100 books like Slogum House

This is a no-holds-barred account of prostitution in Denver’s Market Street district with all the accompanying Wild West behavior this implies. Secrest’s account is well researched, the photographs are fascinating, and it brings the seedy side of old Denver back to life! Be prepared for rather graphic descriptions of “the trade” replete with accounts of alcohol, drugs, and varying forms of violence and crime. A must-read for people interested in Denver’s History, the Wild West, or frontier prostitution.

Of the six books the late Ms. Butler authored in her lifetime, this one is by far my favorite. Her academic account of the prostitution industry is all facts, with plenty of sources to back them up. There is no flowery talk here, just the truth of how women of the demimonde lived during the late 1800s.

By now, readers can get a sense of where my recommendations are going with all of this. Life in the West was hard, and alcohol and drugs were turned to (often) to help reduce the pain, discomfort, and loneliness of living in the western United States. Whiskey tended to be of poor quality, drugs were not known to be addictive, and a lot of the stereotypical old west behavior stemmed from the use of liquor and drugs – often to the detriment of the users…and innocent bystanders.

An atypical Western, I loved its unusual, yet believable plot.

A drifter, George Briggs, is hired to bring four women, maddened by the bleakness of the Nebraska plains, east to civilizational care.

Briggs fulfills his contract, guiding them through the threat of Indian attacks and other challenges to safety. A feeling pervaded the story that Briggs had been given one shot at elevating himself above an otherwise unremarkable life and he came through. This is a feature that I love in almost any story–the idea of redemption.

I love to believe that potential exists within me.

This anthology “blends western grit with the magical and mysterious unknown that waits beyond the next horizon” and includes both a great range of stories and some delightful illustrations. “Abishag Mary” by Frances Rowat brings sea-based imagery deep into the landlocked deserts. “Frank and Earnest” by Tonia Brown features some cracking dialogue, not to mention a villain who seems entirely out of place and mostly baffles the two heroes. Other stories venture beyond the Old West, including "Fifteen Seconds" by Scott Hungerford featuring an alien invasion of a different kind in a more recent West. An excellent collection!

The Broken Gun has one of the tightest plots of any of the many Western novels from the late, great Louis L’Amour. L’Amour’s Westerns are almost all set in the mid-1800s. His good guys are good, and his bad guys bad. His books are all fun, easy to read, full of action, and keep you turning the pages. Some readers think Louis L’Amour was a 2nd rate writer…but he knew what he was doing & literally millions of folks have loved his books. Many, like myself, have read all of his Westerns, some of them several times. When I go camping I always toss in a few of his paperbacks. When it’s too windy to fish, I kick back and re-read a Louis L’Amour Western. Always fun.

I’ve been to the Tomboy Mine. All that’s left of the camp are old foundations in a rocky basin above timberline, surrounded by high peaks, 3,000 feet above Telluride. The only gold left behind is in the rich hues of a Colorado sunset. While the Tomboy may be gone, it’s the same view Harriet Fish Backus saw every day. Life at a remote mountain mine was full of “mishaps and makeshifts,” and she kept a diary of daily events. Nothing she writes is a dull description, nor is it the soaring purple prose of Victorian-era romanticism. Her account of mining life in 1906, from a woman’s perspective, detailing daily routines, friendships, and fears, is invaluable as a western author, to create believable female characters in the Old West.

The public was introduced to Wyatt Earp’s story by Walter Noble Burns and Stuart Lake around 1930, but the novelistic liberties taken by these two writers produced two books of fantasy. Other writers who reacted to this fiction swung to the other end of the spectrum and wrote damning indictments against Wyatt Earp. Tefertiller gives us the facts and leaves it to the reader to parse Wyatt Earp, the man.

I have visited many a Sonoran Desert site with Mr. Tefertiller—places where events in the Earp saga took place. There we have engaged in conversations and batted around ideas. I judge him to be a most reliable and dedicated researcher/writer.

While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.

Bob Fudge worked for the famous XIT, a large cattle outfit based in the Texas Panhandle, during the late 1800s and early 1900s. Bob Fudge lived an iconic cowboy life, driving cattle from Texas to Montana. He told his life story in 1932, a year before his death. I first heard about this rare book during a song intro, by western singer Ian Tyson on his Live At Longview album. Before he plays the song “Bob Fudge,” Tyson tells a story of how someone left this book on his guitar case during an earlier performance—and it captivated him. The book captivated me, too, and served as inspiration for my own western novels. Another Canadian western singer, Colter Wall, recorded a live cover version (watch it on YouTube) that is quite cool.