, and one scene, in particular, continues to haunt me.