Here are 100 books that Rubbish! The Archaeology of Garbage fans have personally recommended if you like
Rubbish! The Archaeology of Garbage.
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I spent twenty years as a book publishing executive learning how the trade works before launching myself as a full-time author wanting to make the world a better place. My books use state-of-the-art scholarship for history you can read on the beach, and focus on ‘hinge’ moments, great turnings of the world, as well as on forgotten and unsung heroes.
What ideas do you have about what the first peoples were like, and how human society developed?
Maybe you’ve even read the popular authors on this topic such as Diamond, Harari, Pinker, Hobbes, and Rousseau. Prepare to have all of your notions and received opinions upended and turned to dust by David Graeber (a man universally acknowledged as a genius) and the book he worked on for the last ten years of his life, which brings revolutionary ideas to 30,000 years of civilization.
A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation.
For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction…
I was a quiet kid who had trouble understanding people. I preferred being on my own, exploring remnants of logging camps and abandoned mines in the woods that surrounded my small town. In archaeology, I found a way to improve my comprehension of humans and still go exploring the object world. For me, archaeology is not about the distant past, nor about a set of methods. Rather, it is a way of seeing the world. As I write, I try to help the reader train their own archaeological eye in order to re-calibrate their ideas about what is possible in the past, present, andfuture.
Originally published in 1977, this book has inspired four, maybe five, generations of archaeologists and enthusiasts of early American history. It is a model for how to write elegant stories based on groundbreaking research. And it has yet to be surpassed. I count myself a "granddaughter" of Jim Deetz, a founding figure of historical archaeology – that hybrid of history and archaeology focused on the "modern" world, from the invention of the printing press to the present. If you are curious about what everyday life was like in colonial America for regular people, start here. In Small Things offers a tangible history of human experiences that would otherwise be forgotten.
A fascinating study of American life and an explanation of how American life is studied through the everyday details of ordinary living, colorfully depicting a world hundreds of years in the past.
History is recorded in many ways. According to author James Deetz, the past can be seen most fully by studying the small things so often forgotten. Objects such as doorways, gravestones, musical instruments, and even shards of pottery fill in the cracks between large historical events and depict the intricacies of daily life. In his completely revised and expanded edition of In Small Things Forgotten, Deetz has added…
I was a quiet kid who had trouble understanding people. I preferred being on my own, exploring remnants of logging camps and abandoned mines in the woods that surrounded my small town. In archaeology, I found a way to improve my comprehension of humans and still go exploring the object world. For me, archaeology is not about the distant past, nor about a set of methods. Rather, it is a way of seeing the world. As I write, I try to help the reader train their own archaeological eye in order to re-calibrate their ideas about what is possible in the past, present, andfuture.
Archaeologists don't always focus on the distant past, and they don't always excavate. They comb the surface of landscapes, picking up material clues to human experiences that are often left undocumented. None more willfully buried in plain sight than the hardships of undocumented migrants trying to make it across the Sonoran desert and the brutal politics of the U.S.-Mexico border. With poignant photographs by collaborator Michael Wells, De Léon's account is unapologetically factual and deeply moving.
In his gripping and provocative debut, anthropologist Jason De Leon sheds light on one of the most pressing political issues of our time-the human consequences of US immigration policy. The Land of Open Graves reveals the suffering and deaths that occur daily in the Sonoran Desert of Arizona as thousands of undocumented migrants attempt to cross the border from Mexico into the United States. Drawing on the four major fields of anthropology, De Leon uses an innovative combination of ethnography, archaeology, linguistics, and forensic science to produce a scathing critique of "Prevention through Deterrence," the federal border enforcement policy that…
I was a quiet kid who had trouble understanding people. I preferred being on my own, exploring remnants of logging camps and abandoned mines in the woods that surrounded my small town. In archaeology, I found a way to improve my comprehension of humans and still go exploring the object world. For me, archaeology is not about the distant past, nor about a set of methods. Rather, it is a way of seeing the world. As I write, I try to help the reader train their own archaeological eye in order to re-calibrate their ideas about what is possible in the past, present, andfuture.
