Fans pick 100 books like Rainbirds

Sent off to the old Derbyshire farm to convalesce, Penelope Taverner opens a door, steps into the world of the tragic stand-off between Mary Queen of Scots and Elizabeth of England, and hardly notices she's time-travelling.

She's just there, among people who dress a little strangely: accepted as exactly what she is, the daughter of an old family connection, come to stay for a while. Nothing can be done. Mary of Scots can't be saved; nor can the courageous Babingtons. It's intense and a bit voyeurish in a way, because the time-traveller is always going to walk away unharmed from tragedy, if not untouched.

I loved this story when I was a child, but what I notice most as an adult writer is Alison Uttley's method with the time travel: a real innovation. No clunky explanation, no clever rationale. It's all about hints and glimpses, haunting fragments; drifting into each… show more.

I find H.Rider Haggard's famous tales of adventure (e.g. King Solomon's Mines) pretty disgusting: bunch of white guys in southern Africa, where they can slaughter and loot at will, far from the constraints of “civilised” society.

But “She” is one of a kind. A perilous wilderness, where the people who put pots on the heads of strangers have a very sinister outlook on life (these are cooking pots, and this is a stranded population, desperate for protein). Their immortal goddess (originally Ancient Greek?) lives in a tomb, doesn't seem to eat or drink; talks like a spoilt, entitled Victorian debutante, and fascinates our hero.

I imagine the author, a humble civil servant when not dreaming of glorious gory derring-do, met young ladies of her kind socially, and was snubbed a few times. She pays... and I won't spoil the horror of it for you, but it's pretty bad! A guilty… show more.

George MacDonald was a Scottish preacher who turned to fantasy fiction, and became a sort of Victorian superstar: “Queen Victoria gave copies of Robert Falconer to her grandchildren. Everybody read his books—Lewis Carroll, John Ruskin, H.G. Wells, Charles Dickens, Edna Lyall, Mark Twain . . . as well as the queen herself.”

I don't think I can explain the attraction to modern reader, you'll get it or you won't: I first met his novel-length “romances” (Phantastes and Lilith) when I was eight, suffering after a horrible trip to the dentist, and found the stories very weird and comforting. Whereas most “fairy tales” are quite brutal, if you're paying attention.

R.Murray Gilchrist was a Derbyshire man from a good Derbyshire family, liked or loved by the local people he met and helped, but a loner, a total oddity in the wild English Peak District of a hundred years ago: who wanted to be an artist of all things.

His stories are grotesque, sad, touching, and strange; all at once. He doesn't seem to set out to frighten the reader, not at all, but there's a sense of eerie, rather dreadful, longing that will haunt you. As Ellis Reed says (read the article), this was Lovecraft before Lovecraft, but with no cute tentacled monsters to lighten things up. Don't read them all at once.

I actually found this book on a recent trip to Japan, as it has finally been translated into English. Set in 1869, at the dawn of the tumultuous Meiji Era, a series of murders plague Tokyo. Inspectors Kazuki and the real-life Toshiyoshi Kawaji are called in to investigate, leading them through the lowest and highest parts of the city.

As a historical fiction writer myself, I am extremely partial to novels in this genre, especially historical crime thrillers. This book fills a spot which is relatively unknown in the West and one I highly recommend.

What if Jews settled in Alaska instead of Israel? There is a question I’d never asked, but I loved chewing on it. Alternative histories are great at exploring questions of cause and effect, the rippling power of people and places, and the very existence of fate.

They are not to everyone’s taste, so how about a murder mystery instead? Let’s call it that, and you won’t be put off by worries about excessive background and explanation. When exposition comes in the form of detective work, it is so much more palatable. And personal. Chabon feeds the reader ideas the way one might sneak a dog medicine–wrapped in something that goes down easy.

This debut author's story takes place in the beautiful city of Edinburgh—beautiful for some, but not all. I very much enjoyed this mystery, a tale of a female medical student’s efforts to find out what happened to a dead prostitute. What really sets it apart for me is the true-to-life description of the city’s underbelly.

Whether it is the infirmary that treats the poverty-stricken, the downcast, and those forced into a life of wrongdoing, or the crime-infested slums where shady deals and illegal trades are carried out with little regard for the arm of the law, I felt as though I was right there.  

I enjoyed being along for this wacky ride as Finlay accidentally gets herself hired as a contract killer, disposes of a body, and navigates the criminal underworld–all while raising her two small children and dealing with her infuriating ex-husband. There’s a love triangle in this book, but the relationship I enjoyed most was the friendship that develops between Finlay and Vero, her former nanny turned partner in crime.

This story is completely absurd, laugh-out-loud funny, and very suspenseful. 

We first meet Cassie Maddox in Tana French’s debut book, In the Woods, but in her second showing, she really shows her mettle. Recovering from the betrayal she undergoes in the investigation of a brutal child’s murder in the first book, Cassie is recruited for an undercover assignment to solve another murder – but this time, it’s the death of a young woman who she eerily resembles. Cassie must pretend to be the dead woman and gain the trust and confidence of the group of charismatic oddballs who were the closest friends of the victim. I loved Donna Tartt’s The Secret History and The Likeness is something of an homage to that modern classic – with a heroine who’s brave, scrappy, and determined to see the case through to the bitter end.

This book was such fun to read! It's really unusual in that it's told entirely by letters, emails, and text messages. It has no chapters and invites lots of flicking pages back and forth to go back and check things, so it's super interactive (I was glad I got the paperback!). I really liked that most of the characters are unlikeable, and none of them seem to like each other very much, either. I LOVE unlikeable characters.

On top of that, much of the information they give in the letters is unreliable at best or completely untrue at worst. This book is a murder mystery, but it takes ages to find out who's dead, and by the time I found out, I'd wanted most of the characters to have been killed off–they really are a nasty lot! This book was totally original and very clever, and I adored it from… show more.