100 books like Saturday

As a historian I have often felt the need to get to grips with the basis of western mythical-historical writing, meaning—Homer. After reading Mythos, I couldn’t resist reading Fry’s second book of his Greek mythology trilogy, and I was rewarded! Despite the often-confusing flood of Greek names of gods, Titans, divine mortals, etc. you can’t help enjoying this exciting read of Paris’ abduction of Helen of Sparta. As usual, Fry’s erudition is combined with side-splitting humor and wit. He has the brilliance to bring alive the ancient classical Homer’s Iliad to a modern-day audience. 

I pick Rendel’s books because she knows how to get inside the complex workings of the human mind. I have always been a keen enthusiast of Rendel’s crime fiction thrillers. What amazes me is her depth of understanding of human psychology. On the one hand, I just couldn’t put the book down, and yet due to the interest, it evoked I never wanted to finish it. The story revolves around a teenager Liza who is kept away from the outside world in an isolated rural mansion and is completely dominated by her mother. Secrets, murders, and love affairs interlock, twist and turn and evolve into a thrilling page-turner. 

I often like to break away from in-depth academic historical reading and indulge in lighter yet informative work. This always leads me to Cahill’s history books. He always has a new take, such as ‘how the Irish saved civilization’ to this intriguing book, Mysteries of the Middle Ages. He skillfully portrays here how medieval thought foreshadowed the making of the Renaissance and the development of the modern scientific era. Cahill’s talent is in his easy-to-read excellent prose and intellectual richness. His books are also well-illustrated with beautiful pictures and artistic layout.  

Every second book I read must be a history book. As history is not only my vocation it is also my passion. As a historian I always enjoy reading and rereading Cantor’s works on the Middle Ages. This particular book is one of my favorites; it is a really engrossing history and his knowledge is presented in such a clear, informative, and interesting style that makes it very readable for the general public. This book has been extensively revised and gone through numerous editions.  

This 1978 Booker-winner is said to be the British philosopher and novelist’s finest work. A celebrated London theater director retires from his dissolute show-business life to the seaside, only to encounter his lost boyhood love, for whom he renews a frightening passion made of equal parts nostalgia and fantasy. In addition to its Nabokovian study in obsession and its poetic air of Shakespearean romance, The Sea, the Sea is also a seminar in the ethics of art: the characters debate their obligations to other people, the viability of art when divorced from ordinary human concerns, and even—this is not strictly a realist novel—the morality of using magic to transform the world. Most novelists don’t face the ethics of art and literature this fearlessly; I love the challenge Murdoch poses to those of us who practice the art.

Mickelson’s Ghosts was the final book of famous novelist and equally famous writing teacher John Gardner, published a few months before his death in a motorcycle accident at the too-young age of 49. It tells the story of Peter Mickelson, a once-famous philosopher nearing the end of his career, and finding himself buying a run-down house he can't afford with his ex-wife and the I.R.S. breathing down his neck. Soon the rationalist philosopher finds himself living in a world of bad decisions, sex, hauntings and ghosts, and religious cults—a world where rationalism can’t save him from his own creeping madness and mortality. 

Lolita isn’t usually thought of as a crime novel but it is.

Thirty-seven-year-old Humbert Humbert stalks 12-year-old Lolita, then breaks all kinds of laws, moral, ethical, and legal, as he transports her across state lines.

The first time I read Lolita, I was dazzled by Nabokov’s stunning use of language—and remember, English was not his native tongue—word-play, and his ability to create full-blooded characters that leap off the page.

Nabokov pulls off this morally compromised tale with wit and humor, while dealing with the serious topic of pedophilia.

Reading Lolita gave me license to create morally challenged characters like Francis Hoyt, one of the protagonists in my novels.

Nabokov proved you don’t have to like, admire, or even feel a kinship with a character, so long as that character is interesting and compelling enough that readers are fascinated about him or her without being turned off.

Shiva Naipaul is a truly major Caribbean writer. He captures the volatile essence of that extremely unstable society. One added bonus is his inter-racial perspective, to which his Indian origins contributes decisively. This work ‘views a colonial world sharply with postcolonial perspectives.’ Any reader of West Indies fiction should combine a sense of history with some grasp of contemporary conditions. Although the novel was written in the 1960s, it still has a sense of contemporary relevance. Obviously, readers must keep their eyes open for younger writers in this mode. Naipaul’s works have rightly been integrated into the Educational System.      

I was captivated by Julian Barnes’ treatment of memory and time in this novel, which tells the story of Tony Webster and his group of school friends, whose relationships fracture and strain as life and death leave their marks on their lives. In his retirement, Webster's own memories of his youth prove unreliable.

I felt it was a well-paced and exquisitely written short novel, which makes impressive use of subtle imagery (the sight of the Severn bore is a good example–a nod to how the world can sometimes surprise us). He uses these subtly constructed visual reference points to illustrate this greater message on the relationship between time and memory.

As a piece of writing, I found it quite simply extraordinary.

Donald Westlake was the consummate professional, a writer’s writer with more than a hundred novels to his credit. 

Specializing in crime fiction, he created the blockbuster Parker series and was so prolific he needed a half a dozen pseudonyms just to avoid competing with himself in the marketplace. This book is his masterpiece. Period. Full stop. And if the first sentence doesn’t grab you, nothing will:

I’ve never actually killed anybody before, murdered another person, snuffed out another human being.

So let the games begin!