Leaping the false fences between ethnography, archaeology, and art history, Weismantel demonstrates that one of the best ways to get in touch with people living in the deep past is to pick up the objects they made and play with them. Funny, creative, sexy, and cool, this is the best book built around artifacts that I have ever read and it has made me realize just how animate objects really are. You will learn about sex, about ancient cultures of the Andes, and about how someone living 1500 years ago might still be pulling your leg.
More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche "sex pots," as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp.
In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as…
As a youngster I used to drive my parents crazy because I was so passionate about recycling. I rekindled this passion about five years ago and started Everyday Recycler. Through my website I help people improve their recycling habits by offering actionable instructions with a focus on explaining how recycling works and its intrinsic value. I also advocate strongly for recycled products. I believe that by purchasing recycled products, we can help generate demand for the materials we toss in our recycling bin and contribute to the overall success of recycling. These works have educated and inspired me over the years. I hope they inspire you as much.
Garbology is the wake up call we all need! It’s shocking and eye-opening and because of this it's an excellent place to start reassessing our own understanding of waste.
Despite being published in 2013, it remains extremely relevant. Unfortunately, the stats reported in the book have not improved all that much over the last decade. Not only does the author highlight the issues of our waste but he introduces you to the reality of the political, economic, and logistical nightmare that is waste management.
It's really important that we understand these challenges in order to accept the imperfections of waste management and recycling. Doing so saves us from getting discouraged when things don’t always work and feeling like giving up recycling altogether.
A Pulitzer Prize–winning journalist takes readers on a surprising tour of America’s biggest export, our most prodigious product, and our greatest legacy: our trash
The average American produces 102 tons of garbage across a lifetime and $50 billion in squandered riches are rolled to the curb each year. But our bins are just the starting point for a strange, impressive, mysterious, and costly journey that may also represent the greatest untapped opportunity of the century.
In Garbology, Edward Humes investigates trash—what’s in it; how much we pay for it; how we manage to create so much of it; and how…
A children's DK book presented green clubs and made sustainability fun: of course, I started a club with my friends. In college, an Environmental Justice class professed methods for cooperation but focused only on devastation—so depressing that change seemed pointless; every story went: "1) horrible thing, 2) drawing attention, 3) corporations erode results." The class catalyzed my interest in changing the climate narrative. There are always triumphs to celebrate, stories of vision and excitement; that's what matters to me. It's what the DK book I loved as a child gave me, and what I hope to be able to give to others as an editor at PoeticEarthMonth.com.
Paul Connett talks about his experiences with towns and cities in helping them go zero-waste—that is, where the entire town reduces their landfill use. Includes fascinating systemic observations and heartening stories about how change can happen and how sustainability on the city level is possible.
Connett also discusses what kind of messaging works to get people on board, what flops, and all in all this is a great book for people who want to get into the nuts and bolts of making positive change.
Waste is something we all make every day but often pay little attention to. That's changing, and model programs around the globe show the many different ways a community can strive for, and achieve, zero-waste status.
Scientist-turned-activist Paul Connett, a leading international figure in decades-long battles to fight pollution, has championed efforts to curtail overconsumption and keep industrial toxins out of our air and drinking water and bodies. But he's best known around the world for leading efforts to help communities deal with their waste in sustainable ways-in other words, to eliminate and reuse waste rather than burn it or…
Science is a way to make sense of the world, whatever the subject, and so are Comics. We are British and reserved, but passionately love science and comics. There are some excellent comics that tell stories about people - Maus, Persepolis, Fun Home. But, there are fewer that try to explain ideas without a strong biographical bent. Here are five comics that are, we think, just a little bit more about ideas than people. They're also fabulous examples of how well comics can communicate sophisticated information, without hype. and in a way that reaches any thinking person, whatever their age or place in life. We are, respectively, two retired neuroscientists, a children's non-fiction author, and an artist.
We've all grown up reading, and continue to read, comics from Germany, Britain, France, Belgium, Japan, and even the USA.
One of those books that tells you about a topic most people never think about - in this case, your trash. Partly semi-autobiographical about the time Backderf spent as a a trash collector but interspersed with general info about America's love of waste and where it all ends up. Backderf's hyper-exaggerated figures render everything fun to read, with a cynical but accurate eye towards human behavior. It's also painstakingly detailed, and the depictions of the gigantic dumps at the edges of towns cannot be unseen. We all know that trash smells terrible - and boy does this book manage to convey how much worse the smell of a whole canyon full of trash can be.
