100 books like Shaman

I love Ted Chiang’s short stories. Chiang’s background is in computer science, and he’s drawn to questions concerning the relationship between language, technology, cognition, and the physical universe. 

His stories are fascinating thought experiments: They depict how a change in the medium or format of language transforms meaning and opens new possibilities for what language can be and do, what humans can think and know, and what it means to be a thinking, speaking human against the backdrop of a vast, infinitely complex universe. His stories are often backed by years of detailed research.

When I read Chiang, I find myself entangled in a strong emotional bond with his characters even as I ruminate on larger questions about what it means to be a language-using human. 

This is a tiny little book and nowhere near as famous as her Silent Spring, but it doesn't need long to work its magic.

The Sense of Wonder helps you lay aside the habit you've developed of ignoring things you think you know, the familiar. To head into the woods with a child and hold back from telling them what things are and instead to see things with them and through those eyes.

I've done this with my daughters and have seen worlds I would have missed with them. As Carson writes: “Exploring nature with your child is largely a matter of becoming receptive to what lies all around you."

I read this book thinking I'd learn about a speedy little 40g bird that never stops flying and that people used to think flew to the moon in winter.

But the book is a non-fiction love song to all life on earth that spins outward weaving together everything it has taken to make a world that could have swifts in it. It is literally wonder-ful and a masterpiece.

A book I resisted reading for a long time simply because everyone told me I had to read it. I am glad I stopped being pigheaded about it.

Through an anthology of essays, Leopold explores the ecology of his farm in Wisconsin as it changes through the year and explores philosophy, ecology, our relationship with the land and nature, and indeed with ourselves. But no description really does it justice.

It is a beautifully crafted set of thoughts that inspired the American conservation movement and remains an important work. To read it is to be walking in nature with Leopold, and for me, that is an awesome place to be. I wish I’d read it earlier.

The use of deep caves for rituals and creating extraordinary paintings has provoked many discussions on why people did this so long ago. There are many theories, but one of the most discussed ideas is that the paintings were produced by shamans as records of their spiritual visions, or to connect with their animal spirit helpers. Lewis-Williams and Clottes are the leading proponents of this interpretation. They rely on comparisons of the Stone Age art with art produced in historic times by Bushman shamans in South Africa. This is an excellent introduction to Paleolithic art and arguments about the art. My own explanation shares some aspects of their model, but focuses on secret societies (shamans were usually members). This is also a main feature in my own book.

I love the main character, the strongest woman in literature, who, in late Paleolithic times, literally invents the modern world. She is strong but thinks herself weak. She is beautiful but thinks herself ugly. She circumvents and overcomes every instance of adversity thrown her way. I want to be her, and the book permits me to wear her shoes.

I have been highly influenced by Jean Auel’s storytelling, especially the graphic scenes of Ayla’s loss of innocence, growth into sexuality, and descriptions of lust, love, and completion.

This book is not erotica, yet the love scenes are the best I’ve ever read and are a roadmap to create tension and heat in my writing. With her influence, my audience laughs, cries, and cheers their way through my books.

I remember reading this slim volume for the first time and being amazed by its clarity. For elegance and power of explanation, it is impossible to beat. For me, it was the bridge between my understanding of the individual human mind and minds in societies and in culture—especially ancient and prehistoric societies. I have always been fascinated by the evolution of the mind, and books that dare to deal with that topic are rare indeed. This one stunned me with its sophisticated descriptions of the types of myth we use throughout our lives, a sophistication matched with clarity of vision rarely put down on paper. It has always been a profound inspiration to the themes of my novels.

This one is 359 pages and says almost nothing about the 20th century. It is quirky in terms of what it includes and what it leaves out, but reliable in its facts and judgments, and full of insights I haven’t encountered elsewhere. It does not bother with grand theories or overarching narrative, but focuses on what the author finds interesting. Cook is a specialist on the history of Islam, which gives the book an uncommon vantage point. 

This is actually an edited book of papers dealing with the social organization among prehistoric and ethnographic hunter-gatherers. It is one of the few publications that discusses issues like inequality from a variety of different viewpoints, including diametrically opposed views about Upper Paleolithic societies – whether they were egalitarian or non-egalitarian. Another important aspect of this volume is the inclusion of ethnographic hunter-gatherers to generate insights into how prehistoric hunter-gatherers could have organized themselves. Some unique features include the examination of dogs as indicators of inequalities and the nature of the cave paintings as indicators of inequalities. Mobility, population densities, surpluses, and many other factors all create a heady brew of debate and intriguing ideas. This book is highly recommended, even if a bit technical.

Hapgood was a lecturer who used the bright young minds of some of his graduate students to make a detailed study of a pre-Columbian map drawn in 1513 by a Turkish Admiral by the name of Pirie Re’is. Rei’is had drawn his map using source maps made by Alexander the Great and even earlier peoples. It is of the Atlantic showing the Americas correctly drawn and placed. There is an ice-free Antarctica where the correct outline of the coast of Queen Maude land is less than 7 miles out of place. Hapgood’s similar analysis of other maps shows that there had been a global civilization on this planet sometime in the past.