Fans pick 100 books like Sex Workers Unite

I really have no idea how Corporate Crush ever ended up in my hands.

The set up was all wrong for me—the boss and admin trope (power disparity concerns), the female villain defined only by her money-grubbing ways (eyeroll), the romantic relationship controlled by a formal contract (both ew and legally unenforceable). But I quickly discovered that I, as the judgmental reader, was the only one-dimensional villain in this story. 

After I put down my ego, I discovered a hilarious book about strong, smart, potty-mouthed women fighting for power in an ever-antiquated corporate America. It promotes body positivity, shifts traditional sexual power dynamics, and is sexy as hell both inside and outside the bedroom. 

I am a sucker for any and all sapphic romance but throw in two main characters that are individually powerful before they find love...and I’m done. Stars Collide got to me, folks, and not just for its portrayal of strong female leads.

This book sticks with me because of its thoughtful description of an older woman discovering her sexuality. It challenges the idea that all people are able to define their orientation early in life and allows older people to question their sexuality, despite any past romantic relationships (even, gasp, the infallible institution of marriage!). 

In fairness, you may not have missed this book. However, I will die on my hill arguing it has not yet received the accolades it deserves. 
Among many other topics, Honey & Spice brilliantly explores modern romance through the eyes of college students—a topic very near and dear to my own sappy, romance-author heart. It questions sexual dynamics from both male and female perspectives, with emphasis on unpacking underlying gender stereotypes and evolving the concept of sexual consent.

With its unflinching descriptions of slut-shaming and its gratifying treatment of those that dare use women’s sexuality against them, Honey & Spice should be dominating any romance reader’s TBR list.

A Witch’s Guide to Fake Dating a Demon is a laugh-out-loud read with just enough spice and tension to get you squirming in your seat.

I adore the grumpy x sunshine dynamic between the two leads, Mariel (the witch who accidentally summoned the demon) and Ozroth (the aforementioned demon who wants Mariel’s soul). This is a fun, delightful, and heartwarming paranormal romance with great stakes and plenty of shenanigans. If this unlikely pair is able to find love, then so can you!

The plot of this book seems simple enough. A guy goes to Vegas to drink himself to death, but whilst there, he develops a relationship with a prostitute. Now, if this were Hollywood, they’d end up eloping and starting a new life together. Yet, whilst there is indeed an excellent Hollywood adaptation of it starring Nicholas Cage, it is no less bleaker than the novel it is based on. A novel that was written by an alcoholic who killed himself and whose book was called a suicide note by his father.

Despite its sadness, however, the book is beautifully written. Aside from its doomed romance, it also has a romantic sense of being doomed, which I like.

Franklin’s book is one of the key inspirations for my book, The Reapers Are the Angels. Combining a frontier western sensibility with Faulkner’s wicked gothic brutality, Franklin tells an engrossing tale of a young prostitute who finds herself mired in a world of outlaws, perverts, dandies, and murderers. Frantically running back and forth between high comedy and guttered grotesquerie, this story feels like it’s just barely clinging to its own rails—and that sense of dangerous tipping is what feels so thrilling about it. What Franklin inherits from Faulkner is a wide-eyed beguilement with degeneracy—or what Conrad would call a “fascination of the abomination.”

Maria Luddy is one of the pioneers of Irish women’s history. I love this book because it was one of the first to focus in such a specific way on women and crime/deviancy in the Irish past, paving the way for subsequent research in this field over the past two decades.

The author uses sources found in archives and libraries to offer glimpses of the experiences of women who sold sex in nineteenth- and twentieth-century Ireland and the world in which they lived. The historical context is very well developed, with assessments of annual statistical returns, reports of hospitals and other institutions, and analysis of contemporary attitudes. It is an impressively detailed book, but is also very readable and is a go-to for those of us researching Irish women and crime.

I absolutely loved this book, set in the London of the 1960s. It starts with the murder of a prostitute and takes you into the shady world of Soho with its drugs and clubs, its swingers and its singers. A young PC is assigned to work with the CID to catch the killer, as he found the body. The writing is vivid and it appeals as the murder, though central, is only part of a broader picture of the London of that era.

In my quest to learn about the inner lives of 19th-century prostitutes, I found three memoirs, all gold mines. Demi-mondaines always used a stage name and that’s what the eponymous Madeleine chose. Even though she wasn’t a writer by trade, her story as a young “public woman” in the 1890s is riveting, and heartbreaking. When Madeleine’s autobiography was first published by Harper & Brothers in 1919, it caused a scandal and led to a lawsuit against the publisher. Harper eventually successfully defended itself but still ended up withdrawing the book from circulation. It wouldn’t be available to the public again for nearly 70 years. 

I read this years ago and then devoured all of Nawal el Sadawi’s books, fiction and non-fiction.

I have Iranian heritage on my birth father’s side and have always been fascinated in the life I could have lived as an Iranian girl, if I had been raised there instead of the UK.

So reading Nawal ed Sadawi’s books, set in Egypt where she was born, educated, and worked as a doctor and writer, gave me an insight I really wanted into Islamic societies and how women can live in them.

Woman at Point Zero is harrowing, brilliant, immersive, and painful, taking as its theme the story of Firdaus, who tells the story of why she has killed a man before she is executed. She explains why and her courage and eloquence have stayed with me ever since.

We need these stories of women on the edge who still, somehow, resist… show more.