Every week we pile our rubbish out on the pavement. We go to work and when we return it's gone. Like magic! The reality is anything but, of course. Trashed, Derf Backderf's follow-up to the critically acclaimed, award-winning national bestseller My Friend Dahmer, is a working man's epic. An ode to the crap job of all crap jobs-but anyone who has ever been trapped in a soul-sucking gig can relate to this tale. Trashed takes place after Derf graduates high school, when he and his childhood pals find themselves working as garbagemen in their Midwestern hometown. Together they clean the…
I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
Years ago, I was a janitor. When I would take a shower, it was like I could never get the stench off my body. I like Susan Strasser’s book because it reminds me of the waste I use to clean up daily. She examines the most unprecedented commonplace act of throwing things out and how it has transformed American society.
Her classic book about trash world culture is fascinating to me because, in the last hundred years, the way of life has been replaced by mass consumption, disposable goods, and waste on an unimaginable scale. Her book could easily be used as a metaphor for the ‘homeless,’ whom some view as “disposable’ goods. Her book illustrates that what counts as trash depends on who counts it, and what we throw away defines us as much as we keep it.
Strasser argues that in Western society, popular understanding of cleanliness, gender,…
An unprecedented look at that most commonplace act of everyday life-throwing things out-and how it has transformed American society.
Susan Strasser's pathbreaking histories of housework and the rise of the mass market have become classics in the literature of consumer culture. Here she turns to an essential but neglected part of that culture-the trash it produces-and finds in it an unexpected wealth of meaning.
Before the twentieth century, streets and bodies stank, but trash was nearly nonexistent. With goods and money scarce, almost everything was reused. Strasser paints a vivid picture of an America where scavenger pigs roamed the streets,…
I am a teacher, author, & parent, determined to help keep our earth healthy for future generations. A few Earth Days ago, my students asked why we only set aside one day a year to practice eco-healthy habits. Good question! As a teacher, I know how crucial it is for authors to get our facts right. Before writing Dear Earth… I read stacks of books and articles on our environment. I am indebted to science expert & author Melissa Stewart, and my friend Patricia Newman (Plastic Ahoy!; Planet Ocean / Lerner), as well. I sincerely hope Dear Earth… and the books on my list inspire Earth Heroes everywhere--every day.
What a Waste is the perfect nonfiction pairing for Dear Earth, packed with in-depth information, not only on everyday habits that hurt our environment, but super important (and simple) actions Earth Heroes, young and old, can take to change these habits. I can just see the kids in Room 5 using this book as a reference each month for their eco-friendly projects.
In this informative book on recycling for children, you will find everything you need to know about our environment. The good, the bad, and the incredibly innovative. From pollution and litter to renewable energy and plastic recycling.
This educational book will teach young budding ecologists about how our actions affect planet Earth and the big impact we can make by the little things we do.
Did you know that every single plastic toothbrush ever made still exists? Or that there is a floating mass of rubbish larger than the USA drifting around the Pacific Ocean?
A children's DK book presented green clubs and made sustainability fun: of course, I started a club with my friends. In college, an Environmental Justice class professed methods for cooperation but focused only on devastation—so depressing that change seemed pointless; every story went: "1) horrible thing, 2) drawing attention, 3) corporations erode results." The class catalyzed my interest in changing the climate narrative. There are always triumphs to celebrate, stories of vision and excitement; that's what matters to me. It's what the DK book I loved as a child gave me, and what I hope to be able to give to others as an editor at PoeticEarthMonth.com.
Finish your eco-book collection with this darkly whimsical fairy tale by Helen Ward, illustrated by Wayne Anderson.
The story is about a man whose house is on a trash heap, and how he changes his environment for the better by creating a forest out of what he has on hand. A perfect metaphor for the principles of change, illustrated with beautiful colored pencil that creates a shimmering otherworldly space—a story for both kids and adults to cherish.
Helen Ward's tale of The Tin Forest follows an old man who tidies the rubbish in a junkyard and dreams of a better place. With faith, ingenuity and hard work, he transforms it into a wonderland in this poetic modern fable.
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