21 books like Sing the Four Quarters

This Young Adult romance takes place over the course of a single weekend, and it captures the urgency of young love perfectly. Sure Olivia and Toni fall hard and fast, but it’s no wonder—a great music festival can pull you far enough from your day-to-day that you feel as though you’ve been there a lifetime, even as an adult. And this book captures that so clearly, bringing you right into both girls’ perspectives, letting you feel every triumph and every moment of despair as they chase their dreams, musical and otherwise, and figure out who they are.

This romance novel takes the classic “opposites attract” trope and spins it into a heartfelt exploration of loneliness and connection, turning points and second chances. Indie rock guitarist Ali knows she should quit dreaming about her brother’s band hitting the big time and commit to her future career in engineering, but it hurts to let go. Kristen has been a country pop star since she was a kid, and the grueling lifestyle has already taken its toll on her. I loved seeing them gradually come to trust one another through their shared passion for music, and the scenes where they write songs together are as intense and charged as the romantic scenes.

This is a comfort read I come back to again and again. It’s a historical fantasy filled with political intrigue and with multiple overlapping storylines, and I revel in the rich historical detail of 18th-century Austria. But the heart of the novel is the romance between timid young widow Charlotte von Steinbeck and charismatic castrato Carlo Morelli. Both outsiders in their own ways, they’re brought together by a shared appreciation of music, and their relationship gives both of them the courage to push back against the narrow expectations imposed on them by society.

More music-and-magic—this one is an alternate history, part of a series set in the invented European country of Alpennia that explores the lives of a community of queer women in the early 19th century. While not exactly a romance, Mother of Souls focuses on the relationship between Serafina, who can see magic, and Luzie, who has musical powers that only Serafina can perceive. Both women are struggling in different ways, and I loved seeing the way their relationship and their musical connection helped them both to move forward. I also loved the depth of the worldbuilding—the city of Rotenek feels as real as any place I’ve been to.

Although magic doesn’t feature as strongly in this as the other recommendations and in the subsequent books in the series, I recommend this it cleverly disguises magic within the world, it's not showy but still believable, something which makes you think. It's also a gripping tale that connects Atlantis with the stories around King Arthur.

Another odd couple adventure story, the travels and adventures of Sigurt and the Bard in a historical setting were fun, authentic, and a reminder that grand adventures don’t always need magic.

With a bard as a pov character, there was a lot of song in the book, and the modest aspirations of our heroes (a decent meal and sleeping by the fire) are a welcome change from the powerful and ambitious protagonists you often see in the genre. 

The medieval fantasy in this book was juxtaposed with band culture for the bard MC early in the book, which gave me a few laughs. I love all of the characters, but even more, I love that I didn’t like them all at first. One character came across too cheery while another was too stuck up, but I ended up loving them all by the end. The world is one I would adore stepping into for a week to live in, so it’s a very good escapist read. The MC’s directive is so simple, since he’s just trying to get into a bard group and prove his family wrong. The fact the scenario twists into so much more but remains so wholesome reminded me of the anime Spice and Wolf.

I don't ordinarily care for stories about dragons or speaking animals, but this book's beautifully written descriptions of them and their world made it compelling, and the singing dragons remained in my memory long after the first time I read it. Moreover, the familiar elements of such fantasy–a hidden prince, animal companions, magical objects, imprisonment in a dungeon, and so forth--are here presented in unique and believable ways. The protagonists are heroic but vulnerable and the villains who seek to enslave the world are truly evil, so that the reader feels that what happens to them really matters. And looking it over recently, I was struck by the realization that in the years since its first publication in the 1980s the timeliness of the story has increased.

In a Celtic-feeling village the reader follows the story of an absolutely ordinary protagonist, Idris. He’s a poet who chooses great peril in order to discover the truth behind a growing despair plaguing the land.

It is the end of times, according to all the oracles. But Idris refuses to accept annihilation’s cold embrace. As the villagers scrape by despite sickness and blighted crops, the bard goes on a search for hope. In the haunted, banshee-infested moor, he discovers the door on half-bald hill.

I really loved this story because it was all my favorite things—a bleak, earthy landscape with a sharp sense of foreboding haunting every page, and in sharp relief, a group of very real persons, each fostering a flame of hope despite overwhelming burdens and gnawing griefs. 

The War God series follows the development of an unlikely orc-analog paladin, Bahzell, which would be entertainment enough: but Bahzell’s best friend, a would-be quasi-orc bard, Brandark, remains his steadfast companion throughout all his unlikely adventures. The best part of their relationship is definitely their communication: via humorous barbs and perfectly timed silences. Sheer fun!